This text-only volume provides a comprehensive introduction to the core concepts and techniques of the Linear Jazz Improvisation Method. Using a wealth of examples from the jazz repertory, the book avoids theoretical terminology and focuses on the four essential elements present in every composition: melody, guide-tone lines, root progression, and rhythm. Understanding these "building blocks" of improvisation, you will be ready to put them into practice throughout your course of study.
Functional Jazz Guitar (Perfect Binding) Learn the skills needed for playing in a jazz group with this fun 255-page method. Practice specific cadence & blues comps; guide-tone & bass lines; rhythms, voicings and licks in major & minor, in all 12 keys - with 185 pages of inter-related sound files. Print and e-book formats available.
This book with play-along CD proceeds in a systematic step-by-step format, explaining the theory behind scales and chords, and giving specific exercises to master them. Some representative keyboard transcriptions, and both alphabetical and chronological indices complete the book.
This book is a summary of both exercises and improvisation lines designed to enhance contemporary jazz style techniques. The book covers scales, arpeggios, chromatic exercises and jazz line phrases from transcribed solos. These exercises should be transposed to all twelve (12) tones in order to achieve perfect coordination.Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages.There are none signature centers, therefore, all these exercises will be written accidental way.
(Stylistic Method). Legendary guitarist Pat Martino shares his personal formula for chord conversions with you. This uniquely simple system allows you to think melody, not theory. Amply illustrated with some of Pat's favorite lines.
Have you ever tried to improvise? There is so much frustration in the beginning years of improvisation that many players assume they just can't do it. They assume jazz improvisation isn't their thing. Do you feel this way? Is improvising something you want to be good at, but it is just too difficult to get started? The tunes in "Twelve Tunes" were composed for musicians who already have an intermediate technical ability on their instrument, but are new to the world of jazz improvisation. Using this book, you can sound good improvising within minutes. Simply follow the directions on the first four pages of the book, which will explain why these twelve tunes are different from standard jazz compositions and why it is so easy to sound good when you play them. This is only the first step in your progress as a jazz improviser. Unfortunately, it is a step often passed over in most jazz improvisation methods. Other methods tend to have a sink or swim approach with the beginners - "either you have what it takes or you don't" - and this can be very discouraging. With "Twelve Tunes: for Linear Diatonic Improvisation", you have the opportunity to sound good now and get your foot in the proverbial jazz improvisation door.
Materials and Concepts in Jazz Improvisation is a comprehensive and concise compilation of the various harmonic and melodic devices used by jazz musicians. It attempts to deal with these materials, (and later, the concepts), in a manner that allows for the greatest possible freedom and flexibility without resorting to mere "licks." The text presents the student and teacher with a conceptual framework that explains "why" as well as "how." It can be used by musicians at any stage of development, but it does assume a rudimentary grounding in music theory. For students and teachers of jazz at any level, it provides a linear perspective on improvisation and harmony from the simplest to the most advanced concepts; it can also function as a reference text for anyone involved in jazz at any level from hobbyist to professional, providing quick and easy descriptions and definitions of the musical materials found in jazz. It can be used for individual study, in classroom settings (jazz theory, jazz improvisation, or jazz pedagogy), in private lessons, or simply as a resource volume.
Designed for professionals and students alike, the material contained in this comprehensive volume can be applied to any instrument as well as classes or ensembles of varied instrumentation. In "Creative Jazz Improvisation," readers will find: Detailed information on how to practice, how to improvise in a creative way, and how to teach jazz improvisation A complete explanation of all aspects of jazz theory and forms Practice materials designed to help the reader gain facility with the jazz vocabulary and develop his or her ear Keyboard, ear-training, and theory exercises Lists of important jazz compositions, indexed to the popular Aebersold play-along recordings Eighteen transcriptions of solos by master jazz artists-- analyzed, transposed, and edited for all instruments The third edition expands on previous editions by adding: A new chapter, "Whom to Listen To," which lists major innovators, important contributors, and women in jazz Considerable expansion of the chapter on "Rhythm" and the section on "Creative Jazz Improvisation" New transcriptions of solos by Max Roach, Miles Davis, and Bill Evans Inspirational quotations by jazz masters, designed to motivate the student and give insight into the workings of the creative mind Author/trombonist/composer Scott Reeves draws on over twenty-one years of experience teaching at institutions such as the City College of New York, the University of Southern Maine, Virginia Commonwealth University, Memphis State University, and Western Washington University to create a book that covers all aspects of jazzimprovisation without superfluous information. Students and teachers alike will appreciate its accessible, well-organized approach to a complex subject.
