Rassemble des études parues dans des revues sur les évolutions de la littérature romanesque en Grande-Bretagne au XVIIIe siècle, sur le lecteur de roman et sur les débats théoriques qui l'ont accompagnée.
Jonathan Swift lived through a period of turbulence and innovation in the evolution of the book. His publications, perhaps more than those of any other single author, illustrate the range of developments that transformed print culture during the early Enlightenment. Swift was a prolific author and a frequent visitor at the printing house, and he wrote as critic and satirist about the nature of text. The shifting moods of irony, complicity and indignation that characterise his dealings with the book trade add a layer of complexity to the bibliographic record of his published works. The essays collected here offer the first comprehensive, integrated survey of that record. They shed new light on the politics of the eighteenth-century book trade, on Swift's innovations as a maker of books, on the habits and opinions revealed by his commentary on printed texts and on the re-shaping of the Swiftian book after his death.
The humour of Tristram Shandy has often been acknowledged, but it is not easy to find scholarly articles on Laurence Sterne which suggest that their authors laughed as they wrote. Nine authors have been invited to redress this in the year of the tercentenary of Sterne’s birth. This volume offers nine different facets of humour, a kaleidoscope which enables readers to recombine at will the genial, the bawdy, the sentimental, the ludicrous, the hobby-horsical, the philosophical, the irreverent, the incongruous and the facetious, sending the text spiralling out of the page.
This illustrated edition of The New Bath Guide by Christopher Anstey is based on the Second Issue of the First Edition which was published in 1766. It includes two major additions made by the author, the «Epilogue» and «A Charge to the Poets». It aims at widening the perspective on the eighteenth century by examining the work of a minor poet and challenges conventional assumptions about the scope of minor poetry. This series of satirical letters in verse written by the members of a provincial family staying in Georgian Bath provides an inexhaustible source of fun and has great sociological interest. Thanks to the individual and varied voices which are heard in this epistolary poem, a whole society in the making comes alive through the distorting mirror of satire. The introduction, notes and appendices throw new light on a once famous and provocative text and make extensive use of little-known material such as significant parts of the author's correspondence. They situate Anstey's work in its literary and historical contexts, by locating it at the junction of fiction and documentation, at a time of emergence, when new social codes were defined for a new society.
"As readers of medieval and Renaissance literature know, etymologists associate "adventure" with chance: with that which happens surprisingly - "at" a "venture" - through an unexpected confluence of unpredictable events. Reading the whole history of the word, however, reveals that the long eighteenth century presided over the modernization of the term and its underlying idea. Happenstance fell into the background, while grandeur, risk, and novelty entered the spotlight. One could even plan an adventure, and by the time of Defoe, Catesby, Charlevoix, and Humboldt, adventure was already linked to significant prestige and robust standards: one needed plenty of gusto, at least a little money, a modicum of social standing, and a lot of gumption in order to qualify for a career in risky business." "Full of colorful anecdotes, the adventure idiom prevalent in eighteenth century culture provides abundant material that is interesting in its own right, while also helping scholars of the long eighteenth century to grapple with key issues of the period. To the exploration of the many new possibilities for understanding the early modern zest for adventure the contributors of this volume have dedicated themselves. Essays address the subjective production and reception of adventurous thought in the works of Boswell, Bunyan, Cowper, Richardson, and pastor Edward Young; the embodiment of adventure in the varied generic forms of Defoe, Swift, Falconer, and Hannah Snell, a cross-dressing woman soldier; and the locations and social processes relevant to the adventure idiom, both in the lives of Thomas Gray, Defoe, Boswell, Fielding, Swift, and Lord Orford, and in the contacts between native and colonizing populations." "With approaches that are economic, socio- and literary-historical, genre-based, eco-critical, and biographical in nature, Adventure: An Eighteenth-Century Idiom will appeal to a broad range of scholars and students, from specialists in long-eighteenth-century literature to those interested in the general modernizing influence of the Augustan age." --Book Jacket.
L'irruption de Tristram Shandy sur la scène littéraire en 1760 fit sensation. Ce livre déconcertant et provocateur, au croisement de la culture classique et de la modernité, suscite depuis deux siècles et demi des réactions ambivalentes. Par sa mise à nu des procédés narratifs, il interroge la littérature et fut souvent pris comme modèle par les tenants de la déconstruction. Mais les vignettes sentimentales eurent aussi leur heure de gloire. Sterne aimait à dire qu'une lettre adressée à " Tristram Shandy, Europe " lui parviendrait, où qu'il se trouve. La parution du texte étalée de 1759 à 1767 le força à renouveler ses trouvailles afin d'entretenir sa réputation d'originalité, toujours d'actualité à l'heure de l'hypertexte et des adaptations postmodernes, des interrogations sur l'héritage du roman et sur l'avenir de la fiction.