DIVLeading authority examines facts and fancies behind the Atlantis theme in history, science, and literature. Sources include Plato, Thomas More, K. T. Frost, and many other citations, both famous and lesser-known. Related legends are also recounted and refuted, and reports document attempts to prove the continent's existence, including accounts of actual expeditions. /div
"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.
"[This is] the book we needed to read yesterday... a book we will still be reading tomorrow." - Porochista Khakpour, author of Sick and Sons and Other Flammable Objects Anita Felicelli's debut collection delivers a dazzling array of precisely drawn characters searching for identity in the seemingly narrow spaces of their everyday lives. From the glittering heat of India to the palm-lined streets of Silicon Valley, the backwoods of Kentucky to the vanilla-bean fields of Madagascar, immigrants, daughters, and lovers explore what it means to lose and to love, to continually reinvent oneself while honoring the personal histories and lost continents that shape us all.
Sixty thousand years ago, Earth had two more continents than it does today, each larger than what we now know as Australia. Why are they no longer there? One of these additional continents, Atlantis, was located in the Atlantic Ocean between North America and Africa. The other, Lemuria, was located in the Pacific Ocean. In this book, you’ll learn all about these huge continents and the great civilizations who called them home. What did they look like? What was daily life like for them? What happened to them? Tom asks these intriguing questions and many more. The answers revealed on the pages within dig into the mysteries surrounding the continents of Atlantis and Lemuria and their eventual destructions.
Reveals the Pacific Ur-culture that seeded the ancient civilizations of China, Egypt, India, Mexico, and Peru • Shows how the Pan diaspora explains the similarities between Gobekli Tepe and Toltec carvings and stone towers in Japan and on Easter Island • Reveals the mother tongue of Pan hidden in shared word roots in vastly different languages, including Quechua, Sanskrit, Japanese, Greek, and Sumerian • Explains the red-haired Caucasian mummies of China, the Ainu of Japan, the presence of “white” humans in early Native American legend, and other light-skinned peoples found in Southeast Asia and the Middle East The destruction of the vast continent of Pan--also known as Lemuria or Mu--in the Pacific Ocean 24,000 years ago was the greatest catastrophe that ever befell humanity. Yet it resulted in a prehistoric Golden Age of arts and technology thanks to the Sons of Noah, who, forewarned and prepared for the disaster, escaped in 5 organized fleets. Theirs was the masterful Ur-culture that seeded China, Egypt, India, Mexico, and Peru, explaining the sudden injection of the same advanced knowledge and sophisticated arts into those widely separated lands. Examining the diaspora from the sunken continent of Pan, Susan B. Martinez finds traces of the oceanic Pan civilization in arts and technologies from canal-works, masonry, and agriculture to writing, weaving, and pottery, but most importantly in the art of navigation, the hallmark of the survivors of the catastrophe. Using archaeo-linguistic analysis, she reveals the mother tongue of Pan hidden in strikingly similar words for royalty, deities, and important places in vastly different languages, including Quechua, Maori, Sanskrit, Japanese, Chinese, Greek, and Sumerian, as well as English through the prefix “pan” which denotes “all-encompassing.” The author reveals how the Pan diaspora explains the mound builders on each continent, the presence of “white” humans in Native American legend, the red-haired mummies found in China, and the Ainu of Japan. She shares recent genetic studies that reveal Polynesian DNA in central Europeans, Mesopotamians, South Americans, and the 9000-year-old Kennewick man and shows how Pan provides the missing link. She reveals why carvings at Gobekli Tepe are similar to Toltec artistry, why stone towers in Japan and Easter Island are identical, and how the Pacific Ring of Fire was activated. Moving the Garden of Eden from the Fertile Crescent to the South Seas, Martinez strikes down the pervasive view of Atlantis as the source of ancient knowledge and exposes the original unity of mankind on the ancient Pacific continent of Pan.
This book is Childress' thorough examination of the early hollow earth stories of Richard Shaver, and the fascination that fringe fantasy subjects such as lost continents, UFOs, and the hollow earth have had on people. Shaver's rare 1948 book, I Remember Lemuria is reprinted in its entirety, and the book is packed with illustrations from Ray Palmer's Amazing Stories issues of the 1940s. Childress discusses famous hollow earth books and delves deep into whatever reality may be behind the stories of tunnels underground.
Whether you judge by box office receipts, industry awards, or critical accolades, science fiction films are the most popular movies now being produced and distributed around the world. Nor is this phenomenon new. Sci-fi filmmakers and audiences have been exploring fantastic planets, forbidden zones, and lost continents ever since George Méliès’ 1902 film A Trip to the Moon. In this highly entertaining and knowledgeable book, film historian and pop culture expert Douglas Brode picks the one hundred greatest sci-fi films of all time. Brode’s list ranges from today’s blockbusters to forgotten gems, with surprises for even the most informed fans and scholars. He presents the movies in chronological order, which effectively makes this book a concise history of the sci-fi film genre. A striking (and in many cases rare) photograph accompanies each entry, for which Brode provides a numerical rating, key credits and cast members, brief plot summary, background on the film’s creation, elements of the moviemaking process, analysis of the major theme(s), and trivia. He also includes fun outtakes, including his top ten lists of Fifties sci-fi movies, cult sci-fi, least necessary movie remakes, and “so bad they’re great” classics—as well as the ten worst sci-fi movies (“those highly ambitious films that promised much and delivered nil”). So climb aboard spaceship Brode and journey to strange new worlds from Metropolis (1927) to Guardians of the Galaxy (2014).
Just like in the Indiana Jones movies, ride the waves of adventure but this time through the crystal clear waters of Earth's seas and oceans. Visit the lost sunken city of Atlantis where the Merkids struggle to save their dying people. Then like the wizards of Harry Potter fame, watch as the kids from two different worlds use their own astral energy and natural forces of the Universe to work real magic, in their attempts to save the day.
I could not repress a sigh at the thought of the havoc war had wrought in this part of England, at least. Farther east, nearer London, we should find things very different. There would be the civilization that two centuries must have wrought upon our English cousins as they had upon us. There would be mighty cities, cultivated fields, happy people. There we would be welcomed as long-lost brothers. There would we find a great nation anxious to learn of the world beyond their side of thirty, as I had been anxious to learn of that which lay beyond our side of the dead line. ~ ~ ~ Edgar Rice Burroughs created one of the most iconic figures in American pop culture, Tarzan of the Apes, and it is impossible to overstate his influence on entire genres of popular literature in the decades after his enormously winning pulp novels stormed the public's imagination. The Lost Continent is one of the rarest and least-known of Burrough's thrilling science-fiction adventure stories. Since its first appearance-in the February 1916 issue of All-Around Magazine, under the title "Beyond Thirty"-it has languished in undeserved obscurity. In the year 2137, global civilization has been in decline for nearly two centuries, and war-ruined Europe is but a distant memory, practically a legend, to the isolationist United States. But one intrepid American traveler is about to rediscover the Old World, which has become a startling and savage land in its solitude. American novelist EDGAR RICE BURROUGHS (1875-1950) wrote dozens of adventure, crime, and science fiction novels that are still beloved today, including Tarzan of the Apes (1912), At the Earth's Core (1914), A Princess of Mars (1917), The Land That TimeForgot (1924), and Pirates of Venus (1934). He is reputed to have been reading a comic book when he died.
