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The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.
Cambridge International AS & A Level Further Mathematics supports students following the 9231 syllabus. This single coursebook comprehensively covers all four modules of the syllabus and helps support students in their studies and develops their mathematical skills. Authored by experienced teachers of Further Mathematics, the coursebook provides detailed explanations and clear worked examples with practice exercises and exam-style questions. Answers are at the back of the book.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A useful aid for all committed and aspiring poets. A good rhyming dictionary is an essential tool for all writers of verse. This volume is compactly arranged to allow writers to find the rhymes they need quickly and easily.
M. Jourdain, a character in a Moliere play, was amazed when told he had been speaking prose all his life. Willard Espy, who has been compared to Lewis Carroll for his light-hearted and fanciful treatment of words, points out that every day we use rhetoric just as unknowingly. In this latest book, Mr. Espy has created a preposterous wonderland, a garden such as never was; and in the words of Henry Peacham (who published the first Garden of Eloquence in 1577), he has "set therein such figurative Flowers, both of Grammar and Rhetoric, as do yield the sweet savor of Eloquence." Besides its flowers, Espy's Garden is inhabited by creatures large and small, lovable and quarrelsome, beautiful and ugly, each incarnating some figure of speech (or trope)-that magical device that extends the range of language to infinity. We are all familiar with such common tropes as metaphor, hyperbole, and alliteration, but did you know that when the minister says "let us gather together" he is employing pleonasmus? Or that "it was no small task" is an example of litotes? Was Eliza Doolittle aware, when she said she wanted to sit "absobloominlutely still," that she was teaching Henry Higgins about tmesis? Metaphor, hyperbole, alliteration, pleonasmus, litotes, tmesis-these are but a sprinkling of the unforgettable Garden folk. Espy explains more than 200 rhetorical devices, dozens of them in verses sung by the tropes themselves. Each verse is followed by a definition, a comment, and examples of the usage in history, literature, and everyday speech. Thirty of the figures come visually alive in Teresa Allen's charming and witty illustrations, and word games abound throughout the book.