Josie is a happily dedicated housewife and mother in 1960s suburban Seattlebut she's keeping a secret from her family: she's also a contract killer with nerves of steel! But when the tables turn and she finds herself with a target on her own back, she looks for answers from another mysterious, deadly woman! A level of violence that can only be described as _Mad Men_'s Betty Draper meets _Dexter._�Comic Book Resources
In this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill—and the political, economic, social and sexual implications buried with each victim. How many of us are even remotely prepared to imagine our mothers, daughters, sisters or grandmothers as fiendish killers? For centuries we have been conditioned to think of serial murderers and psychopathic predators as men—with women registering low on our paranoia radar. Perhaps that’s why so many trusting husbands, lovers, family friends, and children have fallen prey to “the female monster.” From history’s earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain’s notorious child-slayer Myra Hindley to ‘Honeymoon Killer’ Martha Beck to the sensational cult of Aileen Wournos—the first female serial killer-as-celebrity—to cult killers, homicidal missionaries, and our pop-culture fascination with the sexy femme fatale, Vronsky not only challenges our ordinary standards of good and evil but also defies our basic accepted perceptions of gender role and identity. INCLUDES PHOTOGRAPHS
BAD THINGS HAPPEN IN THREES... Clint thought visiting his friend on peaceful Mackinac Island would be the perfect vacation. After all, what trouble could follow him to the middle of a lake? But trouble always finds the Gunsmith... And this time, it's a serial killer. There's a whole slew of suspects...the loner, the millionaire, and the entire sanitorium. But there's only one lead: The killer takes three victims a year—and they're all women. Clint and Chief Stewart are searching every inch of the island until justice is served...straight from the end of a barrel!
The surprising true story of Mexico’s hunt, arrest, and conviction of its first female serial killer For three years, amid widespread public outrage, police in Mexico City struggled to uncover the identity of the killer responsible for the ghastly deaths of forty elderly women, many of whom had been strangled in their homes with a stethoscope by someone posing as a government nurse. When Juana Barraza Samperio, a female professional wrestler known as la Dama del Silencio (the Lady of Silence), was arrested—and eventually sentenced to 759 years in prison—for her crimes as the Mataviejitas (the little old lady killer), her case disrupted traditional narratives about gender, criminality, and victimhood in the popular and criminological imagination. Marshaling ten years of research, and one of the only interviews that Juana Barraza Samperio has given while in prison, Susana Vargas Cervantes deconstructs this uniquely provocative story. She focuses, in particular, on the complex, gendered aspects of the case, asking: Who is a killer? Barraza—with her “manly” features and strength, her career as a masked wrestler in lucha libre, and her violent crimes—is presented, here, as a study in gender deviance, a disruption of what scholars call mexicanidad, or the masculine notion of what it means to be Mexican. Cervantes also challenges our conception of victimhood—specifically, who “counts” as a victim. The Little Old Lady Killer presents a fascinating analysis of what serial killing—often considered “killing for the pleasure of killing”—represents to us.
A dizzying tale of lust, mystery, and murder—from a beloved Japanese crime fiction author and LGBT icon The Lady Killer leads a double life in Tokyo's shadowy underworld. By day, he is a devoted husband and hard worker; by night, he cruises cabaret bars and nightclubs in search of lonely single women to seduce. But now the hunter is being hunted, and in his wake lies a trail of gruesome murders. Who is the culprit? The answer lies tangled in a web of clues—and to find it, he must accept that nothing is what it seems. The Lady Killer pulls from author Masako Togawa’s vibrant personal life as a cabaret performer for Tokyo’s gay nightclub scene during the ‘50s and ‘60s. Throughout her writing career, Togawa continued to champion the LGBT community as a queer woman—sealing her reputation as one of Japan’s most prominent crime fiction authors and LGBT heroines.
'The Ladykillers' is a classic black comedy; a sweet little old lady, alone in her house, is pitted against a gang of criminal misfits who will stop at nothing.
The killer housewife is back! The Schuller family has moved to Cocoa Beach, where life carries on as usual. Josie continues to juggle Tupperware parties, her kids, and a few heads--and things don't get any easier for the entrepreneur hit lady when her past comes back to haunt her. Lady Killer is a black comedy that juxtaposes the wholesome imagery of early 1960s domestic bliss with a tightening web of murder, paranoia, and cold-blooded survival. From rising star author Joelle Jones comes the much anticpated return of Josie Schuller the Lady Killer! Collects Lady Killer (Series 2) issues#1-#5. "A level of violence that can only be described as Mad Men's Betty Draper meets Dexter." -Comic Book Resources "Lady Killer somehow manages to perfectly incorporate the quaint concept of the 1950's TV housewife with blood-fueled antics of vicious killer for hire."-IGN "Lady Killer is worth its weight in gold for the art alone, but the enigmatic Josie Schuller is the real appeal."--Newsarama
Josie Schuller is a picture-perfect homemaker, wife, and mother--but she's also a ruthless, efficient killer! She's balanced cheerful domestic bliss with coldly performed assassinations, but when Josie finds herself in the crosshairs, her American Dream life is in danger! A brand-new original black comedy series that combines the wholesome imagery of early 1960s domestic bliss with a tightening web of murder, paranoia, and cold-blooded survival. "LADY KILLER is just as much splash-page gore as it is a biting commentary on American society, creating a well-balanced work for both fans of horror and of smart political thrillers." -fangoria.com
