Les mises en scène du patrimoine : savoir, fiction et médiation (Collection Communication, Médiation et Construits Sociaux)

Les mises en scène du patrimoine : savoir, fiction et médiation (Collection Communication, Médiation et Construits Sociaux)

Author: FLON Émilie

Publisher: Lavoisier

Published: 2012-06-01

Total Pages: 226

ISBN-13: 2746288184

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L'accès au passé, par l'archéologie, l'histoire ou l'exposition, se fonde sur des médiations. Parmi elles, les reconstitutions ou décors d'exposition sont des mises en scène du patrimoine qui font souvent l'objet de critiques. Par leurs aspects spectaculaire et théâtral, elles ne donneraient qu'une illusion de la présence du passé. Elles seraient superficielles, sinon fausses en regard des objets patrimoniaux qu'elles mettent en scène. La fiction n'est-elle pas antinomique du patrimoine et des savoirs garants de son authenticité ? Cet ouvrage montre que les mises en scène sont aussi un moyen de soutenir la force symbolique et l'authenticité du patrimoine. L'analyse d'expositions concrètes de patrimoine archéologique permet de comprendre comment elles construisent une expérience du temps pour le visiteur et un type de médiation original. La construction du discours spatial et l'articulation des éléments fictionnels et des éléments authentiques deviennent alors déterminantes.


The life of mise-en-scène

The life of mise-en-scène

Author: John Gibbs

Publisher: Manchester University Press

Published: 2015-11-01

Total Pages: 264

ISBN-13: 1526103141

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The life of mise-en-scène offers a critical history of key debates about visual style in British film journals in the post-war period. It reclaims an often-ignored or misrepresented history, including: the concept of film poetry in the journal Sequence, changing attitudes in Sight and Sound during the 1950s, and the battle over the significance of film style which raged between a number of small journals and the national press in the early 1960s. It examines the British school, first associated with Movie in the 1960s, which, in Adrian Martin’s words, is enjoying a ‘widespread, international revival’ – but also other critical movements, more hazily remembered. It explores the role of mise-en-scène in melodrama criticism, and considers what happened to detailed criticism as major theoretical movements emerged in the 1970s. In doing so, it provides a vital context for the contemporary practice of style-based criticism and challenges received notions of critical history, developing our understanding of a range of other key debates and concerns in the study of film.


Contemporary Mise en Scène

Contemporary Mise en Scène

Author: Patrice Pavis

Publisher: Routledge

Published: 2013-05-07

Total Pages: 366

ISBN-13: 1136448519

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‘We have good reason to be wary of mise en scène, but that is all the more reason to question this wariness ... it seems that images from a performance come back to haunt us, as if to prolong and transform our experience as spectators, as if to force us to rethink the event, to return to our pleasure or our terror.’ – Patrice Pavis, from the foreword Contemporary Mise en Scène is Patrice Pavis’s masterful analysis of the role that staging has played in the creation and practice of theatre throughout history. This stunningly ambitious study considers: the staged reading, at the frontiers of mise en scène; scenography, which sometimes replaces staging; the reinterpretation of classical and contemporary works; the development of intercultural theatre and ritual; new technologies and their usage live on the stage; the postmodern practice of deconstruction. But it also applies sustained critical attention to the challenges of defining mise en scène, of tracking its development, and of exploring its possible futures. Joel Anderson’s powerful new translation lucidly realises Pavis’s investigation of the changing possibilities for stagecraft in the context of performance art, physical theatre and modern theory.


Author:

Publisher: BRILL

Published:

