First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.
MORE THAN THE MUSIC of Karen Holden's words or the music of instruments made of wood, brass, and skins, the poems of This Music give us music as behavior, behavior as music ... music translated to behavior, behavior translated to music ... all with Holden's exquisite tension of syntax, as in the necessary tension of a violin's strings.
From the acclaimed screenwriter of Echo Park comes a riveting novel of one man’s descent into madness as he comes down from a painful divorce and finds himself in the enchanted world of a zoo. In this haunting tale of love and reconciliation, successful surgeon James Abbey is so tightly wound that he could have a nervous breakdown in the middle of a crowd, but no one would notice. One day when James begins to hear voices in his head while at the zoo, he begins to fall into madness as his world unravels, stranding him in a realm of eerie luminosity. Though he recognizes he’s gone mad, James finds something irresistible about the new state of mind he’s found at the zoo, keeping him coming back. Before long, a tiger signals him, a giraffe walks into a new dimension, chimpanzees demonstrate love, and a rare antelope shows how delicacy and dignity can survive in a harsh world. The Zoo Where You’re Fed to God provides an unforgettable look at the human truth that lies behind the mask of madness.
How has the history of rock ‘n’ roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genre’s primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music.
Selected letters written by the Roman senator and orator M. Cornelius Fronto in translation and accompanied by in-depth commentary notes, offering a unique insight into the late second century A.D Roman world.
In Rebuild the Dream, green economy pioneer Van Jones reflects on his journey from grassroots outsider to White House insider. For the first time, he shares intimate details of his time in government -- and reveals why he chose to resign his post as a special advisor to the Obama White House. Jones puts his hard-won lessons to good use, proposing a powerful game plan to restore hope, fix our democracy and renew the American Dream. The American Dream means different things to people, but the center of gravity is always the same: an ordinary person -- who was not born with great wealth, but who is willing to work hard and play by the rules -- should be able to find employment, live in a good community, make progress financially, retire with dignity, and give his or her children a better life. That dream is fading. On Main Street, too many people are working harder than ever -- while falling further behind. They play by the rules, but cannot succeed. At the same time, other Americans, including the worst of Wall Street, break every rule, but cannot fail -- because someone has already decided that they are "too big" to fail. The American Dream has been turned upside down and inside out. It is time to set things right. As the first Obama administration official to write a book about his experiences, Jones offers a unique perspective. In explaining why the 2008 "hope" bubble burst, he unveils the seven biggest mistakes made by the White House and its supporters. He explores the origin and fate of the movements that helped to elect President Obama, as well as those that have challenged and shaped his presidency. Along the way, Jones systematically reveals surprising parallels between Obama's people-powered campaign, the Tea Party and Occupy Wall Street. At this pivotal moment, Jones argues that we must make our economy respect the 99% and work for the 100%, not just the 1%. He proposes serious solutions that fit the scale of our problems. Rebuild the Dream sets forth bold ideas inspired by the progressive values that made the twentieth century the "American Century." It shows how key public policies and investments can create millions of good, American jobs. America is still the best idea in the world. The American middle class is still her greatest invention. Rebuild the Dream is dedicated to the proposition that -- with the right strategy -- both can be preserved and strengthened for generations to come.