"Wrongfully accused of plotting to overthrow the Shogun, Itto Ogami becomes an outlaw, wandering through the provinces of feudal Japan with his infant son Daigoro by his side, seeking vengeance for the murder of his wife and family. Ogami survives by his wits--and frequently by offering his services as a paid assassin."--back cover of volume 3.
Join renegade samurai Itto Ogami and his infant son, Daigoro, in five more adventures on the dark road to Hell. What do three mysterious Shogunate assassins, a street entertainer, and the crests of the dead have in common? "The Baby Cart Wolf" continues his dealing of death for gold and encounters one ronin who is bent on putting a stop to his journey. Will he succeed? Follow the monthly adventures of Lone Wolf and Cub, one of the true classics of comics literature, available in America for the first time in over a decade! This volume contains the following stories: The Flute of the Fallen Tiger Half Mat, One Mat, A Fistful of Rice The White Path Between the Rivers The Virgin and the Whore Close Quarters
The roads of feudal Japan are rife with brigands ready to separate travelers from their purses. For Ogami Itto and his infant son, the road is even more treacherous, as agents of the shogun and the assassins of Yagyu Retsudo dog their every step. But each step on the bloody road brings the Lone Wolf and his Cub ever closer to Yagyu... and to vengeance! Lone Wolf and Cub has sold over a million copies of its first Dark Horse English-language editions, and this acclaimed masterpiece of graphic fiction is now available in larger format, value-priced editions.
The epic continues! Among the five stories in this issue: Cub has been captured while Lone Wolf lies unconscious! All of Cub's captors are cruel, all but the osue (the lowest maid). But her help may be her undoing. The household waits for the feared Lone Wolf to come looking for his son...and when he does...pick up Volume Two to find out what happens -- plus four other great stories, as this classic epic continues! This volume includes the following stories: Red Cat The Coming of the Cold Tragic O-Sue The Gateless Barrier Winter Flower
Dark Horse Comics is proud to present one of the authentic landmarks in graphic fiction, Lone Wolf and Cub, to be published in its entirety for the first time in America. An epic samurai adventure of staggering proportions -- over 7000 pages -- Lone Wolf and Cub (Kozure Okami in Japan) is acknowledged worldwide for the brilliant writing of series creator Kazuo Koike and the groundbreaking cinematic visuals of the late Goseki Kojima, creating unforgettable imagery of stark beauty, kinetic fury, and visceral thematic power that influenced a generation of visual storytellers both in Japan and in the West. Don't miss this monumental monthly release, twenty-eight volumes, with each collection approximately 300 pages! This volume includes the following stories: Son for Hire, Sword for Hire A Father Knows His Child's Heart, as Only a Child Can Know His Father's From North to South, From East to West Baby Cart on the River Styx Suio School Zanbato Waiting for the Rains Eight Gates of Deceit Wings to the Birds, Fangs to the Beast The Assassin's Road
Join renegade samurai Itto Ogami and his infant son, Daigoro, in five more adventures on the dark road to Hell. What do three mysterious Shogunate assassins, a street entertainer, and the crests of the dead have in common? "The Baby Cart Wolf" continues his dealing of death for gold and encounters one ronin who is bent on putting a stop to his journey. Will he succeed? Follow the monthly adventures of Lone Wolf and Cub, one of the true classics of comics literature, available in America for the first time in over a decade! This volume contains the following stories: The Flute of the Fallen Tiger Half Mat, One Mat, A Fistful of Rice The White Path Between the Rivers The Virgin and the Whore Close Quarters
The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.
"Tiger-Lilies is actually a somewhat autobiographical book. In it, Lanier analyzes the relationship between a Northerner and a Southerner throughout the Civil War. As a Southerner who had fought for the Confederate army, Lanier had experienced the war firsthand, both on the battlefield and as a prisoner of war. These experiences are recognizable in the battle scenes especially, which are considered some of the most realistic representations of Civil War combat in literature. Ultimately, Tiger-Lilies can be interpreted as an anti-war novel and one of Lanier's less successful endeavors in the course of his career."--The History Engine