LATIN AMERICAN MODERNISMS AND TECHNOLOGY.
Author:
Publisher:
Published: 2017
Total Pages:
ISBN-13: 9781569025284
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No Apocalypse, No Integration
Author: Martin Hopenhayn
Publisher: Duke University Press
Published: 2002-01-08
Total Pages: 184
ISBN-13: 0822380390
DOWNLOAD EBOOKWinner of the Premio Iberoamericano Book Award in 1997 (Spanish Edition) What form does the crisis of modernity take in Latin America when societies are politically demobilized and there is no revolutionary agenda in sight? How does postmodern criticism reflect on enlightenment and utopia in a region marked by incomplete modernization, new waves of privatization, great masses of excluded peoples, and profound sociocultural heterogeneity? In No Apocalypse, No Integration Martín Hopenhayn examines the social and philosophical implications of the triumph of neoliberalism and the collapse of leftist and state-sponsored social planning in Latin America. With the failure of utopian movements that promised social change, the rupture of the link between the production of knowledge and practical intervention, and the defeat of modernization and development policy established after World War II, Latin American intellectuals and militants have been left at an impasse without a vital program of action. Hopenhayn analyzes these crises from a theoretical perspective and calls upon Latin American intellectuals to reevaluate their objects of study, their political reality, and their society’s cultural production, as well as to seek within their own history the elements for a new collective discourse. Challenging the notion that strict adherence to a single paradigm of action can rescue intellectual and cultural movements, Hopenhayn advocates a course of epistemological pluralism, arguing that such an approach values respect for difference and for cultural and theoretical diversity and heterodoxy. This essay collection will appeal to readers of sociology, public policy, philosophy, cultural theory, and Latin American history and culture, as well as to those with an interest in Latin America’s current transition.
The Mobility of Modernism
Author: Harper Montgomery
Publisher: University of Texas Press
Published: 2017-07-04
Total Pages: 342
ISBN-13: 1477312560
DOWNLOAD EBOOKArvey Foundation Book Award, Association for Latin American Art, 2018 Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. The Mobility of Modernism examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. Harper Montgomery maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Mérida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today—the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition.
Through the Kaleidoscope
Author: Vivian Schelling
Publisher: Verso
Published: 2000
Total Pages: 324
ISBN-13: 9781859847497
DOWNLOAD EBOOKModernity in Latin America is defined above all by its multi-layered, kaleidoscopic quality. Reminiscent of Octavio Paz's labyrinth, it is a modernity which has accommodated a piling-on of new traditions to old, a blending of external cultures with local, and of high cultures with more popular ones—mixes which allowed a rich and celebratory avant-garde movement, for example, to emerge in the 1920s, and prompted the explosive growth of cities like Rio de Janeiro. Many such cultural (as well as technological) innovations have occurred without equivalent changes in social and political life, however, and so the region has also been at the mercy of what might be termed an uneven development in many of its civic institutions. In this prestigious volume of original essays, many of the best writers on the region are brought together to examine the nature and manifestations of a specifically Latin American modernity. Beatriz Sarlo and Nicolau Sevcenko write about Buenos Aires and Sao Paulo in an exploration of twentieth century urban experience and shifting patterns of migration and immigration; Renato Ortiz and Ana Lopez look at mass media and the ways in which radio, television and cinema have shaped modernity; Jose Jorge de Carvalho, Jose de Souza Martins and Nelson Manrique address questions of religion, politics, ideology and social movements; Gwen Kirkpatrick and Beatriz Rezende explore the intricacies of artistic and literary modernism; and Nestor Canclini and Ruben Oliven open the collection with essays which unravel the many forces – the legacy of slavery, the freedom from an unquestioning faith in development and 'progress', the impact of globalisation – that have given rise to a characteristically hybrid modernity.
Itineraries of Expertise
Author: Andra B. Chastain
Publisher: University of Pittsburgh Press
Published: 2020-03-10
Total Pages: 345
ISBN-13: 0822987325
DOWNLOAD EBOOKItineraries of Expertise contends that experts and expertise played fundamental roles in the Latin American Cold War. While traditional Cold War histories of the region have examined diplomatic, intelligence, and military operations and more recent studies have probed the cultural dimensions of the conflict, the experts who constitute the focus of this volume escaped these categories. Although they often portrayed themselves as removed from politics, their work contributed to the key geopolitical agendas of the day. The paths traveled by the experts in this volume not only traversed Latin America and connected Latin America to the Global North, they also stretch traditional chronologies of the Latin American Cold War to show how local experts in the early twentieth century laid the foundation for post–World War II development projects, and how Cold War knowledge of science, technology, and the environment continues to impact our world today. These essays unite environmental history and the history of science and technology to argue for the importance of expertise in the Latin American Cold War.
