A General Dictionary of Painters ... A new edition, etc. With a supplement
Author: Matthew PILKINGTON (Vicar of Donabate, Dublin.)
Publisher:
Published: 1840
Total Pages: 800
ISBN-13:
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Author: Matthew PILKINGTON (Vicar of Donabate, Dublin.)
Publisher:
Published: 1840
Total Pages: 800
ISBN-13:
DOWNLOAD EBOOKAuthor: Sotheby, Wilkinson & Hodge
Publisher:
Published: 1920
Total Pages: 922
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch (Firm)
Publisher:
Published: 1866
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1917
Total Pages: 1110
ISBN-13:
DOWNLOAD EBOOKA record of literary properties sold at auction in the United States.
Author: John Peacock
Publisher: Routledge
Published: 2017-07-05
Total Pages: 313
ISBN-13: 1351542850
DOWNLOAD EBOOKBased on a close study of Van Dyck's Self-portrait with a Sunflower, this book examines the picture's context in the symbolic discourses of the period and in the artist's oeuvre. The portrait is interpreted as a programmatic statement, made in the ambience of the Caroline court after Van Dyck's appointment as 'Principal Painter', of his view of the art of painting. This statement, formulated in appropriately visual terms, characterizes painting as a way of looking and seeing, a mode of vision. In making such a claim, the artist steps aside from the familiar debate about whether painting was a manual or an intellectual discipline, and moves beyond any idea of it as simply a means of representing the external world: the painter's definitive faculty of vision can reach further than those realities which present themselves to the eye. John Peacock analyses the motif of looking - the ways in which figures regard or disregard each other - throughout Van Dyck's work, and the images of the sunflower and the gold chain in this particular portrait, to reveal what is essentially an idealist conception of pictorial art. He contradicts previous opinions that the artist was pedestrian in his thinking, by showing him to be familiar with a range of ideas current in contemporary Europe about painting and the role of the painter.
Author:
Publisher:
Published: 1869
Total Pages: 960
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael Bentley
Publisher: Routledge
Published: 2006-02-27
Total Pages: 1022
ISBN-13: 1134970234
DOWNLOAD EBOOKThe Companion to Historiography is an original analysis of the moods and trends in historical writing throughout its phases of development and explores the assumptions and procedures that have formed the creation of historical perspectives. Contributed by a distinguished panel of academics, each essay conveys in direct, jargon-free language a genuinely international, wide-angled view of the ideas, traditions and institutions that lie behind the contemporary urgency of world history.
Author: Christopher Heuer
Publisher: Routledge
Published: 2009-06-02
Total Pages: 659
ISBN-13: 1135232628
DOWNLOAD EBOOKThe City Rehearsed offers an entirely new perspective on printed architecture in early modern Europe through the lens of Hans Vredeman de Vries. It probes the geographical encounters of dozens of engravings with contemporary texts on architecture, theatre, urbanism, art collecting, even ethnography. The Netherlandish polymath Hans Vredeman de Vries (1526-1609) devoted his entire career to the production of imaginary architecture. Painter, architect, rhetorician, perspective theorist, festival designer, and draughtsman, Vredeman was active in Antwerp, Amsterdam, and Prague, where he designed a mysterious body of architectural prints, works which by the seventeenth century had influenced buildings from Tallinn to Peru. Including Scenographiae (1560), and Perspective (1604-5), Vredeman’s strange publications were among the most widely-distributed "Renaissance" books on building and vision, shipped to England, Spain and even Mexico by 1600. This book, the first sustained study of Vredeman in English, shifts the focus of inquiry to look at the active role his prints played in the life of urban readers outside of a narrowly-defined "Flemish" architectural history. This is a study with clear interest for historians of art and the built environment, and one with broader contemporary resonances for changing definitions of "European" culture and identity in the present day.