It is estimated that some three million people died in the Soviet forced-labour camps of Kolyma, in the northeastern area of Siberia. Shalamov himself spent seventeen years there, and in these stories he vividly captures the lives of ordinary people caught up in terrible circumstances, whose hopes and plans extended to further than a few hours This new enlarged edition combines two collections previously published in the United States as Kolyma Tales and Graphite.
From the author of the award-winning White Fever, Kolyma Diaries is an excursion into one of the world's last remaining badlands, a place full of Gulag ghosts and living wrecks. All along the 2000 kilometres of the Kolyma highway, Bader is plied with vodka. He hears mesmerizing, sometimes devastating, tales of the journeys that brought his 'fellow travellers', the people who give him lifts, to this benighted land. This is a book about the descendants of prisoners eking out a living, of conmen and veterans and scrap iron dealers, of corrupt politicians and organised crime. Stories are told of sons given away, husbands who reappear after three decades, scholars who now survive by foraging for mushrooms and berries, sculptors who hoard the heads lopped off statues of Lenin, miners who dig up mass graves while looking for gold, and all the addicts, convicts, fallen heroes and even sportsmen who run away from their troubles and end up in the most remote region in Russia
Kolyma Yukaghir is a seriously endangered language spoken by about 50 people in the northeast of Asiatic Russia. It is one of the two surviving languages of the Yukaghir family, which is considered by different scholars either as an isolate left over from before the expansion of other languages and language families into Siberia, or as a distant relative of the Uralic family. In many ways, Yukaghir fits the grammatical type widespread among the languages of Siberia, namely that of predominantly verb-final dependent-marking language with relatively rich agglumative morphology and deranking strategies of clause linking. Furthermore, it has a number of typologically remarkably features, which will be of interest to general linguists irrespective of their theoretical orientation. These include Yukaghir focus-marking system, differential object marking based on global effects of person hierarchy, the obligatory use of bound possesive markers to indicate non-coreference of the possessor with the subject, elaborated switch-reference system, initimate interaction between aspect and valence-changing derivation, etc. The book incorporates all major components of descriptive grammar, from phonology to syntax, with a special chapter on coreference and discourse coherence, annotated and translated sample texts, a Yukaghir-English vocabulary, and a subject index. The description is based on extensive field materials and richly exemplified by non-elicited data. The organization of the book facilitates its use as a reference grammar, with numerous cross-references between sections and concise summaries of interrelated phenomena discussed in various parts of the grammar. The book is of interest to scholars of Uralic and Siberian languages, linguistic typology, and general linguistics.
This book analyses eleven of Varlam Shalamov's Kolyma Tales from a neo-Formalist perspective. The tales are a testament to Shalamov's seventeen years in Stalin's Gulags, and were written in an attempt to draw attention to this period in Soviet history. Nathaniel Golden has primarily utilised L. M. O'Toole's work Structure, Style and Interpretation in the Russian Short Story as the major basis for analysis, but has incorporated many other Formalist and indeed Structuralist methods. The tales in each chapter are analysed by means of five major Formalist categories: Narrative Structure, Point of View, Fabula and Sujet, Characterisation and Setting. This process highlights many of Shalamov's ideas and motifs in the tales. He frequently uses techniques of estrangement and paradox to augment camp experience, reflecting his belief that there is no moral, emotional or spiritual gain in suffering. He habitually employs a 'focaliser' to tell the tale from a near-death perspective and in consequence distances the author from events. His literary background is prominent within the tales, where he occasionally alludes to earlier Russian authors and their works to indicate the recurring nature of Man's fallibility against the Gulag background. His characters are often simply portrayed yet representative of flawed heroes and the baseness of human beings subjected to an existence in extremis. His settings are minimal, yet form a major part of his message: Man is compared to nature, but nature is powerful and able to regenerate itself, whereas Man's existence is temporary and futile. This book therefore, shows that the Formalist approach is indeed still valid as a literary tool of analysis as well as showing that upon the 50th year of Stalin's death, Varlam Shalamov's time has arrived.
Sofia Petrovna is Lydia Chukovskaya's fictional account of the Great Purge. Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges.
"This book documents the often horrific stories of the Gulag fleet and its passengers and reveals the unwitting role of the U. S. government in the operation. U.S. shipyards built most of the Gulag fleet and later overhauled many ships free of charge. Bollinger details this tragic saga of forced relocation using firsthand testimony from those involved in the operation and materials from both American and Russian archives. His examination of how much Washington knew about the use of American ships to transport slave laborers adds valuable information to the record of the Soviet Union under Stalin."--BOOK JACKET.
The lives of seemingly ordinary people intertwine in GRAPHITE, a modern contemporary saga, when a man saves the life of a toddler. Whilst waiting for the bus, Maurice meets and chats with Arnold, a bin man. He decides to walk home and ends up saving toddler, Charlie, from being hit by a car. He is accused of attempted kidnap and is sent to prison. Terry, his lawyer, looks for the driver, but his investigation gets complicated, involving the Met police and an International Crime Organisation led by Masood. Sean, a priest, is forced on sabbatical for his outcry during Maurice’s arrest. He travels to Malaga and befriends Miguel, a gay man. In hospital he falls in love with Maria, a nurse. Will love or the church decide his future? Birdie, a Met Sergeant, known as the Ice Maiden, and Ivor, a Met detective and flirt, help Terry seek the car driver and a mole in their office. She visits her brother, Terry’s assistant, and is attacked by local thug. GRAPHITE is a gripping crime and psychological duology with humour that will keep readers hooked until the very end.
,"A book that belongs on the shelf alongside The Gulag Archipelago. -- Kirkus Reviews A haunting literary and visual journey deep into Russia's past -- and present. The Gulag was a monstrous network of labor camps that held and killed millions of prisoners from the 1930s to the 1950s. More than half a century after the end of Stalinist terror, the geography of the Gulag has been barely sketched and the number of its victims remains unknown. Has the Gulag been forgotten?Writer Masha Gessen and photographer Misha Friedman set out across Russia in search of the memory of the Gulag. They journey from Moscow to Sandarmokh, a forested site of mass executions during Stalin's Great Terror; to the only Gulag camp turned into a museum, outside of the city of Perm in the Urals; and to Kolyma, where prisoners worked in deadly mines in the remote reaches of the Far East. They find that in Vladimir Putin's Russia, where Stalin is remembered as a great leader, Soviet terror has not been forgotten: it was never remembered in the first place.
