Letters of Distinguished Musicians

Letters of Distinguished Musicians

Author: Ludwig Nohl

Publisher: Nabu Press

Published: 2013-10

Total Pages: 498

ISBN-13: 9781293118351

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Letters Of Distinguished Musicians: Gluck, Haydn, P. E. Bach, Weber, Mendelssohn Ludwig Nohl, Christoph Willibald Gluck (Ritter von), Joseph Haydn, Carl Philipp Emanuel Bach, Carl Maria von Weber, Felix Mendelssohn-Bartholdy Ludwig Nohl Lady Grace Wallace Longmans, Green, and co., 1867 Music; Genres & Styles; Classical; Biography & Autobiography / Composers & Musicians; Composers; Letters; Music / Genres & Styles / Classical; Musicians


Letters of Distinguished Musicians

Letters of Distinguished Musicians

Author: Ludwig Nohl

Publisher: Forgotten Books

Published: 2018-02-10

Total Pages: 500

ISBN-13: 9780484440226

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Excerpt from Letters of Distinguished Musicians: Gluck, Haydn, P. E. Bach, Weber, Mendelssohn This volume is illustrated with portraits of Gluck, of Haydn, and of Weber, the latter having been kindly lent for the purpose by the possessor, Dr. Ayling. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Letters Of Distinguished Musicians: Gluck, Haydn, P. E. Bach, Weber, Mendelssohn

Letters Of Distinguished Musicians: Gluck, Haydn, P. E. Bach, Weber, Mendelssohn

Author: Ludwig Nohl

Publisher: Legare Street Press

Published: 2022-10-27

Total Pages: 0

ISBN-13: 9781017262490

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Letters of Distinguished Musicians: Gluck, Haydn, P.E. Bach, Weber, Mendelssohn. Translated From the German

Letters of Distinguished Musicians: Gluck, Haydn, P.E. Bach, Weber, Mendelssohn. Translated From the German

Author: Ludwig Nohl

Publisher: Legare Street Press

Published: 2022-10-27

Total Pages: 0

ISBN-13: 9781019198445

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Concert Song Companion

The Concert Song Companion

Author: Charles Osborne

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 278

ISBN-13: 1475700490

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W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recital programmes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.


The Complete Classical Music Guide

The Complete Classical Music Guide

Author: DK

Publisher: Penguin

Published: 2020-08-11

Total Pages: 354

ISBN-13: 0744033470

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What makes Mozart's music so great? Why does a minor chord sound sad and a major chord sound happy? What's the difference between opera and operetta? From Bach to Bernstein, this definitive guide offers a complete survey of the history of classical music. Whether you already love classical music or you're just beginning to explore it, The Complete Classical Music Guide invites you to discover the spirituality of Byrd's masses, the awesome power of Handel's Messiah, and the wonders of Wagner's operas, as well as hundreds of more composers and their masterpieces. This guide takes you on a journey through more than 1,000 years, charting the evolution of musical instruments, styles, and genres. Biographies of major and lesser-known composers offer rich insights into their music and the historical and cultural contexts that influenced their genius. The book explores the features that defined each musical era - from the ornate brilliance of the Baroque, through the drama of Romantic music, to contemporary genres such as minimalism and electronic music. Timelines, quotes, and color photographs give a voice to this music and the exceptionally gifted individuals who created it.


Letters of Ralph Vaughan Williams, 1895-1958

Letters of Ralph Vaughan Williams, 1895-1958

Author: Hugh Cobbe

Publisher: OUP Oxford

Published: 2010-09-09

Total Pages: 688

ISBN-13: 0191615269

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The book comprises a selection of some 750 letters of the composer, Ralph Vaughan Williams, selected from an extant corpus of about 3,300. The letters are arranged chronologically and have been chosen to provide a cumulative pen-picture of the composer in his own words. In general the letters reflect VW's major preoccupations: musical, personal and political. It was not VW's way to discuss his inner creative processes but he does discuss his music, once it had been written: for example there is much to illustrate the process of 'washing the face' of his major pieces before, and after, they had reached the concert platform. There is correspondence with collaborators such as Gilbert Murray, Harold Child and Evelyn Sharpe who provided texts; with his publishers (mainly OUP) about printing scores and parts; with conductors such as Adrian Boult and John Barbirolli about performances. He was in regular correspondence with fellow composers such as Gustav Holst, George Butterworth, Gerald Finzi, Herbert Howells, John Ireland, Alan Bush and Rutland Boughton. There were his pupils: Elizabeth Maconchy and Cedric Thorpe Davie amongst others. A series of close personal friendships is well represented: his Cambridge contemporary and cousin Ralph Wedgwood, Edward Dent, and latterly Michael Kennedy. Above all there are insights on his lifelong devotion to his first wife, Adeline, and his growing friendship with Ursula Wood, who was to become his second wife.