Devil's Right Hand

Devil's Right Hand

Author: M. William Phelps

Publisher: Rowman & Littlefield

Published: 2013-09-03

Total Pages: 345

ISBN-13: 0762775971

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The Devil's Right Hand chroniclesthe legacy of death and destruction in the gunmaking Colt family during the nineteenth century, a legacy largely remembered for a lurid murder case that inspired Edgar Allan Poe’s story “The Oblong Box”—but one that encompassed much more. . . New York Times and nationally bestselling author M. William Phelps reveals an unfathomable pattern surrounding repeating arms inventor Samuel Colt—from the death of all his children, including Sam’s sea captain son’s mysterious demise aboard his yacht, to the eccentric life of his widow. But the tip of this iceberg was the 1841-42 murder case of brother John C. Colt, one of New York’s most sensational scandals. Printer Samuel Adams went to collect a debt from bookkeeper and author John Colt and was never seen alive again. Shocking revelations followed: Did John shoot Adams with one of his brother’s Colt firearms before hacking him up and packing him in an oblong box? Did Sam Colt invent the revolving pistol, or steal the idea? Part historical true-crime, part family biography and cultural history, The Devil’s Right Hand is a stirring narrative about a darkly cursed American dynasty.


Murder Most Foul

Murder Most Foul

Author: Karen HALTTUNEN

Publisher: Harvard University Press

Published: 2009-06-30

Total Pages: 371

ISBN-13: 0674038177

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Karen Halttunen explores the changing view of murder from early New England sermons read at the public execution of murderers, through the nineteenth century, when secular and sensational accounts replaced the sacred treatment of the crime, to today's true crime literature and tabloid reports.


Paper Money Men

Paper Money Men

Author: David Anthony

Publisher:

Published: 2009

Total Pages: 248

ISBN-13:

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Paper Money Men: Commerce, Manhood, and the Sensational Public Sphere in Antebellum America by David Anthony outlines the emergence of a "sensational public sphere" in antebellum America. It argues that this new representational space reflected and helped shape the intricate relationship between commerce and masculine sensibility in a period of dramatic economic upheaval. Looking at a variety of sensational media--from penny press newspapers and pulpy dime novels to the work of well-known writers such as Irving, Hawthorne, and Melville--this book counters the common critical notion that the period's sensationalism addressed a primarily working-class audience. Instead, Paper Money Men shows how a wide variety of sensational media was in fact aimed principally at an emergent class of young professional men. "Paper money men" were caught in the transition from an older and more stable mercantilist economy to a panic-prone economic system centered on credit and speculation. And, Anthony argues, they found themselves reflected in the sensational public sphere, a fantasy space in which new models of professional manhood were repeatedly staged and negotiated. Compensatory in nature, these alternative models of manhood rejected fiscal security and property as markers of a stable selfhood, looking instead toward intangible factors such as emotion and race in an effort to forge a secure sense of manhood in an age of intense uncertainty.