“In this rich treasure trove of historical inspiration, contemporary ideas, and future-oriented how-to’s, Valerie Brown has brought together a lifetime of work synthesizing science, participatory processes, and action for sustainability. A seasoned explorer, she moves effortlessly between disciplines as she describes a comprehensive approach to tackling the great challenges of our time—together. Because together is the only way they can be tackled. Read, learn, and act.” - Alan AtKisson, author, Believing Cassandra, and Executive Director, Earth Charter International.
"Piece begins with the unaltered original ten bars by Leonard Bernstein, followed by ... variations by Ron Odrich and Larry Fallon. 'Leonardo's Vision' is ... by all three composers." -- Editor's note, 2nd prelim. page.
"Life of Leonardo da Vinci" is an engaging and insightful biography that explores the extraordinary life of one of history's greatest geniuses. From his early days as a curious boy in Vinci, Italy, to his groundbreaking work as an artist, scientist, and inventor, this book reveals the many facets of Leonardo's brilliance. It delves into his masterpieces like the *Mona Lisa* and *The Last Supper*, as well as his innovative ideas in anatomy, engineering, and physics that were far ahead of his time. Readers will also learn about the challenges he faced in bringing his visionary ideas to life in a world that often struggled to understand his genius. Written in an accessible and captivating style, "Life of Leonardo da Vinci" captures the essence of a man whose relentless pursuit of knowledge and creativity continues to inspire centuries later.
Isabelle d’Este, daughter of the Duke of Ferrara, born into privilege and the political and artistic turbulence of Renaissance Italy, is a stunning black-eyed blond and an art lover and collector. Worldly and ambitious, she has never envied her less attractive sister, the spirited but naïve Beatrice, until, by a quirk of fate, Beatrice is betrothed to the future Duke of Milan. Although he is more than twice their age, openly lives with his mistress, and is reputedly trying to eliminate the current duke by nefarious means, Ludovico Sforza is Isabella’s match in intellect and passion for all things of beauty. Only he would allow her to fulfill her destiny: to reign over one of the world’s most powerful and enlightened realms and be immortalized in oil by the genius Leonardo da Vinci. Isabella vows that she will not rest until she wins her true fate, and the two sisters compete for supremacy in the illustrious courts of Europe. A haunting novel of rivalry, love, and betrayal that transports you back to Renaissance Italy, Leonardo’s Swans will have you dashing to the works of the great master—not for clues to a mystery but to contemplate the secrets of the human heart.
How an oddly attributed $19,000 picture proved to be a $100 million work by Leonardo da Vinci—a true art-world detective story In late 2010, art collector Peter Silverman revealed that a "German, early 19th century" portrait he had bought for $19,000 was, in fact, a previously unknown drawing by Leonardo da Vinci—an exquisite depiction of Bianca Sforza, rendered 500 years ago. In Leonardo's Lost Princess, Silverman gives a riveting first-person account of how his initial suspicions of the portrait's provenance were confirmed repeatedly by scientists and art experts. He describes the path to authentication, fraught with opposition and controversy. The twists and turns of this fascinating, decade-long quest lead from art history to cutting-edge science, and from a New York art gallery to Paris, Milan, Zurich, and ultimately a Warsaw library where the final, convincing evidence that the portrait was indeed by da Vinci was found. Takes an up-close look at the workings of the art world and at figures ranging from dealers and connoisseurs to a suspected forger Discusses current scientific techniques used to investigate and authenticate works of art, such as carbon dating and cutting-edge photography Uses Silverman's drawing as an entree into Leonardo da Vinci's world: his studio, his style, and his methods Explores the intersection of art and science in the authentication process, involving the work of a man who embodied that intersection Unearthing the secrets almost lost to history, the book is ideal reading for art lovers and anyone interested in an astounding case of "whodunit."
Leonardo Da Vinci's Elements of the Science of Man describes how Da Vinci integrates his mechanical observations and experiments in mechanics into underlying principles. This book is composed of 17 chapters that highlight the principles underlying Da Vinci's research in anatomical studies. Considerable chapters deal with Leonardo's scientific methods and the mathematics of his pyramidal law, as well as his observations on the human and animal movements. Other chapters describe the artist's anatomical approach to the mechanism of the human body, specifically the physiology of vision, voice, music, senses, soul, and the nervous system. The remaining chapters examine the mechanism of the bones, joints, respiration, heart, digestion, and urinary and reproductive systems.
First published in 1965, this collection of three essays by influential German philosopher Karl Jaspers deals with the response of the philosophical mind to the world of reality, with the search for truth. In Leonardo, this search is shown in the thinking and the works of a supreme artist whose means of apperception are the senses. The essay on Max Weber commemorates a man Jaspers knew personally and ardently admired. The main essay in the collection is an exhaustive, three part study of Descartes: analysing Descartes’ new philosophical operation, Descartes’ Method, and the position of his philosophy within the wider historical context of philosophical thought.
Leonardo da Vinci (1452–1519) was one of the preeminent figures of the Italian Renaissance. He was also one of the most paradoxical. He spent an incredible amount of time writing notebooks, perhaps even more time than he ever held a brush, yet at the same time Leonardo was Renaissance culture’s most fanatical critic of the word. When Leonardo criticized writing he criticized it as an expert on words; when he was painting, writing remained in the back of his brilliant mind. In this book, Joost Keizer argues that the comparison between word and image fueled Leonardo’s thought. The paradoxes at the heart of Leonardo’s ideas and practice also defined some of Renaissance culture’s central assumptions about culture and nature: that there is a look to script, that painting offered a path out of culture and back to nature, that the meaning of images emerged in comparison with words, and that the difference between image-making and writing also amounted to a difference in the experience of time.
