The fact that certain cultures and religions produced a way of life which, for the sake of self-perfection, expected its adherents to withdraw from various obligations to the world and to enter into the organisational structure of a monastic community obviously represents a constant anthropological foundation. The spectrum of monastic life within these various cultures was extremely diverse in its manifestations. It was the result of a high degree of flexibility in the face of constantly changing ideas about piety, social needs and concepts of community and individuality. However, an interreligious study with the aim of a scholarly analysis of comparable key elements across different monastic cultures does not exist yet. The editors as well as the authors of this volume are particularly interested in how monastic life was realised communally in many ways according to fixed norms and rules, how it shaped the understanding of community and civilisation and therefore made a decisive contribution to the formation of our cultural identity.
This volume includes seventeen essays on Byzantine monasticism, focusing on the 9th to 15th centuries. Envisaged as a companion Variorum volume to Talbot's Women and Religious Life in Byzantium (2001), this compendium complements its predecessor by focusing more attention on male monasteries, hermits and holy mountains, while offering some pioneering studies of female patrons, rural nuns, and the links of many Byzantine women to Mount Athos. The volume also complements Talbot's 2019 monograph, Varieties of Monastic Experience in Byzantium, 800-1453, by offering detailed analyses of topics that could only be briefly addressed in that book. Introductory essays include an overview of the historical development of Byzantine monasteries and holy mountains, emphasising the intertwining of monasticism with urban and rural society. Subsequent essays explore the regimen at coenobitic monasteries, while paying considerable attention to the less well-known lifestyles of hermits, especially those on holy mountains. Other topics include monastery gardens and horticulture; the culture of the refectory; challenges for adolescent novices; factors influencing the choice of a monastery’s foundation site; female patronage of monastery construction and restoration; the conversion of monasteries from male to female and vice-versa; rules regarding personal poverty for monastics; and the choice of a monastic name.
How did humans and the environment impact each other in the medieval Eastern Mediterranean? How did global climatic fluctuations affect the Byzantine Empire over the course of a millennium? And how did the transmission of pathogens across long distances affect humans and animals during this period? This book tackles these and other questions about the intersection of human and natural history in a systematic way. Bringing together analyses of historical, archaeological, and natural scientific evidence, specialists from across these fields have contributed to this volume to outline the new discipline of Byzantine environmental history. Contributors are: Johan Bakker, Henriette Baron, Chryssa Bourbou, James Crow, Michael J. Decker, Warren J. Eastwood, Dominik Fleitmann, John Haldon, Adam Izdebski, Eva Kaptijn, Jürg Luterbacher, Henry Maguire, Mischa Meier, Lee Mordechai, Jeroen Poblome, Johannes Preiser-Kapeller, Abigail Sargent, Peter Talloen, Costas Tsiamis, Ralf Vandam, Myrto Veikou, Sam White, and Elena Xoplaki
This book illuminates Byzantines' relationship with woodland between the seventh and twelfth centuries. Using the oak and the olive as objects of study, this work explores shifting economic strategies, environmental change, and the transformation of material culture throughout the middle Byzantine period. Drawing from texts, environmental data, and archaeological surveys, this book demonstrates that woodland's makeup was altered after Byzantium's seventh-century metamorphosis, and that people interacted in new ways with this re-worked ecology. Oak obtained prominence after late antiquity, illustrating the shift from that earlier era's intensive agriculture to a more sylvan middle Byzantine economy. Meanwhile, the olive faded into the background, re-emerging in the eleventh and twelfth centuries thanks to the initiative of people adapting yet again to newly changed political and economic circumstances. This book therefore shows that Byzantines' relationship with their ecology was far from static, and that Byzantines' decisions had environmental impacts.
Byzantine Ecocriticism: Women, Nature, and Power in the Medieval Greek Romance applies literary ecocriticism to the imaginative fiction of the Greek world from the twelfth to fifteenth centuries. Through analyses of hunting, gardening, bride-stealing, and warfare, Byzantine Ecocriticism exposes the attitudes and behaviors that justified human control over women, nature, and animals; the means by which such control was exerted; and the anxieties surrounding its limits. Adam Goldwyn thus demonstrates the ways in which intersectional ecocriticism, feminism, and posthumanism can be applied to medieval texts, and illustrates how the legacies of medieval and Byzantine environmental practice and ideology continue to be relevant to contemporary ecological and environmental concerns.
Animals have recently become recognized as significant agents of history as part of the ‘animal turn’ in historical studies. Animals in Byzantium were human companions, a source of entertainment and food – it is small wonder that they made their way into literature and the visual arts. Moreover, humans defined themselves and their activities by referring to non-human animals, either by anthropomorphizing animals (as in the case of the Cat-Mice War) or by animalizing humans and their (un)wanted behaviours. The Routledge Handbook of Human-Animal Relations in the Byzantine World offers an in-depth survey of the relationships between humans and non-human animals in the Byzantine Empire. The contributions included in the volume address both material (zooarchaeology, animals as food, visual representations of animals) and immaterial (semiotics, philosophy) aspects of human-animal coexistence in chapters written by leading experts in their field. This book will appeal to students and scholars alike researching Byzantine social and cultural history, as well as those interested in the history of animals. This book marks an important step in the development of animal studies in Byzantium, filling a gap in the wider research on the history of human-animal relations in the Middle Ages.
In this unprecedented introduction to Byzantine monasticism, based on the Conway Lectures she delivered at the University of Notre Dame in 2014, Alice-Mary Talbot surveys the various forms of monastic life in the Byzantine Empire between the ninth and fifteenth centuries. It includes chapters on male monastic communities (mostly cenobitic, but some idiorrhythmic in late Byzantium), nuns and nunneries, hermits and holy mountains, and a final chapter on alternative forms of monasticism, including recluses, stylites, wandering monks, holy fools, nuns disguised as monks, and unaffiliated monks and nuns. This original monograph does not attempt to be a history of Byzantine monasticism but rather emphasizes the multiplicity of ways in which Byzantine men and women could devote their lives to service to God, with an emphasis on the tension between the two basic modes of monastic life, cenobitic and eremitic. It stresses the individual character of each Byzantine monastic community in contrast to the monastic orders of the Western medieval world, and yet at the same time demonstrates that there were more connections between certain groups of monasteries than previously realized. The most original sections include an in-depth analysis of the challenges facing hermits in the wilderness, and special attention to enclosed monks (recluses) and urban monks and nuns who lived independently outside of monastic complexes. Throughout, Talbot highlights some of the distinctions between the monastic life of men and women, and makes comparisons of Byzantine monasticism with its Western medieval counterpart.
Icons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov. As well as his numerous publications, Lidov is well known for developing the concept of hierotopy, an innovative approach for studying the creation of sacred spaces. Hierotopy and the related concepts of ‘spatial icons’ and ‘image-paradigms’ emphasize fundamental questions about icons, including what defines them as structures, spaces, and experiences. Chapters in this volume engage with the overarching theme of icons of space by employing, contrasting, and complementing methods of hierotopy with more traditional approaches such as iconography. Examinations of icons have traditionally been positioned within strictly historical, theological, socio-economic, political, and art history domains, but this volume poses epistemological questions about the creation of sacred spaces that are instead inclusive of multi-layered iconic ideas and the lived experiences of the creators and beholders of such spaces. This book contributes to image theory and theories of architecture and sacred space. Simultaneously, it moves beyond colonial studies that predominantly focus on questions of religion and politics as expressions of privileged knowledge and power. This book will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.