This book explores the various personal and social narratives within the songs of Brassens and Brel, the auteurs-compositeurs-interpretes who epitomised what is now widely regarded as the golden era of chanson francaise during the 1950s and 60s. Tinker's discussion reveals the tensions in thenarrators' relationship with themselves, other individuals, and society. The book builds upon, and moves beyond, the two dominant critical approaches used to write about French song: the exclusively biographical oriented approach and the purely linguistic analysis. Tinker focuses both on identity,viewed primarily as a relational process, and on representation: linguistic, musical, vocal, and gestural.
This French-language book is the first to propose a scientific approach to the Aga Khan's religious thought, placing it in its proper perspective by revealing how the Aga Khan responded to contemporary challenges. It will be of interest to both students and scholars of history, orientalism and Islamic thought and cultures, and to anyone interested in South Asia or in the fundamental issues of religion and modernity.
L'édition française de "Sexonomics" est disponible à la librairie en ligne Xlibris. Par rapport au prix de la version cartonnée, la version blanche-et-noire est disponible d'un prix plus abordable.
MY HAN, Martine GEORGES, n e au Vietnam en 1963, a travers la vie sur un chemin parsem de drames et de d sillusions. En tentant d' chapper ce monde hostile elle s'est perdue dans l'alcoolo-d pendance. Prisonni re de cette "cage," elle y a tout perdu. En retrouvant l'Amour, elle est sortie de la cage et s'est envol e pleine de confiance et d'esp rance. Un drame a mis fin son envol. Elle a rejoint Tyr na nOg, le pays de l' ternelle jeunesse, laissant ceux qui restent sur le quai le go t de l'inachev, l'espoir de s'en sortir et la Foi en l'Amour infini...
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
