This fascinating selection of photographs traces some of the many ways in which the centre of Liverpool has changed and developed over the last century.
‘A very readable history of the British way of life viewed through its homes’ Choice Magazine In recent years house histories have become the new frontier of popular, participatory history. People, many of whom have already embarked upon that great adventure of genealogical research, and who have encountered their ancestors in the archives and uncovered family secrets, are now turning to the secrets contained within the four walls of their homes and in doing so finding a direct link to earlier generations. And it is ordinary homes, not grand public buildings or the mansions of the rich, that have all the best stories. As with the television series, A House Through Time offers readers not only the tools to explore the histories of their own homes, but also a vividly readable history of the British city, the forces of industry, disease, mass transportation, crime and class. The rises and falls, the shifts in the fortunes of neighbourhoods and whole cities are here, tracing the often surprising journey one single house can take from an elegant dwelling in a fashionable district to a tenement for society’s rejects. Packed with remarkable human stories, David Olusoga and Melanie Backe-Hansen give us a phenomenal insight into living history, a history we can see every day on the streets where we live. And it reminds us that it is at home that we are truly ourselves. It is there that the honest face of life can be seen. At home, behind closed doors and drawn curtains, we live out our inner lives and family lives.
The Persistence of Memory is a history of the public memory of transatlantic slavery in the largest slave-trading port city in Europe, from the end of the 18th century into the 21st century; from history to memory. Mapping this public memory over more than two centuries reveals the ways in which dissonant pasts, rather than being 'forgotten histories', persist over time as a contested public debate. This public memory, intimately intertwined with constructions of 'place' and 'identity', has been shaped by legacies of transatlantic slavery itself, as well as other events, contexts and phenomena along its trajectory, revealing the ways in which current narratives and debate around difficult histories have histories of their own. By the 21st century, Liverpool, once the 'slaving capital of the world', had more permanent and long-lasting memory work relating to transatlantic slavery than any other British city. The long history of how Liverpool, home to Britain's oldest continuous black presence, has publicly 'remembered' its own slaving past, how this has changed over time and why, is of central significance and relevance to current and ongoing efforts to face contested histories, particularly those surrounding race, slavery and empire.
This fascinating selection of photographs traces some of the many ways in which the North West Canals have changed and developed over the last century.
In 1960, the wealthy owner of the Merseyside-based Littlewoods corporation, John Moores, took control of Everton Football Club, setting in motion a chain of events that still affect the game in this country today. Everton had enjoyed success before Moores's takeover but things would never be the same again from the moment he walked through Goodison's doors. Although big clubs had spent money before, none had done so with such naked short-term ambition and a ruthlessness to succeed that sent shockwaves through the previously stagnant world of English football. The new owner's ruthless streak was personified by his first major move, sacking the popular Johnny Carey in the back of a London taxi in April 1961. Everton would finish that 1960/61 season in fifth place, their highest position since World War Two, but the Irishman's affable nature cost him his job. In his place Moores wanted a man in his own image to lead the club forward and he soon found him: Harry Catterick. Catterick was little over 40 years old, and had been an Everton player himself only ten years before. But as a boss he exuded an aura that demanded respect and obedience from his players. It was a characteristic that won him few fans but plenty of trophies, and across the decade Everton reasserted themselves as one of English football's powerhouses, winning two league titles and an FA Cup. Catterick's ability to nurture young products of the club's youth set-up such as Colin Harvey and Joe Royle was trumped only by his mastery of the transfer market, allowing him to sign the great Howard Kendall from Preston North End and World Cup winner Alan Ball from under his rivals' noses. Harvey, Kendall and Ball would soon form the club's greatest midfield trio, and their brilliance would underpin the 1969/70 title win, a victory for free-flowing football in an era of cynicism. That trophy would be Everton's last major honour for 14 years. In Money Can't Buy Us Love, Everton's official statistician Gavin Buckland tells the tale of how Moores and manager Harry Catterick took the so-called 'Mersey Millionaires' to the summit of English football, in the context of the major cultural changes of the time. The book provides a forensic character study of both Catterick and Moores, and also delves into the archives to provide a definitive account of the incidents that rocked the club in a fruitful but turbulent decade, including allegations of doping in the 1962/63 campaign, the 1964 match-fixing scandal which signalled the end of Tony Kay's career and the shock sale of Alan Ball. Money Can't Buy Us Love offers fascinating insight into how strong personalities can take a team to the very top, but can also cause in its ultimate downfall.