The question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation’s landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape. Essayists examine a variety of U.S. places—ranging from New Orleans and Charlotte to Milwaukee and Detroit—exposing racism endemic in the built environment and acknowledging the widespread erasure of black geographies and cultural landscapes. Through a combination of case studies, critiques, and calls to action, contributors reveal the deficient, normative portrayals of landscape that affect communities of color and question how public design and preservation efforts can support people in these places. In a culture in which historical omissions and specious narratives routinely provoke disinvestment in minority communities, creative solutions by designers, planners, artists, and residents are necessary to activate them in novel ways. Black people have built and shaped the American landscape in ways that can never be fully known. Black Landscapes Matter is a timely and necessary reminder that without recognizing and reconciling these histories and spaces, America’s past and future cannot be understood.
This book focuses on regulatory challenges of creating and sustaining freedom of speech and freedom of information two decades after the fall of the Berlin wall, in global, comparative context. Some chapters overview, others address specific issues, or describe country case studies. Instead of trying to provide an exhaustive assessment which in one volume might not reach deeper analyzes of contextual details, this book will shed light on and help better understanding of general challenges for freedom of speech and information through varying comparative examples and highlighting important regulatory questions.
Winner of the Frederick Jackson Turner Award Winner of the George Perkins Marsh Prize Winner of the John Brinckerhoff Jackson Book Prize “A major work of history that brings together African-American history and environmental studies in exciting ways.” —Davarian L. Baldwin, Journal of Interdisciplinary History Between 1915 and 1940, hundreds of thousands of African Americans left the rural South to begin new lives in the urban North. In Chicago, the black population quintupled to more than 275,000. Most historians map the integration of southern and northern black culture by looking at labor, politics, and popular culture. An award-winning environmental historian, Brian McCammack charts a different course, considering instead how black Chicagoans forged material and imaginative connections to nature. The first major history to frame the Great Migration as an environmental experience, Landscapes of Hope takes us to Chicago’s parks and beaches as well as to the youth camps, vacation resorts, farms, and forests of the rural Midwest. Situated at the intersection of race and place in American history, it traces the contours of a black environmental consciousness that runs throughout the African American experience. “Uncovers the untold history of African Americans’ migration to Chicago as they constructed both material and immaterial connections to nature.” —Teona Williams, Black Perspectives “A beautifully written, smart, painstakingly researched account that adds nuance to the growing field of African American environmental history.” —Colin Fisher, American Historical Review “If in the South nature was associated with labor, for the inhabitants of the crowded tenements in Chicago, nature increasingly became a source of leisure.” —Reinier de Graaf, New York Review of Books
"To most of us there have come exceptional, unworldly moments, like unsuspected deeps in a stream, when we fell through appearances - fell through ourselves - into an intuition of majesty and wonder." - Bhikkhu Nyanasobhano in Landscapes of Wonder Landscapes of Wonder deftly transports the spirit of Buddhist contemplation off the cushion and into the natural world. With a lyricism and spiritual immediacy reminiscent of Thoreau and Emerson, in eighteen meditational essays Bhikkhu Nyanasobhano considers Buddhist themes through the prism of nature. The reflections captured in these satisfying literary explorations will appeal to all who appreciate contemplation of the natural world and our place in it.
“What does it mean to see the American landscape in a secular way?” asks Nicolas Howe at the outset of this innovative, ambitious, and wide-ranging book. It’s a surprising question because of what it implies: we usually aren’t seeing American landscapes through a non-religious lens, but rather as inflected by complicated, little-examined concepts of the sacred. Fusing geography, legal scholarship, and religion in a potent analysis, Howe shows how seemingly routine questions about how to look at a sunrise or a plateau or how to assess what a mountain is both physically and ideologically, lead to complex arguments about the nature of religious experience and its implications for our lives as citizens. In American society—nominally secular but committed to permitting a diversity of religious beliefs and expressions—such questions become all the more fraught and can lead to difficult, often unsatisfying compromises regarding how to interpret and inhabit our public lands and spaces. A serious commitment to secularism, Howe shows, forces us to confront the profound challenges of true religious diversity in ways that often will have their ultimate expression in our built environment. This provocative exploration of some of the fundamental aspects of American life will help us see the land, law, and society anew.
Freedom is a great thing, but it comes at a cost: this contemporary theme is explored in this novel set in 1950s Tokyo. The story unfolds among the lives of ordinary people, from the former aristocrat to the humble hobo, in the era between defeat under the militarist regime and reconstruction under an Occupation-controlled "democratic" order. A keen observer of both sexes, Shishi's characterizations go beyond their cultural milieu, evoking universal human nature and impulses. This novel is both refreshing and revealing in its dismissal of gender stereotyping, and in its depiction of the people of Tokyo pulling themselves out of the chaos of war.
In this dramatic Civil War story, a courageous enslaved fugitive teams with a cunning Union general to save a Union fort from the Confederates–and triggers the end of slavery in the United States. This is the first children's nonfiction book about a Black unsung hero who remains relevant today and to the Black Lives Matter movement. On the night Virginia secedes from the Union, three enslaved men approach Fortress Monroe. Knowing that Virginia's secession meant they would be separated from their families and sent farther south to work for the Confederacy, the men decided to plead for sanctuary. And they were in luck. The fort's commander, Benjamin Butler, retained them--and many more that followed--by calling them "contraband of war." Butler depended on the contrabands to provide information about the Confederates. He found the perfect partner in George Scott, one of the contrabands, whose heroism saved the fort from enemy hands. And, it was the plight of the contrabands that convinced President Lincoln that slavery MUST be abolished and inspired him to write his Emancipation Proclamation, ending slavery in the rebellious states.
In Landscapes of Power Dana E. Powell examines the rise and fall of the controversial Desert Rock Power Plant initiative in New Mexico to trace the political conflicts surrounding native sovereignty and contemporary energy development on Navajo (Diné) Nation land. Powell's historical and ethnographic account shows how the coal-fired power plant project's defeat provided the basis for redefining the legacies of colonialism, mineral extraction, and environmentalism. Examining the labor of activists, artists, politicians, elders, technicians, and others, Powell emphasizes the generative potential of Navajo resistance to articulate a vision of autonomy in the face of twenty-first-century colonial conditions. Ultimately, Powell situates local Navajo struggles over energy technology and infrastructure within broader sociocultural life, debates over global climate change, and tribal, federal, and global politics of extraction.