Lady Anne Granard, Or Keeping Up Appearances, Vol. 1 of 3 (Classic Reprint)

Lady Anne Granard, Or Keeping Up Appearances, Vol. 1 of 3 (Classic Reprint)

Author: Letitia Elizabeth Landon

Publisher: Forgotten Books

Published: 2016-12-24

Total Pages: 324

ISBN-13: 9781334680823

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Excerpt from Lady Anne Granard, or Keeping Up Appearances, Vol. 1 of 3 I do believe that he died on purpose to plague us, replied Georgiana, her elder sister by two years. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Spectator

The Spectator

Author:

Publisher:

Published: 1842

Total Pages: 1306

ISBN-13:

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A weekly review of politics, literature, theology, and art.


Romanticism and Women Poets

Romanticism and Women Poets

Author: Harriet Kramer Linkin

Publisher: University Press of Kentucky

Published: 2014-10-17

Total Pages: 304

ISBN-13: 081315703X

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One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.