"Everyone who has raved about Elizabeth Chadwick as an author of historical novels is right."—Devourer of Books From New York Times bestselling author Elizabeth Chadwick comes a gripping, never-before-told, medieval battle of the sexes that sheds light on one of medieval royalty's most fascinating women—Queen Matilda. 1135, England: Matilda, daughter of Henry I, knows that there are those who will not accept her as England's queen when her father dies. But the men who support her rival, and cousin, Stephen do not know the iron will that drives her. She will win her inheritance against all odds, and despite all men. Adeliza, Henry's widowed queen and Matilda's stepmother, is now married to a warrior who is fighting to keep Matilda off the throne. But Adeliza knows that Britain's crown belongs to a woman this time. Both women will stand and fight for what they know is right for England's royalty. But for Matilda, pride comes before a fall. And for Adeliza, even the deepest love is no proof against fate. Written with great historical accuracy, Lady of the English is a captivating novel of Medieval England. Fans of Philippa Gregory, Susanna Kearsley, Hilary Mantel, and Diana Gabaldon will be spellbound by this vividly detailed look into medieval history. Praise for Lady of the English: "Lady of the English is a riveting historical fiction novel with thrilling drama and characters that fairly leap off of the page."—Laura's Reviews "A detailed and very readable medieval era novel full of political intrigue and fascinating depictions of the people surrounding the throne of England."—Historical-Fiction.com "The story is vividly described with a depth of historical detail that is rarely matched by other novelists in the genre."—Historical Novel Review Blog
A detailed, chronological account of the princesses and consort Queens of the Georgian era, from Sophia (mother of George I) who died shortly before she would have become Queen, to Adelaide, consort to William IV, whose failure to provide an heir ensured the succession passed to his niece, Queen Victoria. During this period, an array of colorful personalities came and went--George I's ill-fated wife, Sophia Dorothea of Celle, who was imprisoned for adultery. The equally tragic Caroline Matilda, Queen of Denmark and sister of George III, who married an incipient schizophrenic, saw her lover put to death, and was divorced and imprisoned, released after pressure from her brother, only to die from typhoid or scarlet fever at 23. This book also looks at the life of the astute Caroline, consort of George II, who during the years of Robert Walpole's premiership was Queen regnant in all but name.
A detailed critique of the eighteenth-century German family and their reign on the British throne includes coverage of such topics as the language barrier that impacted George I's controversial rule, George III's loss of the American colonies and bouts with mental instability, and George IV's scandalous marriage and attempted divorce.
Literary Nonfiction. California Interest. Women's Studies. Film. Memoir. THE BIG LOVE is a Hollywood nightmare. It tells the story of Errol Flynn--a fading, alcoholic movie star--and the underage dancer-actress Beverly Aadland. The narrator? Beverly Aadland's fame-worshiping mother Mrs. Florence Aadland, who spurs the relationship on. There is nothing subtle or sympathetic about this memoir: It is outrageous, grotesque, surreal, notorious--an intimate look at Hollywood exploitation and decay. On the one hand, THE BIG LOVE depicts the deterioration of Errol Flynn, an actor who is quickly losing relevance after years of playing irresistible swashbucklers in films such as Captain Blood (1935) and The Adventures of Robin Hood (1938). He is riddled with medical problems, drinking himself to death. On the other hand, there is Mrs. Florence Aadland, also an alcoholic, an uncultured stage mother psychotically pushing her daughter Beverly forward even at the cost of her own marriage. A bizarre, seedy time capsule of the 1950s, THE BIG LOVE is the long-lost literary sister of Barbara Payton's I AM NOT ASHAMED. And, after languishing out of print for years, it is ready to shock brand new audiences with its absurd humor, villainous characters, and sickly dissipation.
These seventeen specialised and annotated papers form the proceedings of the eighteenth Harlaxton symposium held in 2001 which focused on the culture and identity of the Lancastrian court. The papers draw on a range of sources, including documentary evidence, seals, illuminated maps, badges, rood-screen paintings, textiles, statuary, heraldry and scientific texts, many of which are illustrated. Subjects include: Henry VI's court in France, images of Henry VI, a shield, Lydgate, surgeons, Henry VI and the proposed canonisation of Alfred the Great, textiles and maps, Duke Humfrey and Robert Broke, Master of the King's Stillatories'.