Like all warrior classes throughout history medieval knights engaged in military games, partly in preparation for war and partly for pure sport. From their often brutal origins in the 10th century to the gaudy pageantry and eventual decline of the 15th and 16th centuries, tournaments were the centre of the knightly life. The image of the armoured and surcoated knight on his caparisoned charger remains the epitome of the chivalric ideal. Christopher Gravett explores the history of the tournament from its chaotic beginnings to its more formal, 'civilised' incarnation, describing the various 'events' and equipment which came into use.
In the Middle Ages Tournaments were the equivalent of Medieval football, with the 'star players' gaining wealth and prestige. Here is the history of the Tournament.
This collection of medieval plates, dedicated to Saxon knights in tournament dress from the 14th century, was created in 1889 to celebrate the anniversary of the distinguished Wettin family. The House of Wettin is a dynasty of German counts, dukes, prince-electors and kings that once ruled territories in the present-day German states of Saxony, Saxony-Anhalt and Thuringia. The book dates back to 1889 and was printed by Wilhelm Hoffmann of Dresden in a very limited edition of 52 x 38 cm each panel. The technique used is the chromolithography method, the lithographer is G. Hohneck, who used the collotype technique to colour all the images obtained. Our very rare copy comes from the plates that belonged to the Dutch doctor H. J. Vinkhuijzen, an eccentric collector and passionate lover of military iconography. Since 1911 the collection has been donated to the New York Public Library by Mr. Henry Draper, heir to the Dutch doctor. And it is from this collection that Soldiershop has taken the subjects of this new publication. Almost all the 63 original images were in a bad state of preservation, full of stains, scratches and rips on all the pictures. For our book we have submitted each table to a rigorous cleaning and re-classification to provide a complete, easy and useful work for all scholars and fans of uniformology of military history, costume and beyond.
Plans to host a tournament in the spring of 1322, gives moneylenders everywhere a golden opportunity. Many knights in Devon are already indebted to Benjamin Dudenay, and when a month before the festivities, he is found beaten to death, it is not in the least bit surprising. Simon and Baldwin must hurry to find the culprit, but then a carpenter commissioned to build the stands is killed in a similar fashion, leaving them with even more mysteries to solve…
A survey of the tournament in England from its first emergence in the 12th century to the beginning of the 15th, when technical changes altered its very nature. Juliet Barker surveys the tournament in England from its first emergence in the twelfth century to the beginning of the fifteenth, when it was revolutionised by the emergence of technical changes which altered its very nature. Theoriginal publication of this study, deriving from Juliet Barker's PhD thesis supervised by Maurice Keen, reestablished the importance of the tournament at the heart of medieval chivalric culture. The first serious scholarly publication for over half a century, it dramatically reawakened interest in the historical context of tournaments, and is especially valuable for its detailed evidence on the early years. Tournaments are shown as far more than just sport. They had wide political, social and military implications; in England their potential as a political instrument was quickly realised: for the disaffected they became a means of rebellion and feuding, but for the king and court they were a powerful propaganda machine. Participation in tournaments was also a way to earn a coveted reputation for chivalry; the passion for tourneying could bring knights lasting fame. Military demands accounted for the increasing sophistication of armour and weapons, partly in response to the demands of the tourneyers, who needed military training that reflected their role in actual combat. This wide-ranging study looks at the tournament fromall these angles, and in so doing produces an exemplary history of the first three hundred years of their development. JULIET BARKER is a well-known broadcaster and writer, whose other books include The Brontesand Wordsworth: A Life in Letters.
The bestselling creators of the Edge Chronicles deliver a second helping of knightly adventures for middle-graders, in which Lance becomes caught in a web of sorcery and secrecy that even he may not be able to untangle. Illustrations.
A history of the war experience of 13th and 14th century England. With anecdotes and illustrations, it explores how English medieval armies fought, how men were recruited, how the troops were fed, supplied and deployed, the development of weapons, and the structure of military command.
Renowned scholar Thomas Asbridge brings to life medieval England’s most celebrated knight, William Marshal—providing an unprecedented and intimate view of this age and the legendary warrior class that shaped it. Caught on the wrong side of an English civil war and condemned by his father to the gallows at age five, William Marshal defied all odds to become one of England’s most celebrated knights. Thomas Asbridge’s rousing narrative chronicles William’s rise, using his life as a prism to view the origins, experiences, and influence of the knight in British history. In William’s day, the brutish realities of war and politics collided with romanticized myths about an Arthurian “golden age,” giving rise to a new chivalric ideal. Asbridge details the training rituals, weaponry, and battle tactics of knighthood, and explores the codes of chivalry and courtliness that shaped their daily lives. These skills were essential to survive one of the most turbulent periods in English history—an era of striking transformation, as the West emerged from the Dark Ages. A leading retainer of five English kings, Marshal served the great figures of this age, from Queen Eleanor of Aquitaine to Richard the Lionheart and his infamous brother John, and was involved in some of the most critical phases of medieval history, from the Magna Carta to the survival of the Angevin/Plantagenet dynasty. Asbridge introduces this storied knight to modern readers and places him firmly in the context of the majesty, passion, and bloody intrigue of the Middle Ages. The Greatest Knight features 16 pages of black-and-white and color illustrations.
