Lucian: Prefatory note The downward journey or the tyrant Zeus catechized Zeus rants The dream or the cock Prometheus Icaromenippus or the sky man Timon or the misanthrope Charon or the inspectors Philosophies for sale Index

Lucian: Prefatory note The downward journey or the tyrant Zeus catechized Zeus rants The dream or the cock Prometheus Icaromenippus or the sky man Timon or the misanthrope Charon or the inspectors Philosophies for sale Index

Author: Lucian (of Samosata.)

Publisher:

Published: 1919

Total Pages: 536

ISBN-13:

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LUCIAN (c. 120-190 A.D.) the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful travelling lecturer, before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt. Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the dialogues in which he satirises human folly, superstition and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall stories about a voyage to the moon), Dialogues of the Gods (a 'reductio ad absurdum' of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal (philosophers misbehave at a party), Timon (the problems of being rich), Twice accused (Lucian's defence of his literary career) and (if by Lucian) The ass (the amusing adventures of a man who turned into an ass).


Lucian: The downward journey, or, The tyrant. Zeus catechized. Zeus rants. The dream, or, The cock. Prometheus. Icaromenippus, or, The sky-man. Timon, or, The misanthrope. Charon, or, The inspectors. Philosophies for sale

Lucian: The downward journey, or, The tyrant. Zeus catechized. Zeus rants. The dream, or, The cock. Prometheus. Icaromenippus, or, The sky-man. Timon, or, The misanthrope. Charon, or, The inspectors. Philosophies for sale

Author: Lucian (of Samosata.)

Publisher:

Published: 1960

Total Pages: 548

ISBN-13:

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LUCIAN (c. 120-190 A.D.) the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful travelling lecturer, before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt. Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the dialogues in which he satirises human folly, superstition and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall stories about a voyage to the moon), Dialogues of the Gods (a 'reductio ad absurdum' of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal (philosophers misbehave at a party), Timon (the problems of being rich), Twice accused (Lucian's defence of his literary career) and (if by Lucian) The ass (the amusing adventures of a man who turned into an ass).


Lucian

Lucian

Author: Lucian (of Samosata.)

Publisher:

Published: 1919

Total Pages: 556

ISBN-13:

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LUCIAN (c. 120-190 A.D.) the satirist from Samosata on the Euphrates, started as an apprentice sculptor, turned to rhetoric and visited Italy and Gaul as a successful travelling lecturer, before settling in Athens and developing his original brand of satire. Late in life he fell on hard times and accepted an official post in Egypt. Although notable for the Attic purity and elegance of his Greek and his literary versatility, Lucian is chiefly famed for the dialogues in which he satirises human folly, superstition and hypocrisy. His aim was to amuse rather than to instruct. Among his best works are A True Story (the tallest of tall stories about a voyage to the moon), Dialogues of the Gods (a 'reductio ad absurdum' of traditional mythology), Dialogues of the Dead (on the vanity of human wishes), Philosophies for Sale (great philosophers of the past are auctioned off as slaves), The Fisherman (the degeneracy of modern philosophers), The Carousal (philosophers misbehave at a party), Timon (the problems of being rich), Twice accused (Lucian's defence of his literary career) and (if by Lucian) The ass (the amusing adventures of a man who turned into an ass).


Lucian

Lucian

Author: Lucian (of Samosata.)

Publisher:

Published: 1968

Total Pages: 548

ISBN-13:

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Lucian (ca. AD 120-190), apprentice sculptor then traveling rhetorician, settled in Athens and developed an original brand of satire. Notable for the Attic purity and elegance of his Greek and for literary versatility, he is famous chiefly for the lively, cynical wit of the dialogues in which he satirizes human folly, superstition, and hypocrisy.


Caligula's Barges and the Renaissance Origins of Nautical Archaeology Under Water

Caligula's Barges and the Renaissance Origins of Nautical Archaeology Under Water

Author: John M. McManamon

Publisher: Texas A&M University Press

Published: 2016-12-09

Total Pages: 640

ISBN-13: 1623494397

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Sometime around 1446 A.D., Cardinal Prospero Colonna commissioned engineer Battista Alberti to raise two immense Roman vessels from the bottom of the lago di Nemi, just south of Rome. By that time, local fishermen had been fouling their nets and occasionally recovering stray objects from the sunken ships for 800 years. Having no idea of the size of the objects he was attempting to recover, Alberti failed. For most of the next 500 years, various attempts were made to recover the vessels. Finally, in 1928, Mussolini ordered the draining of the lake to remove the vessels and place them on the lake shore. In 1944, the ships burned in a fire that was generally blamed on the Germans. John M. McManamon connects these attempts at underwater archaeology with the Renaissance interest in reconstructing the past in order to affect the present. Nautical and marine archaeologists, as well as students and scholars of Renaissance history and historiography, will appreciate this masterfully researched and gracefully written work.


