From Sappho to Shakespeare to Cole Porter–a marvelous and wide-ranging collection of classic gay and lesbian love poetry. The poets represented here include Walt Whitman, Hart Crane, Gertrude Stein, Federico García Lorca, Djuna Barnes, Constantine Cavafy, Elizabeth Bishop, W. H. Auden, and James Merrill. Their poems of love are among the most perceptive, the most passionate, the wittiest, and the most moving we have. From Michelangelo’s “Love Misinterpreted” to Noël Coward’s “Mad About the Boy,” from May Swenson’s “Symmetrical Companion” to Muriel Rukeyser’s “Looking at Each Other,” these poems take on both desire and its higher power: love in all its tender or taunting variety.
"What this charming, moving and fascinating collection proves is that the [letter] form itself - a scribbled note, a declaration of love, an outpouring of passion, a bitter word - has always been with us." - Mark Gatiss A good love letter can speak across centuries, and reassure us that the agony and the ecstasy one might feel today have been shared by lovers long gone. In The Love That Dares, queer love speaks its name through a wonderful selection of surviving letters between lovers and friends, confidants and companions. Alongside the more famous names coexist beautifully written letters by lesser-known lovers. Together, they weave a narrative of queer love through the centuries, through the romantic, often funny, and always poignant words of those who lived it. Including letters written by: John Cage Audre Lorde Benjamin Britten Lorraine Hansberry Walt Whitman Vita Sackville-West Radclyffe Hall Allen Ginsberg
Enjoying continual contact with God is easier than you might think. What if you could discover new expressions of God's personal love for you in this anonymous world?What if by hearing His voice in new ways you could continually experience His love, even when your journey seems uncertain and you don't have all the answers? What if you could feel secure and loved in an unsettling atmosphere of insecurity? You can!No matter what your church background, you can grow stronger in endless love even as the world around you crumbles towards a loveless end. This book is an invitation to discover that His love is real. And His love is speaking to you. Personally.*Learn and recognize 21 ways the voice of Father-God through His Son Jesus Christ and the Holy Spirit is reaching out in personal contact to you*Grow in your ability to discern the authentic voice of God from the many counterfeit voices around you*Practically apply this teaching to help you share God's love to the world around you as a stronger witness of Jesus Christ
More than 200,000 copies sold Feel God’s love more personally. Do you realize that the God of the universe speaks your love language, and your expressions of love for Him are shaped by your love language? Learn how you can give and receive God’s love through the five love languages: words of affirmation, quality time, gifts, acts of service, and physical touch. Gary Chapman writes, “As we respond to the love of God and begin to identify the variety of languages He uses to speak to us, we soon learn to speak those languages ourselves. Whatever love language you prefer, may you find ever deeper satisfaction in using that language in your relationship with God and with other people.” The book includes a brand new chapter on “Getting Out of Your Comfort Zone” which will teach you the joys of speaking a love language you’re not used to with God. No matter what love language you prefer, you will become more deeply connected with God and watch this bond transform all of your relationships. Contains personal reflection questions and a study guide for groups
The poems in The Name for the God Who Speaks reference Caribbean deities, the power of weather and landscape and ancient myths to illuminate an annus horribilis of cancer and loss. In the last poems, youth and music redeem the experience. This is the Name for the God who Speaks Father, you would know these primal prayers, light flashing in the west behind live oaks, a sky-slashed language dead after Conquest. From that living world, we share only lightning, an old god speaking light out of darkness, a chant of rain as alphabet where water flowing is a word.
WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.
This book presents interviews with eight gay men who are celebrated American poets and writers, discussing their early lives, friends and communities that shaped their work, histories of gay writers before them, how sex and desire connect with artistic production, and what coming out means to a writer.
Written in a lively and accessible style, Antiquity Now opens our gaze to the myriad uses and abuses of classical antiquity in contemporary fiction, film, comics, drama, television - and even internet forums. With every chapter focusing on a different aspect of classical reception - including sexuality, politics, gender and ethnicity - this book explores the ideological motivations behind contemporary American allusions to the classical world. Ultimately, this kaleidoscope of receptions - from calls for marriage equality to examinations of gang violence to passionate pleas for peace (or war) - reveals a 'classical antiquity' that reconfigures itself daily, as modernity explains itself to itself through ever-expanding technologies and media. Antiquity Now thus examines the often-surprising redeployment of the art and literature of the ancient world, a geography charged with especial value in the contemporary imagination.
“I used to be a lesbian.” In Gay Girl, Good God, author Jackie Hill Perry shares her own story, offering practical tools that helped her in the process of finding wholeness. Jackie grew up fatherless and experienced gender confusion. She embraced masculinity and homosexuality with every fiber of her being. She knew that Christians had a lot to say about all of the above. But was she supposed to change herself? How was she supposed to stop loving women, when homosexuality felt more natural to her than heterosexuality ever could? At age nineteen, Jackie came face-to-face with what it meant to be made new. And not in a church, or through contact with Christians. God broke in and turned her heart toward Him right in her own bedroom in light of His gospel. Read in order to understand. Read in order to hope. Or read in order, like Jackie, to be made new.
