Cities After Crisis

Cities After Crisis

Author: Carlos Garcia Vazquez

Publisher: Routledge

Published: 2021-09-30

Total Pages: 198

ISBN-13: 1000440494

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Cities After Crisis shows how urbanism and urban design is redefining cities after the global health, economic, and environmental crises of the past decades. The book details how these crises have led to a new urban vision—from avantgarde modern design to an artisan aesthetic that calls for simplicity and the everyday, from the sustainable development paradigm to a resilient vision that defends de-growth and the re-wilding of cities, from a homogenizing globalism to a new localism that values what is distinctive and nearby, from the privatization of the public realm to the commoning and self-governance of urban resources, and from top-down to bottom-up processes based on the engagement and empowerment of communities. Through examples from cities around the world and a detailed look at the London neighbourhood of Dalston, the book shows designers and planners how to incorporate residents into the decision-making process, design inclusive public spaces that can be permanently reconfigured, reimagine obsolete spaces to accommodate radically contemporary uses, and build gardens designed and maintained by the community, among other projects.


Les Fleurs Du Mal

Les Fleurs Du Mal

Author: Charles Baudelaire

Publisher: David R. Godine Publisher

Published: 1982

Total Pages: 404

ISBN-13: 9780879234621

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Originally published in 1857, "Les Fleurs du Mal" (English: The Flowers of Evil) is a volume of modernist poetry by Charles Baudelaire. The subject matter of these poems deals with themes relating to decadence and eroticism.


Flowers of Evil

Flowers of Evil

Author: Charles Baudelaire

Publisher: New York Review of Books

Published: 2024-05-21

Total Pages: 289

ISBN-13: 1681378299

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Charles Baudelaire invented modern poetry, and Flowers of Evil has been a bible for poets from Arthur Rimbaud to T. S. Eliot to Edna St. Vincent Millay, who, with George Dillon, composed an inspired rhymed version of the book published in 1936 and reprinted here, with the French originals, for the first time in many years. Millay and Dillon, while respectful of the spirit of the originals, lay claim to them as to a rightful inheritance, setting Baudelaire’s flowing lines to the music of English. The result is one of the most persuasive renditions of the French poet’s opulence, his tortured consciousness, and his troubling sensuality, as well as an impressive reimagining of his rhymes and rhythms on a par with Marianne Moore’s La Fontaine or Richard Wilbur’s Molière.