Peter Lime is trained to hunt down his prey and catch them on film. But now he is the one being hunted. Whose prey has he become? And what is it that he has that these people will kill to get? Lime is a Danish paparazzo, living in Madrid. For more than 20 years he has stalked and captured the rich and famous on film, making vast sums of money from exposing their secrets - the more salacious the image, the bigger the fee. But lately he's been thinking of giving it up. His wife and child have changed his life, and now he dreams of doing a job that his daughter can be proud of. Then he goes on a routine assignment, snapping a Spanish minister out sailing with his mistress, and suddenly his world is turned upside down. When a fire destroys his home, but not all of his photographs, Lime sets out to discover a motive and finds himself drawn into the complex and terrifying web of international terrorism.
Historical archives of vertical photographs and satellite images acquired for other purposes (mainly declassified military reconnaissance) offer considerable potential for archaeological and historical landscape research. They provide a unique insight into the character of the landscape as it was over half a century ago, before the destructive impact of later 20th century development and intensive land use. They provide a high quality photographic record not merely of the landscape at that time, but offer the prospect of the better survival of remains reflecting its earlier history, whether manifest as earthworks, cropmarks or soilmarks. These various sources of imagery also provide an opportunity to examine from the air areas of Europe and beyond whose skies are still not open to traditional archaeological aerial reconnaissance. Tens of millions of such images are held in archives around the world, but their research potential goes very largely untapped. A primary aim of this volume is to draw to wider attention the existence, scope and potential access to historical archival aerial and satellite photographs, in order to encourage their use in a range of archaeological and landscape research. By drawing attention to this massive archival resource, providing examples of its successful application to archaeological/landscape questions, and offering advice how to access and utilise the resource, the volume seeks to bring this material to wider attention, demonstrate its huge potential for archaeology, encourage its further use and stimulate a new approach to archaeological survey and the study of landscape evolution internationally.
Presents brightly colored photograph illustrations that demonstrate the three primary colors and three secondary colors, as well as brown, pink, black, white, gray, silver, and gold.
History comes alive in this textured account of the rivalry between Harry Houdini and the so-called Witch of Lime Street, whose iconic lives intersected at a time when science was on the verge of embracing the paranormal. The 1920s are famous as the golden age of jazz and glamour, but it was also an era of fevered yearning for communion with the spirit world, after the loss of tens of millions in the First World War and the Spanish-flu epidemic. A desperate search for reunion with dead loved ones precipitated a tidal wave of self-proclaimed psychics—and, as reputable media sought stories on occult phenomena, mediums became celebrities. Against this backdrop, in 1924, the pretty wife of a distinguished Boston surgeon came to embody the raging national debate over Spiritualism, a movement devoted to communication with the dead. Reporters dubbed her the blonde Witch of Lime Street, but she was known to her followers simply as Margery. Her most vocal advocate was none other than Sherlock Holmes' creator Sir Arthur Conan Doyle, who believed so thoroughly in Margery's powers that he urged her to enter a controversial contest, sponsored by Scientific American and offering a large cash prize to the first medium declared authentic by its impressive five-man investigative committee. Admired for both her exceptional charm and her dazzling effects, Margery was the best hope for the psychic practice to be empirically verified. Her supernatural gifts beguiled four of the judges. There was only one left to convince...the acclaimed escape artist, Harry Houdini. David Jaher's extraordinary debut culminates in the showdown between Houdini, a relentless unmasker of charlatans, and Margery, the nation's most credible spirit medium. The Witch of Lime Street, the first book to capture their electric public rivalry and the competition that brought them into each other’s orbit, returns us to an oft-mythologized era to deepen our understanding of its history, all while igniting our imagination and engaging with the timeless question: Is there life after death?
