Already a classic and widely used text, this second edition has been wholly revised and updated in the light of the many discoveries made since its first publication. Michael Rice's bold and original work evokes the fascination and wonder of the most ancient period of Egypt's history. Covering a huge range of topics, including formative influences in the political and social organization and art of Egypt, the origins of kingship, the age of pyramids, the nature of Egypt's contact with the lands around the Arabian Gulf, and the earliest identifiable developments of the historic Egyptian personality. Egypt's Making is a scholarly yet readable and imaginative approach to this compelling ancient civilization.
"The Egyptian Old Kingdom (c. 2650-2150 BC) was an era of extraordinary artistic achievement-the period that gave us the Sphinx and the pyramids as well as a rich legacy of private tombs, wall paintings, reliefs, statuary, jewelry, and decorative arts. This book, the companion volume to a major traveling exhibition organized by New York's Metropolitan Museum of Art and the Louvre in Paris, showcases the most impressive assemblage of Egyptian art and artifacts since the Tutankhamun exhibition of the late 1970s. Scholarly essays and 650 illustrations bring to life a remarkable panoply of Old Kingdom objects-temple and tomb reliefs, striking gold jewelry, handsome stone vessels, monumental statues, stelae, and exquisite statuettes. Together, text and images create a stunning tribute to the world of the Pharaohs"--Publisher's description.
In this book, Richard Bussmann presents a fresh overview of ancient Egyptian society and culture in the age of the pyramids. He addresses key themes in the comparative research of early complex societies, including urbanism, funerary culture, temple ritual, kingship, and the state, and explores how ideas and practices were exchanged between ruling elites and local communities in provincial Egypt. Unlike other studies of ancient Egypt, this book adopts an anthropological approach that places people at the centre of the analysis. Bussmann covers a range of important themes in cross-cultural debates, such as materiality, gender, non-elite culture, and the body. He also offers new perspectives on social diversity and cultural cohesion, based on recent discoveries. His study vividly illustrates how our understanding of ancient Egyptian society benefits from the application of theoretical concepts in archaeology and anthropology to the interpretation of the evidence.
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
About 240 wooden statues survive from the Old Kingdom (c. 2575 - 2134 BC). The statues that can be dated by external criteria have been gathered together into a chronological catalogue and their features studied to establish dating criteria. The criteria are then applied to the remaining statues, enabling many of them to be assigned dates within individual reigns of the Old Kingdom.
Joseph Davidovits explains the intriguing theory that made him famous. He shows how the Pyramids were built by using re-agglomerated stone (a natural limestone treated like a concrete), and not with huge carved blocks, hauled on fragile ramps. Archaeology bears him out, as well as hieroglyphic texts, scientific analysis, religious and historical facts. The author sweeps aside the conventional image which cripples Egyptology and delivers a captivating and surprising view of this civilisation; the first complete presentation on how the pyramids were built. The revelations are sensational, especially when he explains why the pharaohs stopped building great pyramids because of an over-exploitation of raw materials and a likely environmental disaster. He charts the rise of this technology, its apogee at Giza, and the decline. Everything is logical, everything fits into place.
Egyptian coffins stand out in museum collections for their lively and radiant appearance. As a container of the mummy, coffins played a key role by protecting the body and, at the same time, integrating the deceased in the afterlife. The paramount importance of these objects and their purpose is detected in the ways they changed through time. For more than three thousand years, coffins and tombs had been designed to assure in the most efficient way possible a successful outcome for the difficult transition to the afterlife. This book examines eight non-royal tombs found relatively intact, from the plains of Saqqara to the sacred hills of Thebes. These almost undisturbed burial sites managed to escape ancient looters and so their discoveries, from Mariette’s exploration of the Mastaba of Ti in Saqqara to Schiaparelli’s discovery of the Tomb of Kha and Merit in Deir el-Medina, were sensational events in Egyptian archaeology. Each one of these sites unveils before our eyes a time capsule, where coffins and tombs were designed together as part of a social, political and religious order. From Predynastic times to the decline of the New Kingdom, this book explores each site revealing the interconnection between mummification practices, coffin decoration, burial equipment, tomb decoration and ritual landscapes. Through this analysis, the author aims to point out how the design of coffins changed through time in order to empower the deceased with different visions of immortality. By doing so, the study of coffins reveals a silent revolution which managed to open to ordinary men and women horizons of divinity previously reserved for the royal sphere. Coffins thus show us how identity was forged to create an immortal and divine self.
A survey of ancient Egyptian mathematics across three thousand years Mathematics in Ancient Egypt traces the development of Egyptian mathematics, from the end of the fourth millennium BC—and the earliest hints of writing and number notation—to the end of the pharaonic period in Greco-Roman times. Drawing from mathematical texts, architectural drawings, administrative documents, and other sources, Annette Imhausen surveys three thousand years of Egyptian history to present an integrated picture of theoretical mathematics in relation to the daily practices of Egyptian life and social structures. Imhausen shows that from the earliest beginnings, pharaonic civilization used numerical techniques to efficiently control and use their material resources and labor. Even during the Old Kingdom, a variety of metrological systems had already been devised. By the Middle Kingdom, procedures had been established to teach mathematical techniques to scribes in order to make them proficient administrators for their king. Imhausen looks at counterparts to the notation of zero, suggests an explanation for the evolution of unit fractions, and analyzes concepts of arithmetic techniques. She draws connections and comparisons to Mesopotamian mathematics, examines which individuals in Egyptian society held mathematical knowledge, and considers which scribes were trained in mathematical ideas and why. Of interest to historians of mathematics, mathematicians, Egyptologists, and all those curious about Egyptian culture, Mathematics in Ancient Egypt sheds new light on a civilization's unique mathematical evolution.
In the House of Heqanakht: Text and Context in Ancient Egypt gathers Egyptological articles in honor of James P. Allen, Charles Edwin Wilbour Professor of Egyptology at Brown University.
