The Matchmaker A promise to his long-dead sister forces Lord Grigsby back into society to broker the marriage of his disreputable nephew to the heiress whose money can save the earldom. The Matchbreaker Liliana Ashford has been hired to help an heiress pass muster with the ton and snare a titled husband. Though, if she had a magic wand, she’d turn her charge’s fiancé back into the toad he truly was. Scandal and a New Match But she never plotted murder! As the young Earl’s sordid death evokes the scandal of the season, a shadow from Liliana’s own past appears, threatening her carefully crafted world. Grigsby sets about finding his nephew’s killer…and Liliana’s secrets. Meanwhile she scrambles to make a new match for the girl, because finding a husband of her own is out of the question—or is it?
PULITZER PRIZE WINNER • NATIONAL BOOK AWARD FINALIST • A NEW YORK TIMES NOTABLE BOOK • “A searing account of grief and the quest to bring her sister’s murderer to justice years after the fact” (The Boston Globe), from “one of Mexico’s greatest living writers” (Jonathan Lethem). “Part memoir, part true-crime story, Garza’s chronicle is both personal and political.”—The Washington Post A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, Time, Chicago Public Library, She Reads, Electric Lit October 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. “My name is Cristina Rivera Garza,” she writes in her request to the attorney general, “and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990.” It’s been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend. Inspired by feminist movements across the world and enraged by the global epidemic of femicide and intimate partner violence, Cristina embarks on a path toward justice. Liliana’s Invincible Summer is the account—and the outcome—of that quest . In luminous, poetic prose, Rivera Garza tells a singular yet universally resonant story: Liliana is a spirited, wondrously hopeful young woman who tried to survive in a world of increasingly normalized gendered violence. Rivera Garza traces her sister’s history, depicting everything from Liliana’s early romance with a handsome but possessive and short-tempered man to that exhilarating final summer of 1990 when she loved, thought, and traveled more widely and freely than she ever had before. Using her skills as an acclaimed scholar, novelist, and poet, Rivera Garza collected and curated evidence—handwritten letters, police reports, school notebooks, interviews with Liliana’s loved ones—to document her sister’s life. Through this remarkable and genre-defying memoir, she confronts the trauma of losing her sister and examines how this tragedy continues to shape who she is—and what she fights for—today.
Follow the story of Angelita, a young woman with no family, who is brought to Miss Isabella’s finishing school in hopes she can avoid being sent to the workhouse. Miss Isabella’s house is full, so an agreement is made to take in Angelita as a kitten. Can a lower class girl as a mute kitten ever hope to fit in with the young women from prominent families who board at Miss Isabella’s manor? Only one other girl in Miss Isabela’s house seems to think so. But can their unique friendship ever hope to stand the test of society and family pressures and blossom into something more? Nineteenth century historical romance set in the Spanish countryside meets the modern day kink of kitten play and owned submissives in this unique and tender novelette of women loving women from Davina Lee.
Visually appealing, conceptually startling, and intellectually engaging-these phrases aptly describe the art of Liliana Porter. Florencia Bazzano-Nelson's study focuses on the principal theme in the Argentine-born artist's work since the 1970s: her playful but subversive dismantling of the limits that separate everyday reality from the world of illusion and simulacra. Over the years, Porter's own evolving interest in perception lead the author to explore a series of interconnected and timely issues in her artistic production, such as the representative function of art, the structural links between art and language, and the witty re-signification of the art-historical images and mass-produced kitsch figurines she has so often featured in her art. Strongly founded in critical theory, Bazzano-Nelson's approach considers Porter's art as the site of conceptually exciting dialogues with Jorge Luis Borges, Ren?agritte, Michel Foucault, and Jean Baudrillard. Her carefully crafted interdisciplinary analysis not only combines art-historical, literary, and theoretical perspectives but also addresses the artist's work in different media, such as printmaking, conceptual art, photography, and film.
