When Roger, the alpha of the North American shifter pack, shows up at Reagan's door with the news that a demon has made it to the Underworld with knowledge of her, some hard decisions have to be made. Does she stay in hiding, with the help of her magical friends, or does she risk her life by seeking out the demon to end the threat?
Routledge is now re-issuing this prestigious series of 204 volumes originally published between 1910 and 1965. The titles include works by key figures such asC.G. Jung, Sigmund Freud, Jean Piaget, Otto Rank, James Hillman, Erich Fromm, Karen Horney and Susan Isaacs. Each volume is available on its own, as part of a themed mini-set, or as part of a specially-priced 204-volume set. A brochure listing each title in the "International Library of Psychology" series is available upon request.
The myth of light and progress has blinded us. In our electric world, we are everywhere surrounded by effortlessly glowing lights that simply exist, as they should, seemingly clear and comforting proof that human genius means the present will always be better than the past, and the future better still. At best, this is half the story. At worst, it is a lie. From whale oil to kerosene, from the colonial period to the end of the U.S. Civil War, modern, industrial lights brought wonderful improvements and incredible wealth to some. But for most workers, free and unfree, human and nonhuman, these lights were catastrophes. This book tells their stories. The surprisingly violent struggle to produce, control, and consume the changing means of illumination over the eighteenth and nineteenth centuries transformed slavery, industrial capitalism, and urban families in profound, often hidden ways. Only by taking the lives of whalers and enslaved turpentine makers, match-manufacturing children and coal miners, night-working seamstresses and the streetlamp-lit poor—those American lucifers—as seriously as those of inventors and businessmen can the full significance of the revolution of artificial light be understood.
On a chilly, gray autumn afternoon in 1984, a patrolman was dispatched to an inner-city tenement in Auburn, Maine to investigate the report of a possible fire. What he found inside the building's smoke-filled, second-story apartment was not a fire but something far more horrifying -- the charred body of a 4-year-old girl, Angela Palmer, who had been stuffed into the oven of a kitchen stove and cooked to death. The discovery traumatized the community and shocked the country. The ensuing murder prosecution of the youngster's mother, Cynthia Palmer, and her boyfriend, John Lane, cast a searching light into the shadows of a secret world in which children and women suffer violence and sexual predation at the hands of those who are supposed to love and protect them.
Disillusioned by the darker side of Venice, English cataloguer Daniel Forster discovers a lost musical masterpiece within a library of dusty manuscripts and is drawn into a treacherous game of deception that spans three centuries, from the periods of Vivaldi and Rousseau to the present. Reprint. 20,000 first printing.