Modern Architecture in Latin America
Author: Luis E. Carranza
Publisher: University of Texas Press
Published: 2015-01-05
Total Pages: 425
ISBN-13: 0292768184
DOWNLOAD EBOOKDesigned as a survey and focused on key examples and movements arranged chronologically from 1903 to 2003, this is the first comprehensive history of modern architecture in Latin America in any language. Runner-up, University Co-op Robert W. Hamilton Book Award, 2015 Modern Architecture in Latin America: Art, Technology, and Utopia is an introductory text on the issues, polemics, and works that represent the complex processes of political, economic, and cultural modernization in the twentieth century. The number and types of projects varied greatly from country to country, but, as a whole, the region produced a significant body of architecture that has never before been presented in a single volume in any language. Modern Architecture in Latin America is the first comprehensive history of this important production. Designed as a survey and focused on key examples/paradigms arranged chronologically from 1903 to 2003, this volume covers a myriad of countries; historical, social, and political conditions; and projects/developments that range from small houses to urban plans to architectural movements. The book is structured so that it can be read in a variety of ways—as a historically developed narrative of modern architecture in Latin America, as a country-specific chronology, or as a treatment of traditions centered on issues of art, technology, or utopia. This structure allows readers to see the development of multiple and parallel branches/historical strands of architecture and, at times, their interconnections across countries. The authors provide a critical evaluation of the movements presented in relationship to their overall goals and architectural transformations.
Critique of Latin American Reason
Author: Santiago Castro-Gómez
Publisher: Columbia University Press
Published: 2021-09-21
Total Pages: 199
ISBN-13: 0231553412
DOWNLOAD EBOOKCritique of Latin American Reason is one of the most important philosophical texts to have come out of South America in recent decades. First published in 1996, it offers a sweeping critique of the foundational schools of thought in Latin American philosophy and critical theory. Santiago Castro-Gómez argues that “Latin America” is not so much a geographical entity, a culture, or a place, but rather an object of knowledge produced by a family of discourses in the humanities that are inseparably linked to colonial power relationships. Using the archaeological and genealogical methods of Michel Foucault, he analyzes the political, literary, and philosophical discourses and modes of power that have contributed to the making of “Latin America.” Castro-Gómez examines the views of a wide range of Latin American thinkers on modernity, postmodernity, identity, colonial history, and literature, also considering how these questions have intersected with popular culture. His critique spans Central and South America, and it also implicates broader and protracted global processes. This book presents this groundbreaking work of contemporary critical theory in English translation for the first time. It features a foreword by Linda Martín Alcoff, a new preface by the author, and an introduction by Eduardo Mendieta situating Castro-Gómez’s thought in the context of critical theory in Latin America and the Global South. Two appendixes feature an interview with Castro-Gómez that sheds light on the book’s composition and short provocations responding to each chapter from a multidisciplinary forum of contemporary scholars who resituate the work within a range of perspectives including feminist, Francophone African, and decolonial Black political thought.
Cultural History and Modernity in Latin America
Author: Constantin von Barloewen
Publisher: Berghahn Books
Published: 1995
Total Pages: 232
ISBN-13:
DOWNLOAD EBOOKWhy is it that Japan, with few natural resources, has become one of the world's leading economies but not Latin America, which is so rich in natural resources? This anthropological essay questions the Euro-centric notion of modernity and modernization and argues that Latin America has to find its own form of modernity, one which accepts and reflects its owntraditions. As long as a Western Model is grafted on to Latin American societies, modernization is bound to fail. After examining the history and peculiarities of these societies and their cultures, from the pre-Colombian era to the present, the author develops what could become the framework for a future, "indigenous" model.
The Oxford Handbook of Global Modernisms
Author: Mark Wollaeger
Publisher: Oxford University Press
Published: 2013-10
Total Pages: 751
ISBN-13: 0199324700
DOWNLOAD EBOOKThe Oxford Handbook of Global Modernisms expands the scope of modernism beyond its traditional focus on English and Irish literature to explore the contributions of artists from countries and regions like the US, Cuba, Spain, the Balkans, China, Japan, India, Vietnam, and Nigeria.
Different Engines
Author: Andrés Burbano
Publisher: Taylor & Francis
Published: 2023-03-31
Total Pages: 213
ISBN-13: 1000840751
DOWNLOAD EBOOKDifferent Engines investigates the emergence of technologies in Latin America to create images, sounds, video games, and physical interactions. The book contributes to the construction of a historiographical and theoretical framework for understanding the work of creators who have been geographically and historically marginalized through the study of five exemplary and yet relatively unknown artifacts built by engineers, scientists, artists, and innovators. It offers a broad and detailed view of the complex and sometimes unlikely conditions under which technological innovation is possible and of the problematic logics under which these innovations may come to be devalued as historically irrelevant. Through its focus on media technologies, the book presents the interactions between technological and artistic creativity, working towards a wider understanding of the shifts in both fields that have shaped current perceptions, practices, and design principles while bringing into view the personal, social, and geopolitical singularities embodied by particular devices. It will be an engaging and insightful read for scholars, researchers, and students across a wide range of disciplines, such as media studies, art and design, architecture, cultural history, and the digital humanities.