"Curl up by the fire (and lock all the doors) for this Christmas cracker of a book." —C.S. Green, author of Sleep Tight Twelve clues. Twelve keys. Twelve days of Christmas. But how many will die before Twelfth Night? Agatha Christie meets Clue in this delightful, tense manor house murder mystery. The annual Christmas Game is afoot at Endgame House, the Armitages' grand family home. This year's prize is to die for—deeds to the house itself—but Lily Armitage has no intention of returning. She hasn't been back to Endgame since her mother died, twenty-one years ago, and she has no intention of claiming the house that haunts her dreams. Until, that is, she receives a letter from her aunt promising that the game's riddles will give her the keys not only to Endgame, but to its darkest secrets, including the identity of her mother's murderer. Now, Lily must compete with her estranged cousins for the twelve days of Christmas. The snow is thick, the phone lines are down, and no one is getting in or out. Lily will have to keep her wits about her, because not everyone is playing fair, and there's no telling how many will die before the winner is declared. Including additional scavenger hunts for the reader, this clever murder mystery is the perfect gift for fans of classic mysteries, festive Christmas books, and armchair detective work.
Two ladies who never expected to marry… Two noble gentlemen, each in need of a wife… LILIANA'S LETTER A promise to his long-dead sister forces Lord Grigsby back into society to broker the marriage of his disreputable nephew to the heiress whose money can save the earldom. Liliana Ashford has been hired to help an heiress pass muster with the ton and snare a titled husband. Though, if she had a magic wand, she’d turn her charge’s fiancé back into the toad he truly was. But she never wished him dead! As the young Earl’s sordid death evokes the scandal of the season, a shadow from Liliana’s own past appears, threatening her carefully crafted world. Grigsby sets about finding his nephew’s killer…and Liliana’s secrets. Meanwhile she scrambles to make a new match for the girl, because finding a husband of her own is out of the question—or is it? COURTED BY THE EARL Chasing a rumor of a clandestine marriage, the reluctant new Earl of Hackwell combs London for his late brother's secret wife and son, anxious to return the title, find the murderous woman, and head back to his regiment. Annabelle Harris came to London to find her disgraced sister, the mistress to the Earl of Hackwell. But the Earl has been murdered, Annabelle has his son, and the boy’s mother, her sister has disappeared again. Now she must clear her sister's name, dodge the handsome new Earl’s investigating, and keep him from taking the boy away. When their paths converge, the reluctant Earl and the independent lady find themselves rethinking their goals, and battling the real murderer together. (PREVIOUSLY TITLED "BELLA'S BAND") Bonus Short Story: THE GHOST OF DEPFORD HALL It’s her mother’s last All Hallow’s Eve. When family, friends, and tenants gather, goblins, ghouls, and ghosts are banned from this All Hallow’s Eve party. Only, no one told the Ghost of Depford Hall!
A Scottish Baron returning from two decades at war meets the daughter he denied was his, and the wife he divorced, only to learn that everything he’d believed to be true was a lie. What he can’t deny is that she’s the only woman he’s ever loved. They’re not the young lovers they once were, but when passion flares, it burns more hotly than ever it did in their youth. They soon discover, it wasn’t fate that drove them apart, but a jealous enemy who played on his youthful arrogance and her vulnerability. Now that old enemy has resurfaced, more treacherous than ever.
A family displaced by World War II finds a new home in Central America, only to watch their fortunes rise and fall on the back of a revolution—from the California Book Award silver medalist and Simpson Literary Prize finalist. Fleeing the ravages of wartime Vienna, Pepa and her family find safe harbor in the small town of El Castillo, on the banks of the San Juan River in Nicaragua. There her parents seek to eradicate yellow fever while Pepa falls under the spell of the jungle and the town’s eccentric inhabitants. But Pepa’s life―including her relationship with local boy Guillermo―comes to a halt when her family abruptly moves to New York, leaving the young girl disoriented and heartbroken. As the years pass, Pepa’s and Guillermo’s lives diverge, and Guillermo’s homeland slips into chaos. Nicaragua soon becomes engulfed in revolutionary fervor as the Sandinista movement vies for the nation’s soul. Guillermo’s daughter transforms into an accidental revolutionary. Pepa’s son defies his parents’ wishes and joins the revolution in Nicaragua, only to disappear into the jungle. It will take decades before the fates of these two families converge again, revealing how love, grief, and passion are intertwined with a nation’s destiny. Spanning generations and several wars, Only the River explores the way displacement both destroys two families and creates new ones, sparking a revolution that changes their lives in the most unexpected ways.
