The creativity of Burning Man and the design innovation of the Land Art Generator respond to the climate crisis with a catalog of radical experiments in post-carbon living. Set in the remote corner of Northern Nevada lies a magical stretch of land called Fly Ranch. With no access to the electrical grid or other public utilities, the site provides an opportunity to reinvent what human settlement can aspire to be in a world that has awakened to the impacts of anthropogenic climate change and the overconsumption of natural resources. Land Art of the 21st Century catalogs the responses to an invitation from the Land Art Generator and Burning Man Project to creatively design systems for energy, water, agriculture, shelter, and regeneration--a proof of concept for how to live in beauty and harmony with the earth. The results are a glimpse into the near future of our sustainable landscapes.
"This catalogue to accompany the museum exhibition traces the emergence of the artistic impulses to use the earth as material, land as medium, and to locate works in remote sites, beyond familiar art contexts. Significantly, "Ends of the Earth" challenges many myths about Land art--that it was primarily a North American phenomenon, that it was foremost a sculptural practice, and that it exceeds the confines of the art system. Featuring over 100 artists hailing from countries including Great Britain, Germany, Iceland, Israel, Japan, the Netherlands, and the United States, the exhibition constitutes the most comprehensive survey of Land art to date"--Provided by publisher.
"This book offers the first overview of Mack's philosophy of art as well as his multifaceted oeuvre. A sculptor and painter for more than sixty years, Mack has created a wide-ranging body of work, starting with the ZERO period around 1960 and continuing in the present day. As this book shows, the essential aspects of his works--including the significance of light, structure, and color--are portrayed with often surprising perspectives. The authors accompany Mack in his constant search for a new concept of art, following him from ZERO through his legendary Sahara Project, a series of installations he made in the Tunisian desert from 1962 to 1976, to his light art and most recent paintings. Throughout, they discover little-known connections to minimal art, land art, Yves Klein, and Constantin Brancusi, among others. This journey through Mack's rich oeuvre culminates in a look at his passionate plea for the idea of beauty in the twenty-first century." --Publisher's website.
A highly original, wide-ranging, and judiciously illustrated exploration of an increasingly global art scene In the past, writers and critics such as Goethe, Ruskin, and Clement Greenberg perpetuated particular ideas about art and even dictated these ideas to the artists themselves. Today, artists no longer have to follow one prevailing theory and the art world is less centralized in particular cities: New York, London, Paris, Berlin, and Beijing all offer rich environments to artists but none are designated as the exclusive center of the art world. In Global Art Compass, Alistair Hicks demonstrates his belief that no single curator, critic, or dealer should monopolize our view of what is happening in the art world today, but that by listening to the artists themselves, we can gradually make out an ever-evolving web of patterns, relationships, and themes. Organized by continent and including extracts from interviews with artists from around the world, the book offers a fresh view of the contemporary art world through artists from France, Albania, Slovakia, Russia, Mexico, Brazil, The United States, China, India, and beyond. The range of artists whose work is explored includes Laure Prouvost, Anri Sala, Roman Ondák , Gabriel Orozco, Sandra Gamarra , Cai Guo-Qiang, and Nandan Ghiya, among many others. The results of Hicks’s approach clearly show that the preoccupations of artists in the 21st century are largely universal: that ever-faster communications are balanced by a resistance to globalization; that an awareness of the unprecedented complexity of our world is equaled by a rising skepticism of the systems that impose order on our lives; and that while art is seen by many as a commodity, it also has the power to be a regenerative tool.
Bringing together artistic expressions that take place on bodies of water, this book connects contemporary creative explorations at sea with works by land, environmental, and conceptual artists. Among the artists included are Atelier Van Lieshout, Ant Farm, Chris Burden, Michael Combs, Mark Dion, Buckminster Fuller, Marie Lorenz, Robert Smithson, Simon Starling, and Swoon. Featured projects tackle subjects as diverse as freedom from the law of the land, Utopian impulses, and seaborne laboratories and studios.
Bill Schenck is one of the best-known practitioners of the western pop-art movement which appeared in the 1960s hard on the heels of American pop's leading lights like Andy Warhol and Roy Lichtenstein," according to Southwest Art magazine. "Schenck in the 21st Century" is a comprehensive catalog raisonne and biography covering Schenck's paintings, photographs, serigraphs, and the other kinds of trouble he's been in since the turn of the millennium. Written by noted art historian, Amy Abrams, this is the most authoritative source on Schenck's current work and philosophy of life, art, and the way it ought to be. Schenck s work can be found in numerous major collections throughout the world, including the Smithsonian Institution, Denver Art Museum, The Autry Museum of Western Heritage, Booth Western Art Museum, Tucson Museum of Art, and many more. Schenck's work has been the subject of four museum retrospectives, including The West as It Never Was, at the Albrecht Kemper Museum of Art. Schenck is a World Champion Ranch Sorting winner and the proprietor of the Double Standard Ranch in Santa Fe, New Mexico, his home for the past two decades. "The painter Bill Schenck has been challenging the western myth for four decades through his paintings, prints, and photography. His works possess a deep understanding of design and a sophisticated sense of color that has only heightened in recent years with his brazenly bold canvases." Thomas Brent Smith Director, Petrie Institute of Western American Art, Denver Art Museum"
Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovic, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls. And throughout the volume, attention is paid to new initiatives and proposals about what an art school can and should be in the twenty-first century—and what it shouldn't be. No other book on the subject covers more of the questions concerning art education today or offers more insight into the pressures, challenges, risks, and opportunities for artists and art educators in the years ahead. Contributors Marina Abramovic, Dennis Adams, John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Saskia Bos, Tania Bruguera, Luis Camnitzer, Michael Craig-Martin, Thierry de Duve, Clémentine Deliss, Charles Esche, Liam Gillick, Boris Groys, Hans Haacke, Ann Lauterbach, Ken Lum, Steven Henry Madoff, Brendan D. Moran, Ernesto Pujol, Raqs Media Collective, Charles Renfro, Jeffrey T. Schnapp, Michael Shanks, Robert Storr, Anton Vidokle
"The Land Art Generator Initiative implements the design and construction of new landmarks of civic art for the twenty-first century that give back to communities by providing clean and renewable infrastructure solutions, while educating and inspiring people about the beauty of our postcarbon future. LAGI Santa Monica invited creatives around the world to imagine regenerative artworks that harvest millions of liters of drinking water and enough electricity to power thousands of homes in Southern California."--Back cover.
