After a hard, cold winter, Twist is no longer willing to struggle to live in Wisconsin. The time has come for him to move south. There he will begin to rebuild life after the viral apocalypse. The world he knew is changing, however. Nature is slowly reclaiming the land. Exotic animals released from zoos roam freely. Stores of food, once fresh and plentiful, are beginning to spoil. Surviving in the South is no guarantee, but it will be warmer there. And there will be wild game to hunt and plenty of land to farm. The South represents his best chance at building a new existence. But first, he needs to search for other survivors. Even if the Flu did not kill him, loneliness just might.
"Like a modern day vagabonding beat poet, the possible love-child of Patti Smith and Charles Bukowski - Eriksson is a rare soul in today's society. Carefully balancing between wanting to defy the world, and wanting nothing more than to be a part of it." At 18 years old she left her home in Sweden and took off on her own to embark on the long journey of creating a life for herself. A life she could be proud of. A life that made her excited to wake up every morning. With nothing but a guitar, her stories and a dream, she spent a year wandering in England, sleeping at train stations, airports and helpful fans' couches. Singing for whoever was willing to listen and collecting stories. Her first book Empty Roads & Broken Bottles; in search for The Great Perhaps, is Charlotte's own journey of fighting for her dream, living rootless, learning solitude, the difference between having a home and feeling at home and how she finally found a home in herself, in her music, in her words.An ordinary girl created a community, now with thousands of fans following her journey. Aspiring to inspire others to follow their hearts and go against the tide, showing that you can achieve and become exactly who you want to be, if you just want it bad enough. "She seems to have such a deep love for life and experience, both the good and the bad, this book made me want to go out and live my life to the fullest. I want to feel all of this too." This book is filled with philosophical explorations, inspiring stories of facing fear and doubts, words on love and loss, hurting and healing. The second part of the book is Charlotte's own journals, written during her wandering year in England. Bold and honest, raw from stream-of-consciousness. She doesn't cover up how hard life can really be, how deep love can cut, or how mesmerising a simple conversation can be. Now, a few years later, Charlotte has become a prolific songwriter and author. She's released 3 critically acclaimed albums, published 3 books, and had excerpts from her books shared on large platforms such as Thought Catalog, Bella Grace Magazine, Berlin ArtParasites and Word Porn. She's taken on the challenge of writing comforting words on mental illness, depression, wanting more, heartbreak, chasing a dream and losing people. But this, is where it all started. "I wanted to turn my life into art, my very existence into a poem. This is my story. It might not always be easy, but it will always be beautiful." ************************* "Instant coffee and a tip from the sound-guy. I'm learning sounds, lying wide awake on different sofas every night. I know the difference between a well built wall and broken strength. I'm learning mindfulness, reading about gurus and poets every day on different trains to nowhere. I don't know what I'm learning but I hope I will understand one day. I'm selling my heart with each album and a silent prayer that they'll be gentle with it, gentle with me. And then the concerned looks they throw when I point at my worn out bag and broken guitar case as the answer to where I live. Sure I could spend a year or two selling my days and time for money, and I could buy all these things people want to have without never really needing it. It's just that when I'm on that stage every night, it all just seems so stupid. My guitar, my voice, my words, my story. That's all I want, that's what makes my heart beat. What am I supposed to do with belongings and material stuff when all I want is this. The open road and a new beginning every day."
“This ambitious, adventurous writer . . . recalls Anton Chekhov with his amused appreciation of human foibles.”—Wendy Smith, Chicago Tribune The sky is falling for the Caspers, a family of cowards. When the parents decide to separate, this family is forced to appreciate the cloudiness of this modern age.
I just did my best to remember to tell myself ‘I can and will change my life for the better,’ page 40, Long for Life. It is inevitable that, at some point, everyone will confront some sort of challenge, adversity, or obstacle in life. Survivor, Brandon Harrison, however, faced more than a challenge. His cancer diagnosis at a young age came with a slim twenty-five percent chance of surviving through childhood, only then to suffer two hemorrhagic strokes in his teens. Brandon Harrison chose to claim his life back and raise money by longboarding across Canada with his father, Michael. Tragically, Harrison’s trip was cut short when he suffered a third hemorrhagic stroke at their second Heart and Stroke fundraiser and he woke up from a coma half-paralyzed on his twentieth birthday. After learning to stand, walk, and ride again, Harrison would finish his cross-country mission on the third-year anniversary of the day he nearly lost his life from the paralyzing stroke. Long for Life is Brandon’s mind-boggling story of 28 years: a diversity of drama, suspense, adventure, and curiosity full of twists that will inspire readers aged mid-teens to sixty to live the best possible life they can. Long for Life is sure to stir readers to weather life's misfortunes by working hard, believing in themselves, and never giving up, no matter what life throws at them. To live their lives to the fullest. To know without a reasonable doubt that they, too, can overcome any and all obstacles that life may throw at them.
