What’s wrong, killer got your tongue? It’s DC Sean Blake’s first week on the job, but already he faces a series of brutal and bizarre killings: women are being strangled in their homes, each with a mobile phone forced down their throat. There are never any signs of a struggle or forced entry. The Greater Manchester Police have no leads. Blake can’t afford to waste any time – even as he picks apart the disturbing motive behind the murders, the case takes a turn for the personal. Can he stop the killer before another woman is silenced forever?
With an ode by Olafur Eliasson Following Everything You Always Wanted to Know About Curating* *But Were Afraid to Ask, this second volume in the series on international curator Hans Ulrich Obrist presents a selection of his key writings from the past two decades, which elaborate on the manifold thinkers, curators, and events that influence his interdisciplinary practice of exhibition making. The collected essays form the compartments of Obrist's curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.
INTENSELY CONTROVERSIAL!This tough and gritty book is straight from the trenches of the war over the Pentecostal phenomenon of Speaking in Tongues today. Taking no prisoners the author takes on many of the most divisive aspects of the modern Speaking in Tongues phenomenon. No punches are left out and no side on this very controversial subject are safe from this scalding book of insights. The book points out some startling misuses and abuses that need to be considered when determining if Tongues are for Christians today.This book is a must for those who think they have heard it all from all sides on this issue, but feel unsatisfied. In it is presented some unusual thoughts, radical approaches, and new understanding of the topic of Tongues. Though not a Biblical study, this book shares some very unorthodox personal insights to the subject. As coarse as it is towards conventional understandings of Tongues, this book does not condemn the practice, just the presumptions. Pentecostals will be surprised how there actually is more to Tongues than meets the ears.Conservative Christians will be stunned at how frank the discussion is regarding Speaking in Tongues. The overall tone is one of getting one's act together whichever side you land on the issues of Tongues. Such points are made that if you are going to practice Speaking in Tongues, at least know what you are doing, and be aware of how God treats the phenomenon.One thing is for certain. You have never heard many of these thoughts before! Whether you love or hate this book, no doubt you will have some new things to consider regarding Speaking in Tongues today.Considering how explosively controversial this book is, I call it, "Shock and Awe" for today's Pentecostal.Excerpt's from the book: The Pentecostal mindset at best is to have pity on those not 'Filled with the Spirit', or statements like, "It's their loss". I can't say I've ever heard a Pentecostal say it was a loss to the Body of Christ, or the ministry of Holy Spirit.Many claim ecstatic experiences, near death experiences or other religious and unusual phenomenon such as an awareness of a presence, spiritual visions, unusual vocalizations, etc. But stimulating the temporal lobe regions of the human brain with mild magnetic current can artificially induce many of those phenomena. The atheist Michael Persinger has produced some fascinating research with his so-called "God Helmet".The results of several brain scan studies concluded Speaking in Tongues did not involve the speech areas of the brain. The precise area affected was unclear in its purpose, but I believe the act of Speaking in Tongues, privately in particular, reflects a pliable mental state similar to deep meditation. The repetitive sounds certainly resemble the practice of chanting, but seem more deliberate.Regardless of its veracity, Speaking in Tongues is perceived by many outside Pentecostal circles as an object receiving excessive attention, possibly qualifying as an icon of idolatry as others outside Orthodoxy consider images of Mary and saints as such. Though considered irrelevant by many, sacrilegious by others, the audio qualities of Speaking in Tongues have been evaluated in modern times from a scientific perspective.It is apparent to me Speaking in Tongues in general is best understood as 'stimulus' such as a kitten kneading (massaging) its mother's breast to encourage milk production. That is to say expressions of Speaking in Tongues are submissive postures before God, stimulating the grace of God to actively fall. I have witnessed the mentally ill Speak in Tongues, as a frightening manifestation of demonic activity, while the same person, and same audible sounds, while under the Anointing of the Holy Spirit, spoke praises to God.
