LP architektur has created a richly varied body of work in the ten years it has existed. The office’s breakthrough came at the Winter Oympics in Turin with the emblematic Austria House. The Salzburg office’s buildings have become beacons of regional identity that now reach beyond the borders of Salzburg. This selection of 23 buildings complements the works presented in the first monograph published in 2006.
Solid matter. Monolithic and homogeneous concepts for a circular approach to architecture. In response to climate change, architects have been seeking a contemporary expression for durable, solid and homogeneous wall structures made of clay, wood, brick, concrete and recycled materials. This book follows 25 projects to analyze construction methods that predominantly involve materials that have a single origin and can be easily dismantled. It looks at a variety of different ways and scales in which architects have dealt with issues of mass and materiality, both in terms of design and construction. Structured according to the specific materials, the book allows direct comparisons, and renders visible solid building typologies and forms. Numerous drawings, developed especially for this book, document the projects. Two essays as well as interviews with Pepe Marquez and Arno Richter examine the strategies and background of monolithic architecture and solid construction methods. Solid building materials and their contribution to climate protection and sustainability Analytical presentations of single-variety and demountable construction methods Insights into research and applications of the materials
Paradise Planned is the definitive history of the development of the garden suburb, a phenomenon that originated in England in the late eighteenth century, was quickly adopted in the United State and northern Europe, and gradually proliferated throughout the world. These bucolic settings offered an ideal lifestyle typically outside the city but accessible by streetcar, train, and automobile. Today, the principles of the garden city movement are once again in play, as retrofitting the suburbs has become a central issue in planning. Strategies are emerging that reflect the goals of garden suburbs in creating metropolitan communities that embrace both the intensity of the city and the tranquility of nature. Paradise Planned is the comprehensive, encyclopedic record of this movement, a vital contribution to architectural and planning history and an essential recourse for guiding the repair of the American townscape.
Gettin’ Around examines how the global jazz aesthetic strives, in various ways, toward an imaginative reconfiguration of a humanity that transcends entrenched borders of ethnicity and nationhood, while at the same time remaining keenly aware of the exigencies of history. Jürgen E. Grandt deliberately refrains from a narrow, empirical definition of jazz or of transnationalism and, true to the jazz aesthetic itself, opts for a broader, more inclusive scope, even as he listens carefully and closely to jazz’s variegated soundtrack. Such an approach seeks not only to avoid the museal whiff of a “golden age, time past” but also to broaden the appeal and the applicability of the overall critical argument. For Grandt, “international” simply designates currents of people, ideas, and goods between distinct geopolitical entities or nation-states, whereas “transnational” refers to liminal dynamics that transcend preordained borderlines occurring above, below, beside, or along the outer contours of nation-states. Gettin’ Around offers a long overdue consideration of the ways in which jazz music can inform critical practice in the field of transnational (American) studies and grounds these studies in specifically African American cultural contexts.
