The very name Lucrezia Borgia conjures up everything that was sinister and corrupt about the Renaissance—incest, political assassination, papal sexual abuse, poisonous intrigue, unscrupulous power grabs. Yet, as bestselling biographer Sarah Bradford reveals in this breathtaking new portrait, the truth is far more fascinating than the myth. Neither a vicious monster nor a seductive pawn, Lucrezia Borgia was a shrewd, determined woman who used her beauty and intelligence to secure a key role in the political struggles of her day. Drawing from a trove of contemporary documents and fascinating firsthand accounts, Bradford brings to life the art, the pageantry, and the dangerous politics of the Renaissance world Lucrezia Borgia helped to create.
Lucrezia Borgia is among the most fascinating and controversial personalities of the Renaissance. The daughter of Pope Alexander VI, she was intensely involved in the political life of Italy during the late fifteenth and early sixteenth centuries. While her marriage alliances helped advance the political objectives of the papacy, she also held the office of Governor of Spoleto, a role normally reserved for Cardinals, making her one of the most powerful and dynamic female figures of the Renaissance. Among the first books to employ historical method to move beyond myth and romance that had obscured the fascinating story of Lucrezia Borgia was this biography written by the noted German historian Ferdinand Gregorovius. Ferdinand Gregorovius (1821-1891) was one of the preeminent scholars of the Italian Renaissance. His biography of Lucrezia Borgia reveals the atmosphere of the Renaissance, painting a portrait of Lucrezia and her relationships with her father Rodrigo Borgia, Pope Alexander VI, her brother Cesare, her mother Vanozza, her father’s mistress, Giulia Farnese, her husband Duke Alfonso D’Este of Ferrara, and many others, including important artists and writers of the time. All are vividly portrayed against the colorful background of Renaissance Italy. Gregorovius separates myth from documented fact and his book remains a key reference work on the life and times of the Borgia princess. This new edition of Gregorovius’s classic work Lucrezia Borgia is enhanced with an introduction by Samantha Morris, a noted expert on the history of the Borgias. Samantha studied archaeology at the University of Winchester where her interest in the history of the Italian Renaissance began. She is the author of Cesare Borgia: In a Nutshell and Girolamo Savonarola: The Renaissance Preacher. She also runs the website theborgiabull.com.
“A fascinating story, rich in detail. In every case, Faunce portrays [Lucrezia] believably, with wit and sensitivity.”--Library Journal Hundreds of years after her death, Lucrezia Borgia remains one of the most enigmatic and notorious women of history, accused of incest, of poisoning her rivals, and even of murdering her own father. Born into scandal, she was the daughter of the treacherous Cardinal Roderigo Borgia, who would later be crowned Pope Alexander VI. When her father ascended the papal throne, young Lucrezia’s life changed forever. From then on, Lucrezia would be unable to escape the political ambitions of her father and her brother, the bloodthirsty Cesare Borgia. In an era when the Vatican was as decadent and violent as any royal court, Lucrezia was its crown princess. Famed for her beauty, she was a valuable pawn in the marriage game, and Alexander VI would use her to create one alliance after another. When her kindly first husband no longer suited the Pope’s needs, Lucrezia’s virginity was restored by papal decree (her new maidenhood was declared “miraculous”), and she was married off again, this time to a man she truly loved, Alfonso, Prince of Naples. But her joy was short-lived. Alfonso loathed her brother and refused to participate in the Pope’s imperial schemes, which threatened to tear apart the Vatican’s political alliances--and Lucrezia’s happy marriage. In this unforgettable debut, John Faunce perfectly captures the rotten decadence of the Borgias’ papal court and the inner steel of Lucrezia Borgia, one of history’s great survivors. “Fascinating...a searing portrait of an intelligent woman, cunning enough to shape her own bizarre destiny.”--Booklist
"Poisoner!" The bellowed accusation strikes into silence all those in Lucrezia Borgia's audience chamber. Lucrezia has fled Rome to a loveless marriage with Alfonso, heir to the duke of Ferrara, to escape the rumors that she is utterly depraved---incestuous, a lecher, a poisoner. To her delight she is warmly welcomed in Ferrara, by the duke, by his court, by the people, indeed by everyone except her husband. And then, after only six weeks of basking in the warmth of general approval, Alfonso rushes into her apartment and accuses her of poisoning Bianca Tedaldo, one of her ladies in waiting and mistress to Alfonso. Immediately, Lucrezia sees the nightmare of her life in Rome recurring. The whispers behind her back, the signs to ward off evil, people making out their wills when she invites them to share a meal. To deny the charge is useless. Lucrezia knows all too well the futility of claiming innocence even when the claim is clearly and plainly true. The only way for her to retrieve her reputation is to discover who committed the crime and expose the true murderer.
