The treatment of eating disorders remains controversial, protracted, and often unsuccessful. Therapists face a number of impediments to the optimal care fo their patients, from transference to difficulties in dealing with the patient's family. Treating Eating Disorders addresses the pressure and responsibility faced by practicing therapists in the treatment of eating disorders. Legal, ethical, and interpersonal issues involving compulsory treatment, food refusal and forced feeding, managed care, treatment facilities, terminal care, and how the gender of the therapist affects treatment figure centrally in this invaluable navigational guide.
"Bill Traylor (ca. 1853-1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history--the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939, Traylor--by then in his late eighties and living on the streets of Montgomery--took up pencil and paintbrush to attest to his existence and point of view. In keeping with this radical step, the paintings and drawings he made are visually striking and politically assertive; they include simple yet powerful distillations of tales and memories as well as spare, vibrantly colored abstractions. When Traylor died, he left behind more than one thousand works of art. In Between Worlds: The Art of Bill Traylor, Leslie Umberger considers more than two hundred artworks to provide the most comprehensive and in-depth study of the artist to date; she examines his life, art, and powerful drive to bear witness through the only means he had, pictures. The author draws on a wealth of historical documents--including federal and state census records, birth and death certificates, slave schedules, and interviews with family members-- to clarify the record of Traylor's personal history and family life. The story of his art opens in the late 1930s, when Traylor first received attention for his pencil drawings on found board, and concludes with the posthumous success of his oeuvre"--
"The County Courthouse Book is a concise guide to county courthouses and courthouse records. It is an important book because the genealogical researcher needs a reliable guide to American county courthouses, the main repositories of county records. To proceed in his investigations, the researcher needs current addresses and phone numbers, information about the coverage and availability of key courthouse records such as probate, land, naturalization, and vital records, and timely advice on the whole range of services available at the courthouse. Where available he will also need listings of current websites and e-mail addresses." -- Publisher website.
Peter Gunnarson Rambo, son of Gunnar Petersson, was born in about 1612 in Hisingen, Sweden. He came to America in 1640 and settled in Christiana, New Sweden (now Delaware). He married Brita Mattsdotter 7 April 1647. They had eight children. He died in 1698. HIs daughter, Gertrude Rambo, was born 19 October 1650. She married Anders Bengtsson. Descendants and relatives lived mainly in Pennsylvania, Delaware, Virginia, North Carolina and Ohio.
The Genealogy Annual is a comprehensive bibliography of the year's genealogies, handbooks, and source materials. It is divided into three main sections.p liFAMILY HISTORIES-/licites American and international single and multifamily genealogies, listed alphabetically by major surnames included in each book.p liGUIDES AND HANDBOOKS-/liincludes reference and how-to books for doing research on specific record groups or areas of the U.S. or the world.p liGENEALOGICAL SOURCES BY STATE-/liconsists of entries for genealogical data, organized alphabetically by state and then by city or county.p The Genealogy Annual, the core reference book of published local histories and genealogies, makes finding the latest information easy. Because the information is compiled annually, it is always up to date. No other book offers as many citations as The Genealogy Annual; all works are included. You can be assured that fees were not required to be listed.
As the country enters a new era of conversations around race and the enduring impact of slavery, The Hairstons traces the rise and fall of the largest slaveholding family in the Old South as its descendants—both black and white—grapple with the twisted legacy of their past. Spanning two centuries of one family’s history, The Hairstons tells the extraordinary story of the Hairston clan, once the wealthiest family in the Old South and the largest slaveholder in America. With several thousand black and white members, the Hairstons of today share a complex and compelling history: divided in the time of slavery, they have come to embrace their past as one family. For seven years, journalist Henry Wiencek combed the far-reaching branches of the Hairston family tree to piece together a family history that involves the experiences of both plantation owners and their slaves. Crisscrossing the old plantation country of Virginia, North Carolina, and Mississippi, The Hairstons reconstructs the triumphant rise of the remarkable children, grandchildren, and great-grandchildren of the enslaved as they fought to take their rightful place in mainstream America. It also follows the white descendants through the decline and fall of the Old South, and uncovers the hidden history of slavery's curse—and how that curse followed slaveholders for generations. Expertly weaving stories of horror, tragedy, and heroism, The Hairstons addresses our nation’s attempt to untangle the twisted legacy of the past, and provides a transcendent account of the human power to overcome.
