An attractive invitation to visit Kunsthaus Zürich, Switzerland's largest art museum, and the new exhibits of its permanent collection. In October 2021, David Chipperfield's new extension of the Kunsthaus Zürich will open for the public. The new wing doubles the museum's space for art display. Perhaps more importantly, it offers the opportunity to present larger parts of the museum's permanent collection in a new light and in new groupings. The Chipperfield building is now home to the renowned Merzbacher, Hubert Looser, and Emil Bührle Collections, all on permanent loan to the museum. The formidable selection of French impressionist paintings in the Emil Bührle Collection combined with Kunsthaus Zürich's own holdings of that period constitutes the largest display of impressionist art outside France. In addition, surrealism, art from the postwar period, pop art, and contemporary art now have the prominent space they deserve. This new book offers an introduction to the museum's curatorial concept as well as concise essays on key aspects of Kunsthaus Zürich's permanent collection. Lavishly illustrated with views of the new exhibits and individual artworks, it is an attractive invitation to visit Switzerland's largest art museum.
The completion of David Chipperfield's distinctive new building for Kunsthaus Zürich, one of Europe's leading art museums, in December 2020 has nearly doubled the museum's overall space. In combination with the preceding refurbishments of the earlier buildings, this addition has made Kunsthaus Zürich fit to meet the demands of an art museum in the twenty-first century. A sequel to The Architectural History of the Kunsthaus Zürich 1910-2020, this book comprehensively introduces the new Kunsthaus Zürich, demonstrating how the task of building an art museum in the twenty-first century can be fulfilled. Concise texts, statements by key players in the museum's development and future use, and numerous illustrations trace the project's evolution and the construction process as well as look at the completed building from various perspectives. Chapters also highlight what features contemporary museum infrastructure offers and the architectural and urban design qualities it requires, as well as what financial and organizational challenges the entire undertaking posed. A conversation between experts exploring the expanded museum's impact on its immediate neighborhood and Zurich's urban fabric as a whole rounds out the volume.
"This new book, published to coincide with an exhibition at Kunsthaus Zurich in summer 2017 offers an overview of the development of Mexican graphic art between the late 19th-century and the 1970s, ranging from figurativism to early abstract works. It features around 50 key works on paper, printed using a range of techniques, that deal with issues such as poverty and wealth, love and cruelty, and the poetry and hardships of everyday life. In addition to prints by Jose Guadalupe Posada, there are characteristic Realist works by Leopoldo Mendez, Diego Rivera and David Alfaro Siqueiros as well as abstracts by Rufino Tamayo and Francisco Toledo. Revolutionary ideas and engagement with socio-cultural and socio-political concerns play a key role in the history of Mexican art. The members of Taller de Grafica Popular, a people's graphic art workshop established in 1937 by a collective of international artists in Mexico, produced flyers and posters for the masses supporting trade unions, popular education and socialist issues in the country. Their editions exemplify the typical Mexican tradition of black-and-white woodcuts and linoleum prints. The images depict Mexican life and the customs and characteristics of its indigenous populations, but also include the country's first forays into abstract art. The images are complemented by an introductory essay and brief texts on the artists and featured works. The Mexican Graphic Art exhibition runs from 19 May to 27 August 2017, Kunsthaus Zurich."--Résumé de l'éditeur.
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Gerhard Richter (*1932 in Dresden) has always dealt with the landscape. No other motif has fascinated him as much or kept him so occupied over the years: black-and-white landscapes based on images from magazines and amateur photos; views of mountains and parks painted in thick impasto; softly hued, transparent, illusionist lake scenes. Ever since the subtle Corsica paintings of 1968/69, landscapes have become an established, distinct group of works within the artist's oeuvre. Richter captures reality in a painterly way, such that landscape and abstraction manifest not as opposites but as related concepts. Containing outstanding illustrations and insightful texts, this volume examines Richter's landscapes from the early sixties to the present. (German edition ISBN 978-3-7757-2638-2)
Zürich, Switzerland, is a city that effortlessly blends its rich history with modern sophistication. As you explore the enchanting streets of the old town, you'll be transported back in time. The iconic Grossmünster church stands tall, while narrow alleyways lead you to hidden gems and charming boutiques. Immerse yourself in the city's past at the Swiss National Museum, where artifacts and exhibits unravel the story of Switzerland's cultural heritage. And don't miss the Kunsthaus Zürich, a treasure trove of art spanning from the Middle Ages to contemporary works, showcasing the city's thriving creative scene. No visit to Zürich is complete without experiencing the breathtaking beauty of Lake Zürich. Stroll along the promenade, taking in panoramic views of the glistening water and majestic Alps beyond. For a more immersive experience, hop on a boat tour and witness the city's skyline from the tranquil waters. As you venture further, you'll discover the mesmerizing Botanical Garden, an oasis of serenity where lush greenery and vibrant blooms create a haven for relaxation and contemplation. Zürich's cultural tapestry extends beyond its historic sites and natural splendor. The city is a haven for art enthusiasts, boasting an array of museums and galleries. The Museum of Art and Digital Culture showcases innovative works that push the boundaries of creativity, while the Museum Rietberg takes you on a journey through art from different corners of the world. Delve into the world of design at the Museum für Gestaltung, where exhibits celebrate the power of visual communication and its impact on our daily lives. Zürich's proximity to nature is a constant reminder of Switzerland's awe-inspiring landscapes. Embark on an adventure to Uetliberg Mountain, where hiking trails lead you through lush forests to panoramic viewpoints offering breathtaking vistas of the city and surrounding countryside. Alternatively, immerse yourself in the raw power of nature at Rhine Falls, the largest waterfall in Europe. Feel the mist on your face as you stand in awe of the cascading waters, a true testament to Mother Nature's grandeur. In Zürich, you'll discover a city that seamlessly weaves together a rich tapestry of history, culture, art, and nature. Whether you're wandering through its ancient streets, admiring world-class masterpieces, or immersing yourself in the tranquility of its natural landscapes, Zürich promises an unforgettable journey that will leave you with memories to last a lifetime. Embrace the city's vibrant energy and embark on a captivating exploration of this Swiss gem, where every corner reveals a new delight and every experience is an invitation to fall in love with Zürich's undeniable charm.
"An in-depth look at the disturbing and abject sides of the American photo artist's oeuvre. Throughout her career, Cindy Sherman (*1954 in Glen Ridge, New Jersey) has been interested in the derailed and deviant sides of human nature, noticeable both in her selection of subject matter (fairytales, disasters, sex, horror, and surrealism) and in her disquieting interpretations of well-established photographic genres, such as film stills, fashion photography, and society portraiture. This richly illustrated publication seeks to highlight and acknowledge these aspects of her work based on selected examples and accompanied by texts by well-known authors, filmmakers, and artists who likewise deal with the grotesque, the uncanny, and the extraordinary in their artistic practice."--Publisher's website.
The Private Collector’s Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction. By exploring a range of in-depth contemporary case studies, the book aims for a more complex understanding of the private collector’s museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private–public engagement in general. Providing a new analysis of philanthropy, public access and the museum, The Private Collector’s Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues.
