A come-out-swinging collection of reviews and essays that pits the nation's leading critics against each other, as they take opposing sides on the most hotly debated movie controversies of the decade. From Spike Lee to Oliver Stone, from the ratings war to the war of the sexes, this book offers widely divergent yet always enlightening views of films, filmmakers, performers, and trends.
A come-out-swinging collection of reviews and essays that pits the nation's leading critics against each other, as they take opposing sides on the most hotly debated movie controversies of the decade. From Spike Lee to Oliver Stone, from the ratings war to the war of the sexes, this book offers widely divergent yet always enlightening views of films, filmmakers, performers, and trends.
There was a time when "American popular entertainment" referred only to radio and motion pictures. With the coming of talking pictures, Hollywood cashed in on the success of big-time network radio by bringing several of the public's favorite broadcast personalities and programs to the screen. The results, though occasionally successful, often proved conclusively that some things are better heard than seen. Concentrating primarily on radio's Golden Age (1926-1962), this lively history discusses the cinematic efforts of airwave stars Rudy Vallee, Amos 'n' Andy, Fred Allen, Joe Penner, Fibber McGee & Molly, Edgar Bergen, Lum & Abner, and many more. Also analyzed are the movie versions of such radio series as The Shadow, Dr. Christian and The Life of Riley. In addition, two recent films starring contemporary radio headliners Howard Stern and Garrison Keillor are given their due.
A book that explores the great American novelist and playwright Edna Ferber, winner of the Pulitzer Prize for Ficton, whose work was made into many Academy Award-winning movies; the writing of her controversial, international best-selling novel about Texas, and the making of George Stevens’ Academy Award winning epic film of the same name, Giant. The stupendous publication of Edna Ferber's Giant in 1952 set off a storm of protest over the novel's portrayal of Texas manners, money and mores with oil-rich Texans threatening to shoot, lynch or ban Ferber from ever entering the state again. In Giant Love, Julie Gilbert writes of the internationally best-selling Ferber, one of the most widely read writers in the first half of the 20th Century – her evolution from mid-west maverick girl-reporter to Pulitzer Prize winning, beloved American novelist, from her want-to-be actress days to becoming Broadway's acclaimed prize-winning playwright whose collaborators – George S. Kauffman and Moss Hart, among them, were, along with Ferber, herself, the most successful playwrights of their time. Here is the making of an American classic novel and the film that followed in its wake. We see how George Stevens, Academy-Award winning director, wooed the prickly, stubborn Ferber, ultimately getting her to agree to everything including writing, for the first time ever, a draft of a screenplay, to her okaying James Dean for the part of the ranch hand, Jett Rink, something she was dead set against. Here is the casting of Elizabeth Taylor, Rock Hudson, James Dean and their backstory triangle of sex and seduction – each becoming a huge star because of the film; the frustrated Stevens trying to direct the instinctive but undisciplined Dean, and the months long landmark filming in the sleepy town of Marfa, Texas, suddenly invaded by a battalion of a film crew and some of the biggest stars in the rising celebrity culture.
From football games at Kezar Stadium to a perfectly broiled Zim burger, San Franciscans have fond memories of the decades after World War II. Dressing up for a movie at the Fox Theatre on Market Street, catching the train at the old S.P. Station on Third and Townsend, taking the streetcar downtown to see magnificent displays in the Emporium's windows or spending a day at Golden Gate Park, the outside lands of San Francisco were teeming with youngsters and the young-at-heart alike. Western Neighborhoods Project columnist and San Francisco native Frank Dunnigan offers a charming collection of nostalgic vignettes about the thriving Western communities of unforgettable people and places that defined generations.
The climactic final volume of The Venom Trilogy by USA Today bestselling author Shannon Mayer. Humble baker turned supernatural Alena Budrene is lovely and lethal, and for the first time, she's owning it. Finally rid of her low-life ex-husband, she's free to date sexy vampire mob boss Remo, who respects her as both a Supe and a woman. She's on good terms with her difficult mother, and she's growing comfortable with her powers. But just when it seems things are falling into place for Alena, Hera strikes again: the Aegrus virus rages across Seattle, threatening the life of everyone in its path--including Remo, infected by Hades. The only way to stop the carnage is to face Hera and her army in a no-prisoners battle to determine the fate of the human race--and Alena's future. In a sweeping voyage from the Seattle bar scene to a netherworld populated by murderous gods and monsters, Alena confronts one adversary after another on a quest to set the world right for both humans and Supes and demonstrate her power--to the gods and to herself--once and for all.