This is the story of one mans struggle to make good in the hash environment of post World War II Britain, a country in long-term decline. It depicts the experiences, adventures and misadventures of a working class male. The treatment is earthy and candid and laced with humour in its description of the twin impostors of triumphs and disasters in personal and professional life. His artistic development is described in some detail with reference to works on his website, palimpsestart.com. A substantial part of the book is dedicated to a serious critique of contemporary life in Britain.
In his first graphic novel, It's a Good Life, if You Don't Weaken–one of the best-selling D+Q titles ever--Seth pays homage to the wit and sophistication of the old-fashioned magazine cartoon. While trying to understand his dissatisfaction with the present, Seth discovers the life and work of Kalo, a forgotten New Yorker cartoonist from the 1940s. But his obsession blinds him to the needs of his lover and the quiet desperation of his family. Wry self-reflection and moody colours characterize Seth's style in this tale about learning lessons from nostalgia. His playful and sophisticated experiment with memoir provoked a furious debate among cartoon historians and archivists about the existence of Kalo, and prompted a Details feature about Seth's "hoax".
"Of the hundreds of comedians I've seen, Brad Stine is the best . . . side-splittingly funny, smart, and edgy." -Rick Warren, author of The Purpose-Driven Life Hilarious and thought-provoking, Brad Stine is a comedian who hails from-of all places-Middle America. So what happens when a conservative who is convinced that America is the greatest country on the planet, except for all the idiocies that have infiltrated it at the callous-free, baby-soft hands of liberals, gets the opportunity to rant on the page? By-products of "liberal lunacy," such as bump signs on our highways, airbags for safety, the decline of tobacco use, the contagion of Starbucks, and garden-variety political correctness, become grist for Stine's comedic mill. Laugh-out-loud funny and acutely insightful, Live from Middle Americawill prove irresistible to those who recognize themselves in its pages, and marks the publishing debut of one of conservative America's most original voices.
The Watchman didn't arrive in a Batmobile but drove a tan, four-door Pontiac. He was in costume, of course—a trench coat, motorcycle gloves, army boots, a domino mask, and a red hooded sweatshirt emblazoned with a W logo. Journalist Tea Krulos had spoken to him over the phone but never face-to-mask. By the end of the interview, he wasn't sure if the Watchman was delightfully eccentric or completely crazy. But he was going to find out. Heroes in the Night traces Krulos's journey into the strange subculture of Real Life Superheroes, random citizens who have adopted comic book&–style personas and hit the streets to fight injustice. Some concentrate on humanitarian or activist missions—helping the homeless, gathering donations for food banks, or delivering toys to children—while others actively patrol their neighborhoods looking for crime to fight. By day, these modern Clark Kents work as dishwashers, pencil pushers, and executives in Fortune 500 companies. But by night, only the Shadow knows. Well, the Shadow and Tea Krulos. Through historical research, extensive interviews, and many long hours walking patrol in Brooklyn, Seattle, San Diego, Minneapolis, and Vancouver, British Columbia, Krulos discovered what being a RLSH is all about. He shares not only their shining, triumphant moments but some of their ill-advised, terrifying disasters as well. It's all part of the life of a superhero. As the Watchman explains, &“If everyone made little changes in what they did, gave a little more to charity, watched out for their neighbors, we wouldn't have the problems that we have.&”
It's not the best of times for the San Francisco GoldenGaters. But their win-loss record suddenly takes a back seat to the rumor that somebody is throwing games--and a crusading sports columnist finds that nobody on the basketball team is above suspicion. Now the game gets really rough. . . .
Taking a break from the serialization of his saga Clyde Fans and the design of The Complete Peanuts, critically acclaimed cartoonist and illustrator Seth creates a farcical world of the people whose passion lies in the need to own comic books (and only in mint condition). Meet Wimbledon Green, the self-proclaimed world’s greatest comic book collector who brokered the biggest comic book deal in the history of collecting. Comic book retailers, auctioneers and conventioneers from around North America, as well as Green’s collecting rivals, weigh in on the man and his vast collection of comic books. Are Green’s intentions honourable? Does he truly love comics or is he driven by the need to conquer? Lastly, is he really even Wimbledon Green? A charming and amusing caper where comic book collecting is a world of intrique and high finance – part riotous chase, part whimsical character sketch, Wimbledon Green looks at the need to collect and the need to reinvent oneself.
