Fifteen writers share their take on the phenomenon of Cowboys — a calling, a vocation, and a status that has nothing to do with gender. Whether in the old west or the Australian outback, New England or the Great Plains, these girls and their horses work hard, play hard, and love hard. Contributors Radclyffe and Jove Bell depict the rough and tumble world of female rodeo riders, while Cheyenne Blue explores cattle ranching and the new environmentalism, and Delilah Devlin writes about a “Hired Hand” who may be a woman, but is more than a match for any man. Sexy, steamy, and crackling with the energy of a wild filly, these stories represent the cutting edge of lesbian cowboy fiction.
Leather, lust, riding a horse by day, a woman by night. The Western is making a comeback on the big screen and in made-for-TV movies, and the time is right for a cowboy-themed lesbian erotica anthology, with a difference.
Immortal, Invisible: Lesbians and the Moving Image is the first collection to bring together leading film-makers, academics and activists to discuss films by, for and about lesbians and queer women. The contributors debate the practice of lesbian and queer film-making, from the queer cinema of Monika Treut to the work of lesbian film-makers Andrea Weiss and Greta Schiller. They explore the pleasures and problems of lesbian spectatorship, both in mainstream Hollywood films including Aliens and Red Sonja, and in independent cinema from She Must be Seeing Things to Salmonberries and Desert Hearts. The authors tackle tricky questions: can a film such as Strictly Ballroom be both pleasurably camp and heterosexist? Is it ok to drool over dyke icons like Sigourney Weaver and kd lang? What makes a film lesbian, or queer, or even post-queer? What about showing sex on screen? And why do lesbian screen romances hardly ever have happy endings? Immortal, Invisible is splendidly illustrated with a selection of images from film and television texts.
Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys illustrates queer cinematic aesthetics by highlighting key films that emerged at historical turning points throughout the twentieth century. Barbara Mennel traces the representation of gays and lesbians from the sexual liberation movements of the roaring 1920s in Berlin to the Stonewall Rebellion in New York City and the emergence of queer activism and film in the early 1990s. She explains early tropes of queerness, such as the boarding school or the vampire, and describes the development of camp from 1950s Hollywood to underground art of the late 1960s in New York City. Mennel concludes with an exploration of the contemporary mainstreaming of gay and lesbian films and global queer cinema. Queer Cinema: Schoolgirls, Vampires and Gay Cowboys not only offers an introduction to a gay and lesbian film history, but also contributes to an academic discussion about queer subversion of mainstream film.
A one-way stage ticket to the frontier leaves a young woman penniless and alone in Long Grass, Wyoming. With no other hope than to survive another day, she takes up the only profession open to her. Years later she encounters the cowboy she can love, and her first taste of pleasure - and happiness. Cowboys, however, are born to wander, and their kisses are as brief as the lives of young women without family or means. Accepting that her days will be numbered too few, Darlin' escapes into her scribblings where her dreams of freedom can soar over the limitless prairie. When she recognizes her own truth and a chance for love in the longing gaze of a townswoman, will she finally find kisses she can trust? Two determined women in a hostile world save themselves — and each other — in a lyric, sensual love story as only Karin Kallmaker can tell.
Cowboy Christians examines the long history of cowboy Christianity in the American West, with a focus on the present-day cowboy church movement. Based on five years of historical and sociological fieldwork in cowboy Christian communities, this book draws on interviews with leaders of cowboy churches, traveling rodeo ministries, and chaplains who serve horse racing and bull riding communities, along with the author's first-hand experiences as a participant observer. Marie W. Dallam traces cowboy Christianity from the postbellum period into the twenty-first century, looking at religious life among cowboys on the range as well as its representation in popular imagery and the media. She examines the structure, theology, and perpetuation of the modern cowboy church, and speculates on future challenges the institution may face, such as the relegation of women to subordinate participant roles at a time of increasing gender equality in the larger society. She also explores the cowboy Christian proclivity for blending the secular and the sacred in leisure environments like arenas, racetracks, and rodeos. Dallam locates the modern cowboy church as a descendant of the muscular Christianity movement, the Jesus movement, and new paradigm church methodology. Cowboy Christians establishes the religious significance of the cowboy church movement, particularly relative to twenty-first-century evangelical Protestantism, and contributes to a deeper understanding of the unique Christianity of the American West.
Over seven decades, Librarian, Ada Shook, is witness to the racism laced through her Southern city; the paradox of religion as both comfort and torment; and the survival networks created by gay people. Eleven interconnected stories cover the sweep of one woman’s personal history as she reaches her own form of Southern womanhood—compassionate, resilient, principled, lesbian.
The first and only book to give gay and lesbian travelers the inside scoop on gay-friendly accommodations, shopping, sports, recreation, music, theater, dining, and nightlife in the Windy City. This chatty, opinionated guide to gay life and culture is written by longtime gay-neighborhood-dwelling Chicagoans for residents and visitors. Photos.
Queer Dance challenges social norms and enacts queer coalition across the LGBTQ community. The book joins forces with feminist, anti-racist, and anti-colonial work to consider how bodies are forces of social change.
