Lectures on the Philosophy of Art

Lectures on the Philosophy of Art

Author: Georg Wilhelm Friedrich Hegel

Publisher:

Published: 2014

Total Pages: 523

ISBN-13: 0199694826

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Hegel gave lecture series on aesthetics or the philosophy of art in various university terms, but never published a book of his own on this topic. His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aesthetics in the standard edition of Hegel's collected works. Annemarie Gethmann-Siefert has now published one of these transcripts, the Hotho transcript of the 1823 lecture series, and accompanied it with a very extensive introductory essay treating many issues pertinent to a proper understanding of Hegel's views on art. She persuasively argues that the evidence shows Hegel never finalized his views on the philosophy of art, but modified them in significant ways from one lecture series to the next. In addition, she makes the case that Hotho's compilation not only concealed this circumstance, by the harmony he created out of diverse source materials, but also imposed some of his own views on aesthetics, views that differ from Hegel's and that the ongoing interpretation of the aesthetics part of Hegel's philosophy has unfortunately taken to be Hegel's own. This translation of the German volume, which contains the first publication of the Hotho transcript and Gethmann-Siefert's essay, makes these important materials accessible to the English reader, materials that should put the English-speaking world's future understanding and interpretation of Hegel's philosophy of art on a sounder footing.


On Art, Religion, and the History of Philosophy

On Art, Religion, and the History of Philosophy

Author: Georg Wilhelm Friedrich Hegel

Publisher: Hackett Publishing

Published: 1997-01-01

Total Pages: 358

ISBN-13: 9780872203709

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A reprint, with new Introduction, of the Harper Torch edition of 1970. The famous introductory lectures collected in this volume represent the distillation of Hegel's mature views on the three most important activities of spirit, and have the further advantage, shared by his lectures in general, of being more comprehensible than those works of his published during his lifetime. A new Introduction, Select Bibliography, Analytical Table of Contents, and the restoration in the section headings of the outline of Hegel's lectures make this new edition particularly useful and welcome.


Aesthetics

Aesthetics

Author: Georg Wilhelm Friedrich Hegel

Publisher: OUP UK

Published: 1998

Total Pages: 634

ISBN-13: 0198238169

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This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.


Performance/Art

Performance/Art

Author: Shaun Gallagher

Publisher: Mimesis

Published: 2021-09-22T00:00:00+02:00

Total Pages: 164

ISBN-13: 8869773817

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Performance/Art explores the phenomenology of skilled performance, ranging from athletics to the performing arts, including music, dance and acting. Gallagher reviews a variety of studies concerning different degrees of mindful awareness operative in performance, and builds on the concept of a meshed architecture, suggesting ways to make it more complex and dynamic. He draws on ideas from enactivist embodied cognition about how different types of movement can be meaningful and intelligent and can scaffold learning and problem solving. He also explicates the notion of an empathic mindfulness in performance and develops the idea of a double attunement to explain aesthetic experience in performance, distinguishing the latter from aesthetic experience in the observer/audience perspective.


Hegel on the Modern Arts

Hegel on the Modern Arts

Author: Benjamin Rutter

Publisher: Cambridge University Press

Published: 2010-07-29

Total Pages:

ISBN-13: 113948978X

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Debates over the 'end of art' have tended to obscure Hegel's work on the arts themselves. Benjamin Rutter opens this study with a defence of art's indispensability to Hegel's conception of modernity; he then seeks to reorient discussion toward the distinctive values of painting, poetry, and the novel. Working carefully through Hegel's four lecture series on aesthetics, he identifies the expressive possibilities particular to each medium. Thus, Dutch genre scenes animate the everyday with an appearance of vitality; metaphor frees language from prose; and Goethe's lyrics revive the banal routines of love with imagination and wit. Rutter's important study reconstructs Hegel's view not only of modern art but of modern life and will appeal to philosophers, literary theorists, and art historians alike.


But Is It Art?

But Is It Art?

Author: Cynthia Freeland

Publisher: OUP Oxford

Published: 2002-02-07

Total Pages: 254

ISBN-13: 0191504254

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In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.


The Art of Hegel's Aesthetics

The Art of Hegel's Aesthetics

Author: Paul A. Kottman

Publisher: Brill Fink

Published: 2018

Total Pages: 389

ISBN-13: 9783770562855

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This volume explores one of modernity?s most profound and far-reaching philosophies of art: the Vorlesungen über die Ästhetik, delivered by Georg Friedrich Wilhelm Hegel in the 1820s. The book has two overriding objectives: first, to ask how Hegel?s work illuminates specific periods and artworks in light of contemporary art-historical discussions; second, to explore how art history helps us make better sense and use of Hegelian aesthetics.00In bringing together a range of internationally acclaimed critical voices, the volume establishes an important disciplinary bridge between aesthetics and art history. Given the recent resurgence of interest in ?global? art history, and calls for more comparative approaches to ?visual culture?, contributors ask what role Hegel has played within the field ? and what role he could play in the future. What can a historical treatment of art accomplish? How should we explain the ?need? for certain artistic forms at different historical junctures? Has art history been ?Hegelian? without fully acknowledging it? Indeed, have art historians shirked some of the fundamental questions that Hegel raised?