Born into slavery on an Alabama plantation in 1853, Bill Traylor worked as a sharecropper for most of his life. But in 1928 he moved to Montgomery and changed his life, becoming a self-taught lyric painter of extraordinary ability and power. From 1936 to 1946, he sat on a street corner—old, ill, and homeless—and created well over 1,200 paintings. Collected and later promoted by Charles Shannon, a young Montgomery artist, his work received star placement in the Corcoran Gallery’s 1982 exhibition “Black Folk Art in America.” From then on, the spare and powerful “radical modernity” of Traylor’s work helped place him among the rising stars of twentieth-century American artists. Most critics and art historians who analyze Traylor’s paintings emphasize his extraordinary form and evaluate the content as either simple or enigmatic narratives of black life. In Painting a Hidden Life, historian Mechal Sobel’s trenchant analysis reveals a previously unrecognized central core of meaning in Traylor’s near-hidden symbolism—a call for retribution in response to acts of lynching and other violence toward blacks. Drawing on historical records and oral histories, Sobel carefully explores the relationship between Traylor’s life and his paintings and arrives at new interpretations of his art. From an interview with Traylor’s great-granddaughter, Sobel learned that Traylor believed the Birmingham policemen who killed his son in 1929 in fact lynched him—a story that neither Traylor nor his family had previously disclosed. The trauma of this event, Sobel explains, propelled Traylor to find a way to voice his rage and spurred the creation of his powerful, mysterious visual language. Traylor’s encoded paintings tell a vibrant, multilayered story of conjure power, sexual rivalry, and violence. Revealing an extraordinarily diverse visual universe, the symbols in Traylor’s paintings reflect the worlds he lived in between 1853 and 1949: the plantation conjure milieu into which he was born, the blues culture in which he matured, the world of Jim Crow he learned to secretly violate, and the Catholic values he adopted in his final years. From his African heritage, Traylor drew symbols not readily understood by whites. He mixed traditional African images with conjure signs, with symbols of black Baptists and Freemasons, and with images central to the hidden black protest movement—the cross and the lynching tree. In this groundbreaking examination of an extraordinary artist, Sobel uncovers the internalized pain of several generations and traces the paths African Americans blazed long before the march down the Selma–Montgomery highway.
Describes the society and the institutions that went down during the Civil War and Reconstruction and the internal conditions of Alabama during the war. Emphasizes the social and economic problems in the general situation, as well as the educational, religious, and industrial aspects of the period.
Before William Faulkner, there was Colonel William C. Falkner (1825–1889), the great-grandfather of the prominent and well-known Mississippi writer. The first biography of Falkner was a dissertation by the late Donald Duclos, which was completed in 1961, and while Faulkner scholars have briefly touched on the life of the Colonel due to his influence on the writer’s work and life, there have been no new biographies dedicated to Falkner until now. To the Ramparts of Infinity: Colonel W. C. Falkner and the Ripley Railroad seeks to fill this gap in scholarship and Mississippi history by providing a biography of the Colonel, sketching out the cultural landscape of Ripley, Mississippi, and alluding to Falkner’s influence on his great-grandson’s Yoknapatawpha cycle of stories. While the primary thrust of the narrative is to provide a sound biography on Falkner, author Jack D. Elliott Jr. also seeks to identify sites in Ripley that were associated with the Colonel and his family. This is accomplished in part within the main narrative, but the sites are specifically focused on, summarized, and organized into an appendix entitled “A Field Guide to Colonel Falkner’s Ripley.” There, the sites are listed along with old and contemporary photographs of buildings. Maps of the area, plotting military action as well as the railroads, are also included, providing essential material for readers to understand the geographical background of the area in this period of Mississippi history.