"The Flu -- that's what everyone called it -- culled the primate population of the planet. It struck hard and fast, wiping out the whole of the population. For reasons he can't understand, Twist is left alive to face the apocalypse alone. Well, not entirely alone -- his neighbor's gassy Labrador, Rowdy, tags along for the ride. Twist and Rowdy are forced to face the new post-apocalypse world together, holing up in the local library and scavenging supplies to outlast a long, cold Wisconsin winter. Twist has to adapt to the emptiness and isolation of an empty world and come to terms with the fact that he might be the only person left alive in the entire world. In a world where boredom and loneliness are the greatest threat, Twist must survive, keeping the hope that others might be alive, as well"--Page 4 of cover.
A re-interpretation of the master of Japanese cinema from a socio-historical perspectiveOne of the most well regarded of non-Western film directors, responsible for acknowledged classics like Tokyo Story (1953), Ozu Yasujiro worked during a period of immense turbulence for Japan and its population. This book offers a new interpretation of Ozus career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozus depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence. Firmly situating him within the context of the Japanese film industry, Woojeong Joo examines Ozus work as a studio director and his relation to sound cinema, and looks in-depth at his wartime experiences and his adaptation to post-war Japanese society. Drawing on Japanese materials not previously examined in western scholarship, this is a ground-breaking new study of a master of cinema.Case studies include:Ozus shAshimin films Ozus wartime films, including the script of The Flavour of Green Tea over RicePostwar script of The Moon Has RisenTokyo Story
This powerful debut collection, set in the light-filled deserts of Nevada and Arizona, introduces a darkly inventive new voice. Like an early Richard Ford, Don Waters writes with skill, empathy, and an edgy wit of worlds not often celebrated in contemporary literature. In Desert Gothic, Waters unleashes a wild and gritty cast and points them down paths of reckoning, where the characters earn the grace of their hard-won wisdom. Set in bars, mortuaries, nursing homes, truck stops, and the “poverty motels that encircled downtown’s casino corridor,” Waters’s ten stories are full of misfit transients like Julian, a crematorium worker who decorates abandoned urns to create a “lush underground island,” and the instant Mormon missionary Eli, a hapless divorcé who “always likes people better when they’re a little broken.” Limo drivers, ultra-marathoners, vagabonds, and a distraught novelist-to-be populate the pages of these gritty stories.
One of my many greatest achievements is that I succeeded to overcome my heartbreaking childhood while preserving my sanity. And I was blessed with the privilege of becoming a Mother to three girls and three boys who all have given me the best years of my life. Over the years that followed the skinny little blue-eyed girl that I left behind with all her painful memories and grief, was about to embark on an amazing journey filled with Love, Devotion and breathtaking turmoil. My childhood experiences and profound memories instilled in me great tools that would provide me the strength, courage and support to endure the profound mind-blowing twists and turns that have occurred in my Life.
A memoir charting thirty years of the American indie rock underground by a musician who was at its center Jon Fine spent nearly thirty years performing and recording with bands that played aggressive and challenging underground rock music, and, as he writes, at no point were any of those bands “ever threatened, even distantly, by actual fame.” Yet when the members of his 1980s post-hardcore band Bitch Magnet came together for an unlikely reunion tour in 2011, diehard fans traveled from far and wide to attend their shows, despite creeping middle-age obligations of parenthood and 9-to-5 jobs. Their devotion was testament to the remarkable staying power of indie culture. In indie rock’s pre-Internet glory days, bands like Bitch Magnet, Black Flag, Mission of Burma, and Sonic Youth—operating far outside commercial radio and major label promotion—attracted fans through word of mouth, college DJs, record stores, and zines. They found glory in all-night recording sessions, shoestring van tours, and endless appearances in grimy clubs. Some bands with a foot in this scene, like REM and Nirvana, eventually attained mainstream success. Many others, like Bitch Magnet, were beloved only by the most obsessed fans of the time. Your Band Sucks is an insider’s look at that fascinating, outrageous culture—how it emerged and evolved, how it grappled with the mainstream and vice versa, and its odd rebirth in recent years as countless bands reunited, briefly and bittersweetly. With backstage access to many key characters on the scene—and plenty of wit and sharply worded opinion—Fine delivers a memoir that affectionately yet critically portrays an important, heady moment in music history. Praise for Your Band Sucks: “Everything a cult-fave musician’s memoir should be: It’s a seductively readable book that requires no previous knowledge of the author, Bitch Magnet or any other band with which he’s played.” —Janet Maslin, The New York Times “Jon Fine has produced as evocative a portrait of the underground music scene as any wistful, graying post-punk could wish for.” —The Atlantic