Jacob Brucker, Critical History of Philosophy: Preliminary Discourse and The Socratic School

Jacob Brucker, Critical History of Philosophy: Preliminary Discourse and The Socratic School

Author:

Publisher: Oxford University Press

Published: 2024-10-19

Total Pages: 273

ISBN-13: 0192662813

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It is well known that philosophy has a history that spans over more than two thousand years. It is less known, however, that the discipline narrating philosophy's past emerged much later, namely in the 18th century. That new discipline was called 'history of philosophy'. The German historian and theologian Johann Jacob Brucker (1696-1770) had a decisive influence upon the formation of this new discipline through his Latin work Historia critica philosophiae (Critical history of philosophy), which was first published in 1742-1744, and which came out in a second edition in 1766-1767. To Brucker it was paramount to define history of philosophy as a philosophical discipline, and not merely as a historical discipline. In order to achieve this, it was vital to define the new discipline's object and explain which material should be included or excluded, and it was crucial to define an interpretative and philosophical method to be deployed on the material selected. Brucker's Historia provided these definitions in the opening chapter, in the present volume translated as the 'Preliminary Discourse', where he also outlined a global scheme of periodization and geographical regions. Moreover, he put his own precepts to practice in the remaining part of the work, which accounted for what he regarded as a global history of philosophy from the beginning of the world up till his own times. The second chapter translated in the present book, 'The Socratic School', illustrates the hermeneutical consequences of the method laid down in the 'Preliminary Discourse', but it also offers a unique insight into the 18th-century understanding and evaluation of Socrates. In quantitative terms, Brucker's Historia was the most extensive account of philosophy's past produced in the 18th century. It was cited and paraphrased in the most authoritative encyclopaedias and histories of philosophy produced in Europe in the 18th and 19th centuries, and its key concepts were often transferred to histories of philosophy produced outside Europe. For this reason, Brucker's Historia has exerted an enormous influence upon historical consciousness among Europeans, but also among peoples living outside Europe. The present book provides first-time English translations of parts of Brucker's work.


Deleuze and Guattari's Philosophy of Freedom

Deleuze and Guattari's Philosophy of Freedom

Author: Dorothea Olkowski

Publisher: Routledge

Published: 2019-01-31

Total Pages: 237

ISBN-13: 0429663528

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This volume addresses the issue of freedom in the philosophy of Deleuze and Guattari. This is all the more challenging in that Deleuze-Guattari almost never use the term freedom, preferring instead, the concept of the refrain. The essays collected in the volume show that freedom has been understood in a remarkably narrow sense and that in fact freedom operates as the refrain in every realm of thought and creation. The motivating approach in these essays is Deleuze-Guattari’s emphasis on the irreality of media and capitalistic sign regimes, which they perceive to have taken over even the practices of philosophy, the arts, and science. By offering a clear and engaging treatment of the underexplored issue of freedom, this volume moves the discussion of Deleuze-Guattari’s philosophy forward in ways that will appeal to researchers in Continental philosophy and a wide range of other disciplines.


Shakespeare’s Classical Mythology: A Dictionary

Shakespeare’s Classical Mythology: A Dictionary

Author: Janice Valls-Russell

Publisher: Bloomsbury Publishing

Published: 2024-10-17

Total Pages: 488

ISBN-13: 1350125881

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Why does Bassanio compare himself to Jason? What is Hecuba to Hamlet? Is the mechanicals' staging of the Pyramus and Thisbe story funny or sad? This dictionary elucidates Shakespeare's use of mythological references in an early modern context, while bringing them to life for today's audiences and readers, at a time of renewed critical interest in the reception of the classics and fascination with classical mythology in popular culture. It is also a precious tool for practitioners who may not always know quite what to make of mythological references. Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings and characters or plots in their own right. Most of these references were familiar to Shakespeare's spectators and readers, who knew them from the writings of Ovid, Virgil and other classical authors, or indirectly through translations, commentaries, ballads and iconography. This dictionary illustrates how, far from being isolated, a mythological reference may resonate with the poetics of the text and its structure, cast light on characters and contexts, and may therefore be worth exploring onstage in a variety of ways. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies.


Socrates, or on Human Knowledge

Socrates, or on Human Knowledge

Author: Simone Luzzatto

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-08-19

Total Pages: 742

ISBN-13: 3110558351

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Socrates, Or On Human Knowledge, published in Venice in 1651, is the only work written by a Jew that contains so far the promise of a genuinely sceptical investigation into the validity of human certainties. Simone Luzzatto masterly developed this book as a pièce of theatre where Socrates, as main actor, has the task to demonstrate the limits and weaknesses of the human capacity to acquire knowledge without being guided by revelation. He achieved this goal by offering an overview of the various and contradictory gnosiological opinions disseminated since ancient times: the divergence of views, to which he addressed the most attention, prevented him from giving a fixed definition of the nature of the cognitive process. This obliged him to come to the audacious conclusion of neither affirming nor denying anything concerning human knowledge, and finally of suspending his judgement altogether. This work unfortunately had little success in Luzzatto’s lifetime, and was subsequently almost forgotten. The absence of substantial evidence from his contemporaries and that of his epistolary have thus increased the difficulty of tracing not only its legacy in the history of philosophical though, but also of understanding the circumstances surrounding the writing of his Socrates. The present edition will be a preliminary study aiming to shed some light on the philosophical and historical value of this work’s translation, indeed it will provide a broader readership with the opportunity to access this immensely complicated work and also to grasp some aspects of the composite intellectual framework and admirable modernity of Venetian Jewish culture in the ghetto.