In the late sixteenth century, as England began to assert its integrity as a nation and English its merit as a literate tongue, vernacular writing took a turn for the eccentric. Authors such as John Lyly, Edmund Spenser, and Christopher Marlowe loudly announced their ambitions for the mother tongue—but the extremity of their stylistic innovations yielded texts that seemed hardly English at all. Critics likened Lyly's hyperembellished prose to a bejeweled "Indian," complained that Spenser had "writ no language," and mocked Marlowe's blank verse as a "Turkish" concoction of "big-sounding sentences" and "termes Italianate." In its most sophisticated literary guises, the much-vaunted common tongue suddenly appeared quite foreign. In Uncommon Tongues, Catherine Nicholson locates strangeness at the paradoxical heart of sixteenth-century vernacular culture. Torn between two rival conceptions of eloquence, savvy writers and teachers labored to reconcile their country's need for a consistent, accessible mother tongue with the expectation that poetic language depart from everyday speech. That struggle, waged by pedagogical theorists and rhetoricians as well as authors we now recognize as some of the most accomplished and significant in English literary history, produced works that made the vernacular's oddities, constraints, and defects synonymous with its virtues. Such willful eccentricity, Nicholson argues, came to be seen as both the essence and antithesis of English eloquence.
Whether you want to build your own bed or put a bookshelf together, find out how to tackle your chosen woodwork task with confidence with Woodwork: A Step-by-Step Photographic Guide. Learn how to master the key woodwork techniques, from simple skills to intricate carving, following clear instructions and photographs. Find out how to use hand, power and machine tools and discover the strengths of over 100 different woods. Packed with inspirational and practical craft projects that are easy-to-follow, this is the only book to give you a complete illustrated woodworking course. Perfect for enthusiasts who want to develop their skills and ideal for the beginner, intermediate and advanced woodworkers alike.
Get started on your woodwork practice with this ultimate guide to essential carpentry skills, techniques, tools, tips, and tricks. Complete and easy directions for key skills, from simple joinery techniques to more involved woodworking projects, with clear helpful photographs. Key carpentry skills, from simple joinery techniques to fine woodworking projects, through clear, step-by-step instructions and photographs. New carpenters will learn about the essential tools needed and the principles of basic design and practice crucial techniques like wood joints, finishing, woodturning, and furniture restoration. Experienced crafters will enjoy enhancing their skills and learning something new. We’ll make sure you choose the right wood for the job and find more than 100 hard and softwoods, plus their properties, in our handy directory. Put your skills into practice with 28 DIY woodworking projects. This carpentry book will show you how to create home accessories, furnishings, outdoor projects, workshop projects, and more. This reference book provides all the information you need to become a master carpenter and have a houseful of fine furnishings to show for the effort! Everything You Need to Know About Woodworking Woodworking is a complete illustrated carpentry course with comprehensive and extensive photos to show you how to become a craftsman. You’ll have all the information you need to start your projects right away with simple step-by-step instructions. It also makes a fantastic gift for hobby carpenters. Inside, you’ll discover: • Tools: Understand how to use hand, power, and machine tools, and choose the right wood for every job. • Techniques: Follow clear, step-by-step instructions to master all key woodworking techniques. • Projects: Put your skills into practice to create well-crafted and practical objects, from a wine rack to a chest of drawers.
"The unique contribution of Venomous Tongues lies in its interdisciplinary approach and the way it situates scolding within a broader range of issues specific to the legal and social history of the period."—L. R. Poos, The Catholic University of America
Woodwork Joints How they are Set Out, How Made and Where Used is a book by William Fairham. It works as a manual to present basic skills in carpentry and cabinetry.
On an island composed of fragments from an international postindustrial culture, a group of contemporary exiles, all underemployed or misemployed, wander aimlessly from bar to bar and lover to lover while endlessly discussing their shattered lives.
Governing the Tongue explains why the spoken word assumed such importance in the culture of early New England. In a work that is at once historical, socio-cultural, and linguistic, Jane Kamensky explores the little-known words of unsung individuals, and reconsiders such famous Puritan events as the banishment of Anne Hutchinson and the Salem witch trials, to expose the ever-present fear of what the Puritans called "sins of the tongue." But even while dangerous or deviant speech was restricted, as Kamensky illustrates here, godly speech was continuously praised and promoted. Congregations were told that one should lift one's voice "like a trumpet" to God and "cry out and cease not." By placing speech at the heart of New England's early history, Kamensky develops new ideas about the complex relationship between speech and power in both Puritan New England and, by extension, our world today.
