Introduces the reader to Whitehead's complex and often misunderstood metaphysics by showing that it deals with questions about the nature of causation originally raised by the philosophy of Leibniz. Whitehead's philosophy is an attempt at rehabilitating Leibniz's theory of monads by recasting it in terms of novel ontological categories
Introduces the reader to Whitehead's complex and often misunderstood metaphysics by showing that it deals with questions about the nature of causation originally raised by the philosophy of Leibniz. Whitehead's philosophy is an attempt at rehabilitating Leibniz's theory of monads by recasting it in terms of novel ontological categories
Shows how Whiteheads metaphysics developed from his reading of early modern philosophyAt the beginning of his magnum opus, Process and Reality (1929), Whitehead lists a series of beliefs which he thinks are widely held by contemporary philosophers. They are all condemned as dangerously mistaken.What are these myths?Why are they rejected?In the works of which modern thinker did they arise?What precisely went wrong?At what stage in the development of Western thought did this happen?By tackling these questions, Pierfrancesco Basile makes it possible to grasp the main concepts of Whiteheads process metaphysics especially the crucial notion that being and power are one and the same and appreciate the complex way this is rooted in the modern philosophical tradition.Key FeaturesShows how Whiteheads metaphysics of power and events is deeply rooted in mainstream Western philosophyIllustrates how our understanding of the great masters of the past Descartes, Locke, Hume, Leibniz and Spinoza benefit from viewing them from the standpoint of Whiteheads metaphysicsProvides a critical assessment of Whiteheads metaphysics and his overall philosophy
A fresh and thorough exploration of Leibniz's often controversial theories, including his thought on teleology, contingency, freedom, and moral responsibility.
In The Fold, Laura U. Marks offers a practical philosophy and aesthetic theory for living in an infinitely connected cosmos. Drawing on the theories of Leibniz, Glissant, Deleuze, and theoretical physicist David Bohm—who each conceive of the universe as being folded in on itself in myriad ways—Marks contends that the folds of the cosmos are entirely constituted of living beings. From humans to sandwiches to software to stars, every entity is alive and occupies its own private enclosure inside the cosmos. Through analyses of fiction, documentary, and experimental movies, interactive media, and everyday situations, Marks outlines embodied methods for detecting and augmenting the connections between each living entity and the cosmos. She shows that by affectively mediating with the ever-shifting folded relations within the cosmos, it is possible to build “soul-assemblages” that challenge information capitalism, colonialism, and other power structures and develop new connections with the infinite. With this guide for living within the enfolded and unfolding cosmos, Marks teaches readers to richly apprehend the world and to trace the processes of becoming that are immanent within the fold.
The work of seventeenth-century polymath Gottfried Wilhelm Leibniz has proved inspirational to philosophers and scientists alike. In this thought-provoking book, Pauline Phemister explores the ecological potential of Leibniz’s dynamic, pluralist, panpsychist, metaphysical system. She argues that Leibniz’s philosophy has a renewed relevance in the twenty-first century, particularly in relation to the environmental change and crises that threaten human and non-human life on earth. Drawing on Leibniz’s theory of soul-like, interconnected metaphysical entities he termed 'monads', Phemister explains how an individual’s true good is inextricably linked to the good of all. Phemister also finds in Leibniz’s works the rudiments of a theory of empathy and strategies for strengthening human feelings of compassion towards all living things. Leibniz and the Environment is essential reading for historians of philosophy and environmental philosophers, and will also be of interest to anyone seeking a metaphysical perspective from which to pursue environmental action and policy.
The Anthem Handbook of Screen Theory offers a unique and progressive survey of screen theory and how it can be applied to a range of moving-image texts and sociocultural contexts. Focusing on the “handbook” angle, the book includes only original essays from established authors in the field and new scholars on the cutting edge of helping screen theory evolve for the twenty-first-century vistas of new media, social shifts and geopolitical change. This method guarantees a strong foundation and clarity for the canon of film theory, while also situating it as part of a larger genealogy of art theories and critical thought, and reveals the relevance and utility of film theories and concepts to a wide array of expressive practices and specified arguments. The Anthem Handbook of Screen Theory is at once inclusive, applicable and a chance for writers to innovate and really play with where they think the field is, can and should be heading.
Panpsychism is the view that consciousness – the most puzzling and strangest phenomenon in the entire universe – is a fundamental and ubiquitous feature of the world, though in a form very remote from human consciousness. At a very basic level, the world is awake. Panpsychism seems implausible to most, and yet it has experienced a remarkable renaissance of interest over the last quarter century. The reason is the stubbornly intractable problem of consciousness. Despite immense progress in understanding the brain and its relation to states of consciousness, we still really have no idea how consciousness emerges from physical processes which are presumed to be entirely non-conscious. The Routledge Handbook of Panpsychism provides a high-level comprehensive examination and assessment of the subject – its history and contemporary development. It offers 28 chapters, appearing in print here for the first time, from the world’s leading researchers on panpsychism. The chapters are divided into four sections that integrate panpsychism’s relevance with important issues in philosophy of mind, philosophy of science, metaphysics, and even ethics: Historical Reflections Forms of Panpsychism Comparative Alternatives How Does Panpsychism Work? The volume will be useful to students and scholars as both an introduction and as cutting-edge philosophical engagement with the subject. For anyone interested in a philosophical approach to panpsychism, the Handbook will supply fascinating and enlightening reading. The topics covered are highly diverse, representing a spectrum of views on the nature of mind and world from various standpoints which take panpsychism seriously.
Why read Leibniz today? Can we still learn from him and not just about him? This book argues that Leibniz offers a powerful, productive model for transdisciplinary thinking that can push back against the narrowness of the humanities today. Richard Halpern recasts Leibniz as a great writer as well as a great philosopher, demonstrating that his philosophical project cannot be fully understood without taking its literary elements into account. He shows Leibniz to be a prescient thinker about art and beauty whose insights into the relationship between aesthetic experience and thought remain invaluable. Leibnizing asks readers to follow the dynamic movement of Leibniz’s writing instead of attempting to grasp a static philosophical system and to pay careful attention to the rhetorical and stylistic registers of Leibniz’s work as well as its conceptual and logical dimensions. For philosophers, this book offers a novel approach to reading and interpreting Leibniz. For literary and other theorists, it showcases the relevance of Leibniz’s thought to areas from aesthetics to politics and from metaphysics to computer science. Written in a lucid and even witty style, Leibnizing provides readers with an accessible entryway into Leibniz’s sometimes forbidding but ultimately rewarding philosophical vision.
Drawing upon the major Harvard works — Science and the Modern World (1925), Process and Reality (1929) and Adventures of Ideas (1933) —, the essays gathered here on the occasion of the creation of the Applied Process Metaphysics S
