Highlights the significant historical contributions of some of Louisiana's most noteworthy and also overlooked women from the eighteenth century to the present. This volume underscores the cultural, social, and political distinctiveness of the state and showcases how these women affected its history.
"This invaluable volume, consisting of eleven critical and biographical essays and an extensive bibliography, represents a rich source of insight and information on Louisiana women writers past and present. The book focuses on an array of authors - from Grace King and Alice Dunbar-Nelson to Shirley Ann Grau and Ellen Gilchrist - associated with a state whose imaginative appeal is singular even in a region rife with mythologies." "The essays are linked by a common thread: the interaction of gender and place as a dynamic of significant critical interest. In the Introduction, Barbara C. Ewell details the fundamental issues, noting that writing about Louisiana, and writing as a Louisiana woman, involves writing about life at the margins - on the borderlines where dominant and muted cultures, role definition and identity, race and class, place and places impinge. She argues that the peculiar otherness of that experience, imposed onto the more familiar layers of southern myth, gender roles, and racial prejudice, distinguishes the contributions of this group of writers to the place that Louisiana occupies in the American psyche." "Rather than attempting to confirm a canon, these essays emphasize the diversity of Louisiana women writers. The critical approaches vary from specialized or speculative comments (such as the essays on Sarah Morgan Dawson and on Kate Chopin's "Desiree's Baby") to introductory or biographical treatments (such as those on Mollie Moore Davis and Berthe Amoss). Other writers considered in the volume include Sidonie de la Houssaye, Ada Jack Carver, Katherine Anne Porter, Sheila Bosworth, and Nancy Lemann." "The Bibliography provides an indispensable new tool for researchers and a fascinating guide for anyone interested in the rich legacy of Louisiana's women writers. It is the first major survey of Louisiana women writers in more than fifty years. Although chiefly limited to imaginative writing in English, it includes entries on some two hundred authors, making it the most complete available. The entries supply names and pen names, dates of birth and death, birthplaces and other biographical information, lists of works with available publication data, and lists of secondary sources." "Intended for both scholarly and casual readers, Louisiana Women Writers will stimulate renewed interest in a rich and vigorous body of literature."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Contributions by Constance Adler, Karen Celestan, Alison Fensterstock, Kathy Finn, Helen Freund, Cheryl Gerber, Anne Gisleson, Cherice Harrison-Nelson, Karen Trahan Leathem, Katy Reckdahl, Melanie Warner Spencer, Sue Strachan, Kim Vaz-Deville, and Geraldine Wyckoff New Orleans native Cheryl Gerber captures the vibrancy and diversity of New Orleans women in Cherchez la Femme: New Orleans Women. Inspired by the 2017 Women’s March in Washington, DC, Gerber’s book includes over two hundred photographs of the city’s most well-known women and the everyday women who make New Orleans so rich and diverse. Drawing from her own archives as well as new works, Gerber’s selection of photographs in Cherchez la Femme highlights the contributions of women to the city, making it one of the only photographic histories of modern New Orleans women. Alongside Gerber’s photographs are twelve essays written by female writers about such women as Leah Chase, Irma Thomas, Mignon Faget, and Trixie Minx. Also featured are prominent groups of women that have made their mark on the city, like the Mardi Gras Indians, Baby Dolls, and the Krewe of Muses, among others. The book is divided into eleven chapters, each celebrating the women who add to New Orleans’s uniqueness, including entertainers, socialites, activists, musicians, chefs, entrepreneurs, spiritual leaders, and burlesque artists.
The literary tradition of New Orleans spans centuries and touches every genre; its living heritage winds through storied neighborhoods and is celebrated at numerous festivals across the city. For booklovers, a visit to the Big Easy isn't complete without whiling away the hours in an antiquarian bookstore in the French Quarter or stepping out on a literary walking tour. Perhaps only among the oak-lined avenues, Creole town houses, and famed hotels of New Orleans can the lust of A Streetcar Named Desire, the zaniness of A Confederacy of Dunces, the chill of Interview with the Vampire, and the heartbreak of Walker Percy's Moviegoer begin to resonate. Susan Larson's revised and updated edition of The Booklover's Guide to New Orleans not only explores the legacy of Tennessee Williams and William Faulkner, but also visits the haunts of celebrated writers of today, including Anne Rice and James Lee Burke. This definitive guide provides a key to the books, authors, festivals, stores, and famed addresses that make the Crescent City a literary destination.
In Remapping Second-Wave Feminism, Janet Allured attempts to reshape the national narrative by focusing on the grassroots women's movement in the South, particularly in Louisiana.
