Fleeing Victorian London, a witch finds her newfound independence comes with all-new perils--both mortal and immortal. Forever untangling the branches of her strange family tree, Edwina Blackwood is at a turning point. Her parents' disappearances still strike her as unaccountably odd. Her sister's questionable life and untimely death have left her shaken. Spellfire has transformed her home and livelihood to ash. And now a devious stalker is on her trail. With supernatural detective Ian Cameron by her side, Edwina can't get out of London fast enough. Gaining safe passage, she finds refuge with Sir Henry Elvanfoot, famed wizard of the north, and is promised protection from ill-aimed curses. But in this unfamiliar city of fair folk and witches, where the veil between Earth and the Otherworld is about to be lifted, something is amiss. How else to explain Edwina's sudden prophetic visions? Or the fear that surviving whoever pursues her will require the powers of an ancient bloodline she's only beginning to comprehend? Whatever destiny awaits, it's Edwina's to finally control. Where will it lead? Only time, cunning, and magic--in this world or the Other--will tell.
A matchless warrior is pitted against a near-God in the second epic installment of the Raven’s Blade series. It has long been our lot in life, brother, to do what others can’t. Vaelin Al Sorna was known across the realm as the greatest of warriors, but he thought battles were behind him. He was wrong. Prophecy and rumor led him across the sea to find a woman he once loved, and drew him into a war waged by the Darkblade, a man who believes himself a god—and one who has gathered a fanatical army that threatens all of the known world. After a costly defeat by the Darkblade, Vaelin’s forces are shattered, while the self-proclaimed immortal and his army continue their terrible march. But during the clash, Vaelin regained some of the dark magic that once gave him unrivaled skill in battle. And though the fight he has been drawn into seems near unwinnable, the song that drives him now desires the blood of his enemy above all else…
A story about an eagle who met a raven. Together, they take a magical journey through the animal, human and spirit worlds. A fun story about the author's grandparents, told in the storytelling style of the Haida.
An artist in glass and light, Angel has loved with passion and fire -- and learned the true depths of sadness when what she loved was taken from her. When she first meets Miles Hawkins -- a solitary, distant man -- their mutual mistrust seems insurmountable. Hawk has never known what Angel has freely enjoyed, having experienced only cruelty and betrayal from the women in his life. But Angel is willing to risk everything that proud, silent Hawk cannot, as she strives to bring truth and love to a tormented soul who believes in neither. Yet giving her heart again could be a gamble with stakes too high and too painful for her to endure -- for she fears that, by loving Hawk, she will surely lose him.
Raised by the brothers of the Sixth Order, Vaelin Al Sorna, a Warrior of the Faith, must battle the Empire and even his own father in the first book of a new fantasy trilogy.
The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.