Was the first man you fell for a brooding desert prince? Or better still, a cruelly handsome feudal lord? Are you a spirited beauty, your fire contained—but only just—by the clinging brocade of your lehenga’s choli? A delicious Kama Kahani is sure to strike your fancy. Dazzling Shameena runs wild in the nawab’s palace in Lucknow until her weak-willed father promises her to Nicholas Winthrop, the richest Englishman in the subcontinent. Furious about the alliance, she rebels and flees her father’s home, disguised as a courtesan. But when Asef, the thrillingly mysterious bodyguard of Nicholas, is dispatched to bring her back, Shameena finds herself caught in a dangerous game, between East and West, fire and ice...
The voluptuous beauty Mekalai is coveted by the evil feudal lord Narasimhan. But Mekalai loses her heart to Vikraman, the notorious thief of Poompuhar, whose escapades have been giving sleepless nights to the rich in the town. The romance however seems star crossed under Narasimhan’s evil shadow. Will good win over evil? Will love conquer lust? Fraught with dark secrets and unbridled desire, the story of Mekalai and Vikraman is sure to set all hearts on fire.
Was the first man you fell for a brooding desert prince? Or better still, a cruelly handsome feudal lord? Are you a spirited beauty, your fire contained—but only just—by the clinging brocade of your lehenga’s choli? A delicious Kama Kahani is sure to strike your fancy. Rani, a radiant Punjabi beauty and the illegitimate daughter of Maharajah Ranjit Singh, is kidnapped by the notorious bandit Ranbir Singh, who decides to use her as a pawn in his revenge against the King. But soon she realizes she cannot ignore her desire for her captor, handsome and mysterious as he is. Torn between passion and loyalty, past and present, Rani must discover what really lies in her heart.
Was the first man you fell for a brooding desert prince? Or better still, a cruelly handsome feudal lord? Are you a spirited beauty, your fire contained—but only just—by the clinging brocade of your lehenga’s choli? A delicious Kama Kahani is sure to strike your fancy. Devastatingly handsome Rajput lothario Shivendra of Jaigarh has a formidable reputation—until he meets his match in bewitching Nandini, the headstrong daughter of an impoverished zamindar from Multan. He decides he must have Nandini as his mistress, but she is determined to resist his indecent proposal, attracted as she is to him. Shivendra is persistent, however, and defies convention to bring them together illicitly. But for how long, and to what end? Through desert sandstorms and Mughal camps, the epic love story of the yuvraj and his impetuous lover unfolds.
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-02-1941 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 89 VOLUME NUMBER: Vol. VI, No. 5 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 25-84 ARTICLE: 1. Should Women 2. Retains Job After Marriage? 3. Armchair Excursions 4. Tutor And Entertainer 5. Spotlight On The War 6. Gallantary Of Indian Troops In The Middle East 7. Microphone Personalities —7 E.J. Bingle AUTHOR: 1. Mrs. Sujata Roy 2. Mrs. Saroj Roy 3. Unknown 4. Listener 5. Unknown 6. Sir Claude Auchinleck 7. Unknown KEYWORDS: 1. Modern Age, Independence And Equality, Married Women 2. Financial Help, Sources Of Inspiration, Unemployment Problem, Educated Women 3. Armchair Travel, Modern Science, Radio Broadcasting 4. Radio, Health And Exercise 5. Dramatised Dialogues, World War II 6. Delhi Station, Great Britain, German Air Force 7. Professor E.J. Bingle, Madras, Hitler Claims The World, Modern Propaganda Methods Document ID: INL-1940-41 (J-D) Vol- I (05)
Faiz Ahmen Faiz is looked on as the most important Urdu poet in both India and Pakistan. This collection of his poems is representative of the best in contemporary Urdu writing. The Urdu text is presented with English translations.
Mirza Ghalib is to the Urdu language what William Shakespeare is to the English language. And the most widely read Urdu book in the world is a collection of the Love Sonnets of Ghalib. These sonnets resonate with the voices of maestros through the corridors of history. Ghalib is not just an Asian phenomenon and his sonnets are loved and studied worldwide.
This book explores the poetic articulations of a shift from a transcendent to an immanent worldview, as reflected in the manner of evaluation of body and soul in Goethe’s Faust and Ḥāfiẓ’ Divan. Focusing on two lifeworks that illustrate their authors’ respective intellectual histories, this cross-genre study goes beyond the textual confines of the two poets’ Divans to compare important building blocks of their intellectual worlds.
Bollywood Sounds focuses on the songs of Indian films in their historical, social, commercial, and cinematic contexts. Author Jayson Beaster-Jones takes readers through the highly collaborative compositional process, highlighting the contributions of film directors, music directors (composers), lyricists, musicians, and singers in song production. Through close musical and multimedia analysis of more than twenty landmark compositions, Bollywood Sounds illustrates how the producers of Indian film songs have long mediated a variety of musical styles, instruments, and performance practices to create a uniquely cosmopolitan music genre. As an exploration of the music of seventy years of Hindi films, Bollywood Sounds provides long-term historical insights into film songs and their musical and cinematic conventions in ways that will appeal both to scholars and to newcomers to Indian cinema.
