"David Craig has collected the most striking and exotic luggage labels from around the world. These miniature works of art were used for decades by first-class hotels to identify their guests' suitcases and trunks and then by the guests themselves to display their itineraries to the world. Here, reproduced in full color and actual size, are over 100 beautiful labels representing a wide variety of graphic styles dating back to the last century."--Jacket.
"Show me your luggage and I'll tell you who you are," proclaimed a 1920s Louis Vuitton slogan. World Tour takes readers back to a time when travel was a true adventure, when elegant passengers embarked on grand tours aboard ocean liners, took flight in the first airplanes, rode the Orient Express, journeyed to exotic locales, and stayed in one luxurious hotel after another. Throughout his life, the famous trunk maker and inveterate traveler Gaston-Louis Vuitton amassed a collection of over 3,000 hotel publicity stickers and labels, which globetrotters proudly affixed to their luggage. Spanning the 1920s to the 1950s, this book features more than 900 labels, a wealth of period photographs, and vintage postcards, all from around the globe, including the favorite destinations and pursuits of cosmopolitan travelers: seaside stays on the French Riviera, skiing in Chamonix and Zermatt, cultural tours of Athens and Mexico, beach vacations in Honolulu and Capri, and more. Praise for World Tour "Guaranteed to trigger wanderlust." --The New York Times Book Review
Evocative of luxury ocean liners and steamer trunks packed with elegant evening clothes, this treasury of antique luggage labels reveals a glamorous bygone age. Fifty-three colorful, stylish stickers recall the grand hotels of Rome, Cairo, London, Amsterdam, Zürich, and other cities, as well as Air France, Matson Steamship Line, and other carriers.
In the years between 1880 and 1939, foreign travel was exciting, adventurous, and tinged with uncertainty. This charming volume returns us to the age of luxury jaunts to exotic places. Filled with nostalgic memorabilia--pictures of steamship tickets, travel brochures, postcards, and luggage labels--the book reminds us of glamorous destinations, grand hotels, and the lure of anticipation. 200 full-color illustrations.
The true stroy of the longest-distance hijacking in American history. In an America torn apart by the Vietnam War and the demise of '60s idealism, airplane hijackings were astonishingly routine. Over a five-year period starting in 1968, the desperate and disillusioned seized commercial jets nearly once a week, using guns, bombs, and jars of acid. Some hijackers wished to escape to foreign lands; others aimed to swap hostages for sacks of cash. Their criminal exploits mesmerized the country, never more so than when shattered Army veteran Roger Holder and mischievous party girl Cathy Kerkow managred to comandeer Western Airlines Flight 701 and flee across an ocean with a half-million dollars in ransom—a heist that remains the longest-distance hijacking in American history. More than just an enthralling story about a spectacular crime and its bittersweet, decades-long aftermath, The Skies Belong to Us is also a psychological portrait of America at its most turbulent and a testament to the madness that can grip a nation when politics fail.
A graphic compendium of vintage American design and typography. Junk Type is a project driven by the passion of one man to document a disappearing aspect of American culture. Bill Rose—aka Recapturist—is a photographer and designer who has spent the last decade traveling across America looking for junkyards, yard sales, antique stores, and other unlikely sources of inspiration to capture examples of postwar American typography and design before they’re lost forever. Bringing together more than 400 images, this invaluable book is a visual history of postwar America, told through the distinct typography, icons, badges, and branding of the country’s industrial heritage. From Art Deco–inspired fonts and unique handmade cursive lettering to illustrated insignia and clean graphic logos bearing the influence of European design of the 1960s, these pictures together represent an encyclopedic reference of creative typefaces and graphics. With each photograph representing just a detail—an embossed logo, a specially created icon, or an advertising slogan—this book captures the optimism and pragmatism of a golden age of American industrial creativity and distills it into a charming resource for anyone with an eye (or nostalgia) for vintage design.
From the earliest resthouses serving travelers on the Overland Route between Britain and Bombay to the grand Edwardian palaces on the Nile that made Egypt the exotic alternative to wintering on the Riviera, the hotels of Alexandria, Cairo, Luxor, and Aswan were always about far more than just bed and board. As bridgeheads for African exploration, neutral territories for conducting diplomacy, headquarters for armies, providers of home comforts for writers, painters, scholars, and archaeologists in the field, and social hubs for an international elite, more of importance happened in Egypt's hotels than in any other setting. It was through the hotels that visitors from the west--the earliest adventurers, then the travelers and, finally, the tourists--experienced the Orient. This book tells the stories of Egypt's historic hotels (including the Cecil, Shepheard's, the Mena House, Gezira Palace, Semiramis, Winter Palace, and Cataract) and some of the people who stayed in them, from Amelia Edwards, Lucie Duff Gordon and Florence Nightingale to Agatha Christie, Conan Doyle, Winston Churchill, and TE Lawrence.
