Lullabies & Confessions is an exquisite book of poetry about parenting and being parented. This volume includes over 100 poems by 45 different poets. The contributors include award winning-poets, therapists and counselors, and parents. Lullabies & Confessions is entertaining and growth-facilitating. The 11th book in the Poetry, Healing, and Growth Series, this book is designed to help readers experience personal growth and deepen self-awareness on their own experience of parenting and being parented. Also included are several exercises to help readers engage more deeply with the poems and begin writing their own poems about the parenting experience.
At age nineteen, author Teri OShea joined Peoples Temple in California led by Jim Jones. A member for seven years, she escaped Peoples Temple three weeks before the massacre in Jonestown, Guyana. The raw and powerful poems in Jonestown Lullaby explore her experience in Jonestown and the aftermath of her survival. A personal confidant to Jim Jones for seven years, OShea writes about the harrowing nightmare of Jonestown with an intensity and passion seldom captured in poetic form. Teri was the last person to escape Peoples Temple before the massacre in Jonestown; now, she turns to writing to help find her way back to a more peaceful life. Jonestown Lullaby records her voyage, with vivid, stark images of the bewildering world that was Jonestown and the pathological madness of Jim Jones. Teri includes photographs of some of the Peoples Temple members who lived and lost their lives there; revealing an aspect of Jonestown rarely seen. This is her tribute to those who died so tragically. I Write I write from the poor side of silence Of an unholy priesthood that Captured my soul for a time These poems Neither confession nor biography Follow the voyage of a lonely spirit Into a realm where there are no answers
Featuring 15 explosive new chapters, this new edition of the New York Times bestseller brings the story of Economic Hit Men up-to-date and, chillingly, home to the U.S.―but it also gives us hope and the tools to fight back. The previous edition of this now-classic book revealed the existence and subversive manipulations of "economic hit men. John Perkins wrote that they are highly paid professionals who cheat countries around the globe out of trillions of dollars. Their tools include fraudulent financial reports, rigged elections, payoffs, extortion, sex, and murder. In Perkins's case the tool was debt-convincing strategically important countries to borrow huge amounts of money for enormous, development projects that served the very rich while driving the country deeper into poverty and debt. And once indebted, these countries could be controlled. In this latest edition, Perkins provides revealing new details about how he and others did their work. But more importantly, in an explosive new section he describes how the EHM tools are being used around the world more widely than ever-even in the U. S. itself. The cancer has metastasized, yet most people still aren't aware of it. Fear and debt drive the EHM system. We are hammered with messages that terrify us into believing that we must pay any price, assume any debt, to stop the enemies who, we are told, lurk at our doorsteps. The EHM system-employing false economics, bribes, surveillance, deception, debt, coups, assassinations, unbridled military power-has become the dominant system of economics, government, and society today. It has created what Perkins calls a Death Economy. But Perkins offers hope: he concludes with dozens of specific, concrete suggestions for actions all of us can take to wrest control of our world away from the economic hit men, and help give birth to a Life Economy.
Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Summer nights and star-crossed lovers! From USA Today bestselling author Sarina Bowen. Once upon a time, he gave me a summer of friendship, followed by one perfect night. We shared a lot during our short time together. But he skipped a few crucial details. I didn’t know he was a rock star. I didn’t know his real name. Neither of us knew I’d get pregnant. And I sure never expected to see him again. Five years later, his tour bus pulls up in Nest Lake, Maine. My little world is about to be shattered by loud music and the pounding of my own foolish heart. ***** Perfect for fans of: Helena Hunting, Elle Kennedy, Catherine Gayle, Avon Gale, Toni Aleo, Kristen Callihan, LJ Shen, Mona Kasten, Corinne Michaels, Jana Aston, Karina Halle, Meghan March, Jay Crownover, Anna Todd, Geneva Lee, Audrey Carlan, Jill Shalvis, Suzanne Brockmann, Helen Hoang, Christina Lauren, Kristan Higgins, Sally Thorne, Penelope Sky, Vi Keeland, Penelope Ward, Debbie Macomber, Nora Roberts, Maisey Yates, Sarah Mayberry, Elle Kennedy, Lauren Blakely, Susan Mallery, Penny Reid, Julia Kent, Kelly Jamieson, Melanie Harlow, Carrie Ann Ryan, Kendall Ryan, Kennedy Ryan, Helen Hardt, Meghan March, Julia Kent, Meli Raine, Sylvia Day, Chelle Bliss, Brenda Rothert, Natasha Madison, Kylie Scott, Helena Hunting, Sloane Kennedy, Penelope Sky, Elle Kennedy, K.A. Linde, Nana Malone, Jami Davenport, Jaci Burton, Penelope Sky, Helen Hardt, E.L. James, Anna Todd, Chelle Bliss, Kendall Ryan, Kennedy Fox, Kylie Scott, Devney Perry and Rebecca Yarros. Keywords: contemporary romance, hush note series, rockstar romance, rock stars, rock star romance, rockstars, first in a series, accidental pregnancy, secret baby, mistaken identity, friends to lovers.
London. Christmas, 1653. The king has been beheaded. Oliver Cromwell rules England. Cromwell’s Puritan Parliament has banned Christmas, declaring it a pagan holiday. Anyone caught celebrating the Twelve Days of Christmas risks arrest. Strong-willed and kind-hearted, Merry O'Cork is a young midwife with big problems. She is called late one night in a snowstorm to deliver the baby of Captain Javier’s wife. Tragically, his wife dies giving birth to a healthy baby boy. Merry suspects foul play. She must also fight off her ne’er-do-well husband, a gambler and rogue, face her growing attraction for the captain, and defend her reputation as a midwife. Follow the mystery that unfolds during the 12 days of Christmas revealing many suspects with motives that keeps you guessing until the very end.
Following the defeat of the Second Spanish Republic, María Zambrano (1904–1991) and Rosa Chacel (1898–1994), two of Spain's most gifted intellectuals and writers, wrote compelling meditations on the meaning of confession in life and literature. Noël Valis and Carol Maier provide the first complete English-language translations of these essays. Zambrano and Chacel were friends, if not always amicably so; supporters of the Republic; and exiles. Both disciples of the philosopher Ortega y Gasset, they were nevertheless able to establish their own creative independence in their writing. Not only do the essays address national issues centered on Spanish literature, culture, and history, they also offer a unique philosophical-spiritual and literary approach to confession within the areas of philosophy, literature, religion, autobiography, women's and gender studies, and cultural studies. The translators' introduction, afterword, and meticulous annotations supplement the texts.
