Studies have indicated that 75% of what an audience learns and remembers is a result of what they see, while 13% comes from what they hear. Crowley's sketches put both together and prepare audiences with a vivid illustration that kindles their anticipation of the pastor's sermon. Written with wit, wisdom, and humor, they help to plant the scriptural message of each Sunday's Gospel lesson in the Cycle C lectionary with an unforgettable, poignant, contemporary application.
Studies have indicated that 75% of what an audience learns and remembers is a result of what they see, while 13% comes from what they hear. Drama puts both together and prepares the audience with a vivid sermon illustration that kindles their anticipation of the pastor's sermon. The majority of these mini-dramas run 3-5 minutes in length, with a few as long as 7 to 10 minutes. Each introduces the theme of the gospel lesson in the Cycle A lectionary. Written with wit, wisdom, and humor, they help to plant the scriptural message in an unforgettable, poignant, contemporary application. - Requires minimal preparation - Few props are needed - 2-4 characters are involved in each sketch Your wonderful drama left us all hungering for more. I assure you that the Lord is truly working through you. Bill Broaddus Brunswick United Methodist Church Brunswick, Ohio Through your gifts of drama you achieved a perfect blend of humor, pathos, conviction, and joy to present the gospel in a living and powerful way. Richard B. Linder Jr., Rector St. Matthew's Episcopal Church Brecksville, Ohio Robert F. Crowley is an actor, director, playwright, theater critic, poet, and teacher. He is the co-founder (with his wife Suanne) of Fisherpeople Drama Ministry, a drama troupe that tours the Eastern half of the U.S. and Canada. Crowley is director of Christian Arts, Visual Arts, Dance, and Writers at St. Luke's Episcopal Church, Akron, Ohio. He is also playwright and advisor for L.I.O.N. Players and Joshua Force. Crowley received his M.A. degree in Theater from the University of Akron and his M.Div. degree in Biblical Studies from Ashland Theological Seminary.
The Stammheim Missal is one of the most visually dazzling and theologically ambitious works of German Romanesque art. Containing the text recited by the priest and the chants sung by the choir at mass, the manuscript was produced in Lower Saxony around 1160 at Saint Michael's Abbey at Hildesheim, a celebrated abbey in medieval Germany. This informative volume features color illustrations of all the manuscript's major decorations. The author surveys the manuscript, its illuminations, and the circumstances surrounding its creation, then explores the tradition of the illumination of mass books and the representation of Jewish scriptures in Christian art. Teviotdale then considers the iconography of the manuscript's illuminations, identifies and translates many of its numerous Latin inscriptions, and finally considers the missal and its visually sophisticated and religiously complex miniatures as a whole.
Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.
The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.
