Cherokee historian and genealogist Emmet Starr's greatest legacy was his 1922 "History of the Cherokee Indians and Their Legends and Folklore." It remains an invaluable resource for Cherokee historians and geneologists.
A cultural history of the South Bronx that reaches beyond familiar narratives of urban ruin and renaissance, beyond the “inner city” symbol, to reveal the place and people obscured by its myths. For decades, the South Bronx was America’s “inner city.” Synonymous with civic neglect, crime, and metropolitan decay, the Bronx became the preeminent symbol used to proclaim the failings of urban places and the communities of color who lived in them. Images of its ruins—none more infamous than the one broadcast live during the 1977 World Series: a building burning near Yankee Stadium—proclaimed the failures of urbanism. Yet this same South Bronx produced hip hop, arguably the most powerful artistic and cultural innovation of the past fifty years. Two narratives—urban crisis and cultural renaissance—have dominated understandings of the Bronx and other urban environments. Today, as gentrification transforms American cities economically and demographically, the twin narratives structure our thinking about urban life. A Bronx native, Peter L’Official draws on literature and the visual arts to recapture the history, people, and place beyond its myths and legends. Both fact and symbol, the Bronx was not a decades-long funeral pyre, nor was hip hop its lone cultural contribution. L’Official juxtaposes the artist Gordon Matta-Clark’s carvings of abandoned buildings with the city’s trompe l’oeil decals program; examines the centrality of the Bronx’s infamous Charlotte Street to two Hollywood films; offers original readings of novels by Don DeLillo and Tom Wolfe; and charts the emergence of a “global Bronx” as graffiti was brought into galleries and exhibited internationally, promoting a symbolic Bronx abroad. Urban Legends presents a new cultural history of what it meant to live, work, and create in the Bronx.
Presents a comprehensive encyclopedia of rock guitar legends examining over three hundred artists beginning in the 1950s and covering a wide range of styles and includes performers such as Chuck Berry, Eric Clapton, Duane Eddy, Buddy Holly, Keith Richards, and more.
How many people know that a modern pope publicly referred to Jews as "dogs;" that two other modern popes called the Jewish religion "Satan's synagogue"; that at the beginning of the twentieth century another pope refused to save the life of a Jew accused of ritual murder, even though the pope knew the man was innocent? Lastly, how many people know that only a decade before the rise of Hitler, another pope supported priests who called for the extermination of all the Jews in the world? The answer has to be "great numbers of people" since those accusations appeared in David I. Kertzer's The Popes Against the Jews (2001), a book which had been lauded in major journals and newspapers in the U.S. and the U.K., and which by 2006 had been translated into nine foreign languages, while Kertzer himself according to his Website, had become "America's foremost expert on the modern history of the Vatican's relations with the Jews." It is thus undeniable that very many people in very many countries have heard of the appalling misdeeds and misstatements mentioned above -- even though, in fact, not one of them was ever perpetrated by any pope. But Were the Popes Against the Jews? is not only about the disclosure of these shocking slanders, however fascinating and important such an expos is. In the broader perspective, it is about the power of ideology to subvert historical judgments, whether the latter concern the origins of anti-Semitism and the papacy, the distortion of documents to indict Pius XII, or the fabrication of Pius XI as "codependent collaborator" with Mussolini (the announced subject of Kertzer's next book). Justus George Lawler's confrontation with ideologues will gratify all who are seeking not triumph over opponents, but peace and justice for all.
(Theatre World). Highlights of this new Theatre World , now in its 58th year, include Mamma Mia! with Louise Pitre; Thoroughly Modern Millie starring Tony Award-winner Sutton Foster; the downtown-moves-uptown triumph Urinetown starring Sutton's sibling Hunter Foster and John Cullum; the one-woman show Elaine Stritch at Liberty ; the Tony Award-winner for Best Play, Edward Albee's The Goat ; Topdog/Underdog , the Pulitzer Prize-winning play by Suzan-Lori Parks, the first African American woman to win a Pulitzer for drama; the revival of Noel Coward's Private Lives ; and Sweet Smell of Success starring John Lithgow. Some notable Off-Broadway productions of the season include Neil LaBute's The Shape of Things with Gretchen Mol, Paul Rudd and Rachel Weisz; Richard Greenberg's (Take Me Out) The Dazzle ; Jason Robert Brown's notable musical The Last Five Years ; tick, tick ... BOOM! , a musical by the late Jonathan Larson ( Rent ); Tony Kushner's Homebody/Kabul ; and Sam Shepard's The Late Henry Moss with Ethan Hawke. Theatre World, the statistical and pictorial record of the Broadway, Off-Broadway, and Off-Off-Broadway seasons, touring companies, and professional regional companies throughout the United States, is a classic in its field. The book is complete with cast listings, replacements, producers, directors, authors, composers, opening and closing dates, and song titles. There are special sections with autobiographical data, obituary information, a longest runs listing, an expanded awards listing, and much, much more. "Nothing brings back a theatrical season better, or holds on to it more lovingly, than John Willis's Theatre World ." Harry Haun, Playbill " Theatre World commemorates the history and excitement of the theatre like no other publication. John Willis and his book are indispensable." Alec Baldwin
(Theatre World). Highlights of this new Theatre World , now in its 57th year, include The Producers with Matthew Broderick and Nathan Lane, One Flew Over the Cuckoo's Nest with Gary Sinise, Judgment at Nuremberg with Maximillian Schell, Design for Livin g with Alan Cumming, 42nd Street , A Class Act and Lily Tomlin's The Search for Signs of Intelligent Life in the Universe . During the 2000-2001 season, Theatre World was awarded with a Special Tony Honor for Excellence in the Theatre. Theatre World , the statistical and pictorial record of the Broadway and Off-Broadway season, touring companies and professional regional companies throughout the United States, is a classic in its field. The book is complete with cast listings, replacements, producers, directors, authors, composers, opening and closing dates, song titles and much, much more. There are special sections with autobiographical data, obituary information and major drama awards. New features to this edition include: an introduction by editor John Willis; separate Off-Broadway and Off-Off Broadway sections; new Longest Runs listing; and an expanded Awards and Regionals section. "Nothing brings back a theatrical season better, or holds on to it more lovingly, than John Willis' Theatre World ." Harry Haun, Playbill
Death cannot separate them. This is The Raven, older, wiser, some returned from the grave. Grieving they seek nothing but rest from conflict, something the world will not grant them. But they remain The Raven, still answering when the call comes, still the force most likely to survive and bring the world with them, and still willing to die so that those they love can live.
This book, first published in 1994, sets ‘repertoire against raconteur’ in order to explore one of the world’s largest collections of folk literature. The author’s findings, and his creative and synthetic methodologies, enhance greatly our understanding of the world of the legend, and especially the basic question of ‘Who tells what to whom in the form of a legend and why?’ This work is an in-depth exploration of rural Denmark, and provides us with an excellent vantage point from which to understand legends in their cultural contexts and within the lives of their tellers.