Total Pages: 190

ISBN-13: 9004653015

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Ex(tra)territorial

Ex(tra)territorial

Author: Didier Lassalle

Publisher: Rodopi

Published: 2014-08-01

Total Pages: 318

ISBN-13: 9401211086

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As a judicial concept dating back to the 17th century, the term ex(tra)territoriality has long excited the interest of scholars and writers who have, since the 20th century, not hesitated to appropriate the notion, widening and transforming it in the process. This transfer to the field of humanities has opened a new space of reflection, a space for imagination, through the means of a creative re-reading, among others, which has given rise to new but related concepts such as “deterritorialization”. To take into account the growing importance of this extraterritoriality paradigm reassessing the idea of territory in literature, culture and languages, this book offers an interdisciplinary and plurilingual journey through four centuries, four continents and a dozen languages, from literature to new media, encompassing philosophy, history, linguistics, the press, the cinema... Notion juridique remontant au XVIIe siècle, le terme d’ex(tra)territorialité suscite depuis longtemps l’intérêt des sciences humaines et de la littérature qui, depuis le XXe siècle, n’ont pas hésité à se l’approprier pour l’élargir et le transformer. Ce transfert du qualificatif ex(tra)territorial vers les humanités a ouvert un autre espace de réflexion, un espace d’imagination, grâce notamment à une relecture créatrice, ce qui a pu donner lieu à de nouveaux concepts apparentés comme celui de « déterritorialisation ». Pour tenir compte de l’importance grandissante d’une pensée de l’ex(tra)territorialité, mettant en question de la notion de territoire dans les domaines littéraire, culturel et linguistique, le présent ouvrage propose un parcours interdisciplinaire et plurilingue à travers quatre siècles, quatre continents et une dizaine de langues, de la littérature aux nouveaux médias, en passant par la philosophie, l’histoire, la linguistique, la presse, le cinéma, etc.


Escape & the Man who Questions Death

Escape & the Man who Questions Death

Author: Xingjian Gao

Publisher: Chinese University Press

Published: 2007

Total Pages: 156

ISBN-13: 9789629963088

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"This collection contains two plays by Gao Xingjian, winner of the Nobel Prize for Literature 2000. Escape was written in 1989 in the wake of the June 4 Student Movement in Tiananmen Square in Beijing. With the publication ofo the play, Gao was expelled from the Chinese Communist Party, dismissed from his state appointment and ahd his house in Beijing confiscated. Perhaps because of this controversy, Escape has become the most performed of all of Gao's plays: it has been staged in Sweden, Germany, Belgium, France, Poland, Japan, Ivory Coast, Tunisia, and Canada. Wherever it was staged, it was given a locally relevant intepretation and was well received, which lends credence to Gao's claim of the universality of the play he describes as the tragedy of modern man. The Man Who Questions Death is the latest of Gao's plays. It is also one of the most exciting and powerful."--Jacket.


Contemporary French cinema

Contemporary French cinema

Author: Guy Austin

Publisher: Manchester University Press

Published: 2021-06-15

Total Pages: 392

ISBN-13: 1526162911

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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.


J-Reading 1-2016

J-Reading 1-2016

Author: Gino De Vecchis

Publisher: Edizioni Nuova Cultura

Published: 2016-10-31

Total Pages: 126

ISBN-13: 8868126966

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Silvia Aru, Fabio Parascandolo, Marcello Tanca, Luca Vargiu ForewordFabio Parascandolo Crisis of landscapes, landscapes of the crisis: notes for a socio-ecological approachAnna Maria Colavitti The crisis of the landscape, the crisis of the norms for the landscape, the planning of the landscape between uncertainty and second thoughts. A few basic issuesBenedetta Castiglioni “Institutional” vs “everyday” landscape as conflicting concepts in opinions and practices. Reflections and perspectives from a case study in Northeastern ItalyPaolo D’Angelo Agriculture and landscape. From cultivated fields to the wilderness, and backSilvia Aru The smart city: urban landscapes in the current crisisFederica Pau Sardinian rebirth landscapes. An aesthetician’s outlookMarcello Tanca Cagliari’s urban landscape: a commons?Serge Latouche Degrowth as a territorial-landscape project


Farce and Farcical Elements

Farce and Farcical Elements

Author: Wim N. M. Hüsken

Publisher: Rodopi

Published: 2002

Total Pages: 228

ISBN-13: 9789042014596

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Farcical elements were incorporated into non-comic drama ever since the theatre had been rediscovered in the Middle Ages. Already at a very early stage, comic scenes proved to be popular additions to liturgical music drama and, later, to religious plays in the vernacular. Some scholars believe that the genre of farce developed out of these farcical elements. The suggestion was made that farces, similar to the stuffing of meat or poultry, had been added to plays to increase audience involvement. Other researchers see quite different origins for the farce. The present volume does not aspire to solve the question of the relationship between the two types of "comedy" on the medieval stages but its editors hope that it will nevertheless contribute to this discussion. In addition, it will enable its readers to form an impression of the huge variety of the comic in the vast area of medieval and early Renaissance theatre and drama.