Lucrezia Borgia is one of the most vilified women in modern history. The daughter of a notorious pope, she was twice betrothed before the age of eleven and thrice married—one husband was forced to declare himself impotent and thereby unfit and another was murdered by Lucrezia’s own brother, Cesar Borgia. She is cast in the role of murderess, temptress, incestuous lover, loose woman, femme fatale par excellence. But there are two sides to every story. Lucrezia Borgia is the only woman in history to have serve as the head of the Catholic Church. She successfully administered several of Renaissance Italy’s most thriving cities, founded one of the world’s first credit unions, and was a generous patron of the arts. She was mother to a prince and to a cardinal. She was a devoted wife to the Prince of Ferrara, and the lover of the poet Pietro Bembo. She was a child of the renaissance and, in many ways, the world’s first modern woman. In this richly imagined novel, Nobel laureate Dario Fo reveals Lucrezia’s humanity, her passion for life, her compassion for others, and her skill at navigating around her family’s evildoings. The Borgias are unrivalled for the range and magnitude of their political machinations and opportunism. Fo’s brilliance rests in his rendering their story as a shocking mirror image of the uses and abuses of power in our own time. Lucrezia herself becomes a model for how to survive and rise above those abuses. Part Wolf Hall, part House of Cards, The Pope's Daugther will appeal to readers of historical fiction and of contemporary fiction alike and will delight anyone fascinated by Renaissance Italy.
The stories about the Lucrezia Borgia's life - ruthless manipulator, possessor of a poison ring, sexual predator - often overshadow the more nuanced and fascinating story of her life. She was born on April 18, 1480, the illegitimate daughter of future Pope Alexander VI, then Cardinal Rodrigo Borgia and his long-time mistress Vannozza dei Cattanei. She inherited her mother's stunning looks - she was known for her slender figure, gray-blue eyes, and blonde hair. When her father became pope, he sought to consolidate his power and arranged a marriage between fourteen-year-old Lucrezia and the first of her three husbands, twenty-eight-year-old Giovanni Sforza. Shortly after the marriage, Alexander, concluded he no longer needed an alliance with the Sforza family. He ordered Giovanni's assassination, but when the young bridegroom escaped, ended Lucrezia's marriage by ordering an annulment. Following the lengthy annulment process - during which Lucrezia was accused of having an affair and a child with Alexander's chamberlain Pedro Calderon, whose body was later found floating in Rome's Tiber River, “where he fell against his will” - Lucrezia was married to Alfonso of Aragon in 1498. Alexander appointed a pregnant Lucrezia governor of the Umbrian town of Spoleto in 1499. Alfonso, wary of shifting political alliances, fled Rome for a brief time, but returned in 1500, where he was murdered. Alfonso left Lucrezia with a son, Rodrigo. After Alfonso's conveniently timed murder, Alexander arranged a third marriage for Lucrezia, to Alfonso I d'Este, a powerful duke. The two had several children, and Lucrezia came into her own as a Renaissance woman, overcoming her scandalous reputation - despite several affairs - and maintaining her position and power as the Borgia family's influence and fortunes fell following Alexander's death. Lucrezia Borgia was a woman of and ahead of her time. Here is her little-told story.
A voice from the 15th century calls to Anya Peterson, and she becomes obsessed by a man in a dream. Cesare Borgia invades her life, destroying her relationship with Antonio, the man she loves.