From two-time Newbery Medalist Kate DiCamillo comes a story of discovering who you are — and deciding who you want to be. When Louisiana Elefante’s granny wakes her up in the middle of the night to tell her that the day of reckoning has arrived and they have to leave home immediately, Louisiana isn’t overly worried. After all, Granny has many middle-of-the-night ideas. But this time, things are different. This time, Granny intends for them never to return. Separated from her best friends, Raymie and Beverly, Louisiana struggles to oppose the winds of fate (and Granny) and find a way home. But as Louisiana’s life becomes entwined with the lives of the people of a small Georgia town — including a surly motel owner, a walrus-like minister, and a mysterious boy with a crow on his shoulder — she starts to worry that she is destined only for good-byes. (Which could be due to the curse on Louisiana's and Granny’s heads. But that is a story for another time.) Called “one of DiCamillo’s most singular and arresting creations” by The New York Times Book Review, the heartbreakingly irresistible Louisiana Elefante was introduced to readers in Raymie Nightingale — and now, with humor and tenderness, Kate DiCamillo returns to tell her story.
Tiger Ann Parker wants nothing more than to get out of the rural town of Saitter, Louisiana--far away from her mentally disabled mother, her "slow" father who can't read an electric bill, and her classmates who taunt her. So when Aunt Dorie Kay asks Tiger to sp the summer with her in Baton Rouge, Tiger can't wait to go. But before she leaves, the sudden revelation of a dark family secret prompts Tiger to make a decision that will ultimately change her life. Set in the South in the late 1950s, this coming-of-age novel explores a twelve-year-old girl's struggle to accept her grandmother's death, her mentally deficient parents, and the changing world around her. It is a novel filled with beautiful language and unforgettable characters, and the importance of family and home. My Louisiana Sky is a 1998 Boston Globe - Horn Book Award Honor Book for Fiction.
ÿA grieving daughter and abuse survivor must summon the courage to run a feminist conference, trust a man she meets over the Internet, and escape a catfishing stalker to find her power. Ahana, a wealthy thirty-three-year-old New Delhi woman, flees the pain of her mother's death, and her dark past, by accepting a huge project in New Orleans, where she'll coordinate an annual conference to raise awareness of violence against women. Her half-Indian, half-Irish colleague and public relations guru, Rohan Brady, who helps Ahana develop her online presence, offends her prim sensibilities with his raunchy humor. She is convinced that he's a womanizer.ÿ Meanwhile, she seeks relief from her pain in an online support group, where she makes a good friend: the mercurial Jay Dubois, who is also grieving the loss of his mother. Louisiana Catch is an emotionally immersive novel about identity, shame, and who we project ourselves to be in the world. It's a book about Ahana's unreliable instincts and her ongoing battle to deter?mine whom to place her trust in as she, Rohan, and Jay shed layers of their identities. "Louisiana Catch is a triumph. In Ahana, Sweta Vikram has created an unforgettable character, strong, wise, and deeply human, who'll inspire a new generation struggling to come to terms with their identity in a world of blurring identities." --KARAN BAJAJ, New York Times bestselling author,ÿThe Yoga of Max's Discontent "In Louisiana Catch, Sweta Vikram brings life to the complex human rights issue of violence against women. Through one woman's journey to make sense of her past and ultimately heal, Vikram shows us that yoga can reconnect us to ourselves, and that by empowering others, we transform our own lives." --ZO? LEPAGE, Founder,ÿExhale to Inhale "Louisiana Catch perfectly captures what it means to be human in a digital world, where support groups meet online, love interests flirt on Twitter, and people get confused with personas. Equal parts tender and playful, moving and hopeful, Vikram's prose connects us with timeless truths about grief and redemption in a satisfyingly modern way." --STEPHANIE PATERIK, Managing Editor,ÿAdweek Learn more at www.SwetaVikram.com From Modern History Press, www.ModernHistoryPress.com
Louisiana has been home, by birth or adoption, to numerous literary greats. But among that talent, there's an under-celebrated cohort: Black women. Due to lack of education and opportunity, their record is fairly brief, but over the past century they have been responsible for a flowering of literature that portrays the Black experience through poetry, fiction, plays, essays and journalism. The writers profiled here have not gone wholly unrecognized though--far from it. Some have been honored with prestigious awards and have found a readership large enough to put them at the forefront of the national literary scene. Beginning with Alice Ruth Dunbar Nelson--a fiery activist, columnist and storyteller in the late nineteenth century--the work extends to Fatima Shaik, named 2021 Louisiana Writer of the Year. Join Ann B. Dobie on this celebration of Louisiana literary talent.
Louisiana has been home, by birth or adoption, to numerous literary greats. But among that talent, there's an under-celebrated cohort: Black women. Due to lack of education and opportunity, their record is fairly brief, but over the past century they have been responsible for a flowering of literature that portrays the Black experience through poetry, fiction, plays, essays and journalism. The writers profiled here have not gone wholly unrecognized though--far from it. Some have been honored with prestigious awards and have found a readership large enough to put them at the forefront of the national literary scene. Beginning with Alice Ruth Dunbar Nelson--a fiery activist, columnist and storyteller in the late nineteenth century--the work extends to Fatima Shaik, named 2021 Louisiana Writer of the Year. Join Ann B. Dobie on this celebration of Louisiana literary talent.