Anna wakes up, but remembers nothing. An old trunk and a portrait on the wall of her study are the only clues to a past she must now reconstruct. Diaries and bundled letters tied with faded ribbons from eight Italian girls reveal the trials and deprivations of World War II, Italy. After the discovery of these writings, Anna befriends the stranger in the mirror; thus unraveling the truth about the eight young women in war-torn Italy whose lives were fortuitously intertwined in the 60's in San Francisco, resulting in a lifelong friendship. This novel is in part inspired by actual events during World War II.
Since its beginning and during periods of great transformations, movie-going for both men and women was akin to going to a fashion parade. Before the explosion of digital technology and its enchanted world, access to fashion was only accessible on the big screen. Fashion and style became reachable for the masses through cinema. And, with the genre of the fashion film, this continues today. Focusing on a number of crucial films and directors from the silent era to the present, this study will offer, for the first time, an in-depth exploration of the interaction between fashion and Italian cinema. The study, however, will privilege the golden age of Italian cinema, especially the crucial decades of the 1950s and 1960s during which, through the marriage of fashion and film, Italian fashion and style were launched globally. Through the lens of fashion, the study will revisit the films of some of Italy's most important film-makers, such as Antonioni, Fellini, Visconti and others and films as old as Mario Oxilia's silent Rapsodia Satanica (1917) to Luca Guadagnino's I am Love (2009).
"Molte le sfumature che colorano ogni pagina, molti i colori scelti, ampia la tavolozza delle possibilità. L'autrice cerca di mostrare ogni aspetto possibile del rapporto uomo-donna in maniera divertita e appassionata, romantica ma anche disincantata, in favole moderne che si leggono piacevolmente e si lasciano divorare velocemente. Un libro che ti accompagna in autobus, in treno o in qualche attesa. Un libro leggero nel senso che non pretende di pesarti, ma vuole distrarti e strapparti una riflessione e un sorriso. Cartoline d'amore, di vita, di quotidianità scritte con la voglia di mostrare uno spaccato di vita che riguarda tutti noi. Sentimenti, volti, parole, aspettative, sogni, desideri, semplice voglia di una distrazione, luoghi comuni, dinamiche si rincorrono in una carrellata intrigante già dal titolo. Un libro pieno di piccole sorprese che non mancheranno di stupire. Un libro d'amore sexy per ragazze per bene. E non solo." Federico Moccia
This study provides a detailed account of the 1960s film, 'L'avventura', arguing that in order to appreciate its greatness it is necessary to understand not only that the film is a classic but also that it represents a revolution in cinema.
Whether you are planning a romantic Italian getaway, packing a knapsack for your junior year abroad, or just want to engage your Italian business associate in everyday conversation, Italian Made Simple is the perfect book for any self-learner. Void of all the non-essentials and refreshingly easy to understand, Italian Made Simple includes: * basics of grammar * vocabulary building exercises * pronunciation aids * common expressions * word puzzles and language games * contemporary reading selections * Italian culture and history * economic information * Italian-English and English-Italian dictionaries Complete with drills, exercises, and answer keys for ample practice opportunities, Italian Made Simple will soon have you speaking Italian like a native.
Italian cinema is internationally well-known for the ground-breaking experience of Neo-Realism, comedy "Italian-Style," Spaghetti Westerns, and the horror movies of the seventies. However, what is rather unfamiliar to wider audiences is Italian cinema's crucial and enduring affair with literature. In fact, since the very beginning, literature has deeply influenced how Italian cinema has defined itself and grown. This book provides an empirical approach to this complex and fruitful relationship. The aim is to present discussions dealing with significant Italian film adaptations from literary materials which greatly exemplify the variety of styles, view-points, and attitudes produced by such an alliance, throughout the different periods. Among the adaptations discussed, are those that have followed trends and critical debates, making them, at times, rather problematic.
Using an appealing visual layout, Soluzioni explains the major topics of Italian grammar in clear and concise language. Real language examples and plenty of varied and imaginative exercises show how grammar works in practice. This new edition includes: Tables and charts for easy navigation and at-a-glance comprehension Authentic material from Italian media and literature showing grammar in context Graded practice exercises with answers so learners can review their progress Free interactive exercises and weblinks on www.routledge.com/cw/rome . This second edition has been fully revised and updated with new examples and even more on contemporary usage making this the clearest and most comprehensive pedagogical grammar available.
This volume offers a new perspective on the syntax of nominal expressions in various European languages, arguing that articles do not directly and biunivocally realise semantic definiteness. The first two chapters provide an accessible introduction to recent developments in generative syntax, namely the cartographic and minimalist approaches, by focusing on the “imperfect” parallels between clauses and nominal expressions. The third chapter shows that feature sharing is not the result of a unique syntactic process, but, rather, the consequence of Merge, which creates syntactic structure instantiating two types of relation: Selection and Modification. It argues for three different ways of transferring features: Agreement allows for an argument (an independent phase, selected by a head) to re-enter the computation as part of the predicate of the new phase. It targets Person features and is not involved in the feature sharing triggered by modification. Concord copies the features of N (notably gender, number and case, where this is present). It is the result of Modification and can coexist with Agreement. Finally, Projection is triggered by multiple internal mergers of the head, bundled with all its interpretable and uninterpretable features, which may be realized in different segments. The fourth chapter focuses on the nature of determiners such as articles, demonstratives, quantifiers, possessive adjectives and pronouns, personal pronouns and proper names, and shows that only articles have the properties to be attributed to “functional heads” because they are a segment of a scattered nominal head. The rest of the volume is devoted to the analysis of syntactic phenomena, such as double definiteness, expletive articles, and weak and strong adjectival inflection, by means of the proposal that (scattered) nominal or adjectival heads concord with their modifiers. This approach reinterprets head movement in a fashion that makes it compatible with minimalist requirements, provides an explanation for the apparent optionality of head movement, eliminates the typology of head movements by adjunction or substitution, and gives an original answer to the doubts raised about the legitimacy of the very notion of “functional category”.
