Kiviuq, one of the greatest and most important characters in Inuit mythology, faces one of his most frightening opponents yet: Iguttarjuaq, a bee in human form. Known as the Bee Woman, a fearsome figure who is said to cook and eat humans. Illustrations.
The Indians of the northwestern plains always laughed at the tales about Old-man, heard around the lodge fire in the wintertime after sunset. For a powerful character, he was comically flawed. Old-man made the world but sometimes forgot the names of things. Victim and victimizer, he seemed closer to common experience than the awesome god Manitou. Frank B. Linderman thought Old-man was, under different names, a god for many Indian communities. ø These stories?collected from Chippewa and Cree elders and first published in 1920?are full of wonder at the way things are. Why children lose their teeth, why eyesight fails with age, why dogs howl at night, why some animals wear camouflage?these and other mysteries, large and small, are made vividly sensible.
How do shape-shifting shamans, a giant cannibalistic bumblebee, and human marriage with animals speak to Canadian Inuit and Siberian indigenous peoples today? How can artists present ancient legend in live performance and film with sensitivity to the source? Why are long multi-layered stories essential for adults and children in an age of commercial television?
The Arctic is ruled by ice. For Inuit, it is a highway, a hunting ground, and the platform on which life is lived. While the international community argues about sovereignty, security, and resource development at the top of the world, the Inuit remind us that they are the original inhabitants of this magnificent place - and that it is undergoing a dangerous transformation. The Arctic ice is melting at an alarming rate and Inuit have become the direct witnesses and messengers of climate change. Through an examination of Inuit history and culture, alongside the experiences of newcomers to the Arctic seeking land, wealth, adventure, and power, Our Ice Is Vanishing describes the legacies of exploration, intervention, and resilience. Combining scientific and legal information with political and individual perspectives, Shelley Wright follows the history of the Canadian presence in the Arctic and shares her own journey in recollections and photographs, presenting the far North as few people have seen it. Climate change is redrawing the boundaries of what Inuit and non-Inuit have learned to expect from our world. Our Ice Is Vanishing demonstrates that we must engage with the knowledge of the Inuit in order to understand and negotiate issues of climate change and sovereignty claims in the region.
"Native telling of the Windigo, the Night Spirit of Winter, told by an uncle elder to two Aboriginal cousins, and the tracking of the feared creature into the forest. This illustrated story is populated with raven, moose and other forest animals, the Spirit Moon and a cold winter night; a heartwarming story of family, love, togetherness and respect for the environment."--
"Nibi, a Native American girl, cannot get clean water from her tap or the river, so she goes on a journey to connect with fellow water protectors and get clean water for all"--
In an age where southern power-holders look north and see only vacant polar landscapes, isolated communities, and exploitable resources, it is important to note that the Inuit homeland encompasses extensive philosophical, political, and literary traditions. Stories in a New Skin is a seminal text that explores these Arctic literary traditions and, in the process, reveals a pathway into Inuit literary criticism. Author Keavy Martin considers writing, storytelling, and performance from a range of genres and historical periods—the classic stories and songs of Inuit oral traditions, life writing, oral histories, and contemporary fiction, poetry and film—and discusses the ways in which these texts constitute an autonomous literary tradition. She draws attention to the interconnection between language, form and context and illustrates the capacity of Inuit writers, singers and storytellers to instruct diverse audiences in the appreciation of Inuit texts. Although Eurowestern academic contexts and literary terminology are a relatively foreign presence in Inuit territory, Martin builds on the inherent adaptability and resilience of Inuit genres in order to foster greater southern awareness of a tradition whose audience has remained primarily northern.
Unique and as beautiful as a snowflake or footprint, an Inuksut (inNUKshuk,) is one of the stone figures that can be seen dotting the Canadian Arctic region. Many made by ancient hands, the Inuksuit (inNUKsweet) purposes are varied, from earthly uses such as navigation and message centers to those of the spirit, as sites of reverence. Author Mike Ulmer explores the connectedness of all Arctic life in his tale, The Gift of the Inuksuk.To find recipes, games, interactives maps and much more for this title visit www.discovertheworldbooks.com! Author Mike Ulmer keeps an Inuksuk at home--it reminds him of the way the Inuit People of the North live a simple life and consume only what they need. His tale expresses this belief in a warm and simple manner that readers of all ages will appreciate and enjoy. Artist Melanie Rose's charming and lively oil paintings bring great variety and surprising bursts of color to this unique northern story.Mike lives in Hamilton, Ontario, Canada with his wife Agnes Bongers and their three daughters: Sadie, Hannah and Madalyn. When he is not learning about Inuksuk, Mike writes a sports column for the Toronto Sun newspaper. Among Mike's books are M is for Maple: A Canadian Alphabet and H is For Horse: An Equestrian Alphabet. Melanie Rose lives in Mississauga, Canada with her son Liam, and their two cats, Mickey and Meesha. Melanie teamed up with Mike previously on M is for Maple: A Canadian Alphabet. She has also illustrated Z is for Zamboni: A Hockey Alphabet and K is for Kick: A Soccer Alphabet. She is a graduate of the Ontario College of Art.