The FBI Specialist, Sophie Kramer discovers a frightening clue in the disappearance of an American girl in New Delhi that involves the US embassy, police and the Indian politicians. Will she survive the web weaved by both the criminal underworld and the law enforcement system and find the missing girl? It depends on what Sophie does next. Keywords: Mystery, FBI Files, Child Abduction, Thriller, Child Prostitution, Fiction, International Crime, Human Rights Abuse, Corruption, India
"Who was Vatsyayana? What motivated this intriguing personality in the third century to compile ancient erotic texts, replete with his witty aphorisms, into the Kama Sutra, the ultimate treatise on love and the art of lovemaking? Kama is a fictionalised account of the life and times of Vatsyayana. Seemingly, a manual for the hedonist about town, the Kama Sutra reveals another tale—written in blood—of broken hearts, lyrical violence, ageless love, and unbridled lust! Set in 273 AD, in a land fraught with war and unrest, Kama is the story of a catastrophic day in a writer-artist’s life that sets him off on a journey unto himself, beyond the boundaries of love, family and betrayal. This fast-paced story of tragedy and triumph beguiles and captivates as it flits seamlessly between an agonising past, an erotic present and a cataclysmic future."
Our Miniature Edition™ abridgment of one of the world's best-known texts is accompanied by lush, sensuous illustrations. The oldest existing Hindu book of erotic love, the Kamasutra still has much to offer modern lovers looking for new paths to pleasure and enlightenment.
India is explained as the land of many experiences from where, when you leave, you take only half of you because the other half you lose due to dysentery, nausea, vomiting, sickness and such other weight-loss techniques—Dr. Atkins paradise, you might say. Roots? Hell no. A cruel twist of kismet, or rather a need of employment to pay alimony, brought me back to my country of birth, India, that I had left almost a quarter of a century ago seeking greener pastures overseas. But it was perhaps a foible of karma that upon returning and during our two years of staying in India, we lived in the two most amazing and diagonally opposite in nature cities for an equal amount of time—Calcutta, the City of Joy, and New Delhi, the City of Sorrows. Although considered fictional, the story of City of Joy is based on true characters. It revolves around the trials and tribulations of a young Polish priest, the hardship endured by a rickshaw puller, and the experiences of a young American doctor. My stories are about the trials and tribulations of a non-confrontational Canadian engineering executive (me…really) and his thrill-junky Canadian doctor wife.I must admit it was rather nostalgic for me to return to my home country after a three-decade absence. I guess after the sudden loss of my job, I was very thankful to find not only a well-paid, senior position but also to have the opportunity to come back to my country of birth—all expenses paid. Besides, ever since I watched 'Roots,' I was convinced that only by returning to India would I find answers to all those questions that had been hounding me for a very long time. You know the questions we all tend to think of when we lose a job through no fault of our own, like: Is there a god? Why me? Will I find peace? Will I come back as a woman in my next life? Okay, maybe not the last one, that may be my crazy thinking because just once I would like a chance to find the meaning of life in morning coffees, shopping trips, elaborate hairdos, and hours in beauty salons and spas while some sucker who spent half his life educating himself looked after me, worshiped me and cared for all my needs. Anyway, here I was, back in India and thankful for being gainfully employed.Here is an odd thing. Just when one thinks that one knows everything about something, one is always inevitably in for a surprise. I thought I knew everything about my country. You know, the corruption, bad service, and dirty politics. No, no, I am not talking about Canada. I am talking about India. Wait a minute. Come to think of it, it could well be Canada. Anyway, this time I am talking about India.Read my humorous, misadventure stories of how as an Indian I barely survived India and at the same time my wife as a Canadian thrived in this blessed place. These stories may give you an insight to how to survive corporate India or die laughing.
This definitive volume is the first modern translation of Vatsyayana's Kama Sutra to include two essential commentaries: the Jayamangala of Yashodhara and the modern Hindi commentary by Devadatta Shastri. Alain Danilou spent four years comparing versions of the Kama Sutra in Sanskrit, Hindi, Bengali, and English, drawing on his intimate experience of India, to preserve the full explicitness of the original. I wanted to demystify India, he writes, to show that a period of great civilization, of high culture, is forcibly a period of great liberty.
Beyond Bollywood is the first comprehensive look at the emergence, development, and significance of contemporary South Asian diasporic cinema. From a feminist and queer perspective, Jigna Desai explores the hybrid cinema of the "Brown Atlantic" through a close look at films in English from and about South Asian diasporas in the United States, Canada, and Britain, including such popular films as My Beautiful Laundrette, Fire, MonsoonWedding, and Bend it Like Beckham.
Why ask this question today? After all, a lot is written about India, her culture, her past, her society, the psychology and sociology of individuals and groups. Why is that not enough? It is because what we have learnt so far is either false or fragmentary. If Indian culture is not a slightly inferior, slightly idiosyncratic variant of Western culture, as the received view has it for a very long time, what else is it? Research into culture and cultural differences gives novel and surprising answers. Written for an intelligent but lay public, this book shares the results of 40 years of scientific investigations in the research programme Comparative Science of Cultures. It transcends the political distinction between ‘the right’ and ‘the left’ by looking deeper into ideas on human beings, society, culture, experience, the past, impact of colonialism etc. Today, the question ‘What does it mean to be ‘Indian’?’ is both important and difficult to answer. Is there something ‘Indian’ about this culture that goes beyond the differences between Hindus, Muslims, Christians, Sikhs or Jains? What does it überhaupt mean to belong to Indian culture?
Lorna Kepler was beautiful and willful, a loner who couldn't resist flirting with danger. Maybe that's what killed her. Her death had raised a host of tough questions. The cops suspected homicide, but they could find neither motive nor suspect. Even the means were mysterious: Lorna's body was so badly decomposed when it was discovered that they couldn't be certain she hadn't died of natural causes. In the way of overworked cops everywhere, the case was gradually shifted to the back burner and became another unsolved file. Only Lorna's mother kept it alive, consumed by the certainty that somebody out there had gotten away with murder. In the ten months since her daughter's death, Janice Kepler had joined a support group, trying to come to terms with her loss and her anger. It wasn't helping. And so, leaving a session one evening and noticing a light on in the offices of Millhone Investigations, she knocked on the door. In answering that knock, Kinsey Millhone is pulled into the netherworld of unavenged murder, where only a pact with the devil will satisfy the restless ghosts of the victims and give release to the living they have left behind. Eleven books into the series that has won her readers around the world, Sue Grafton takes a darkside turn, pitching us into a shadow land of pain and grief where killers still walk free, unaccused, unpunished, unrepentant. With "K" is for Killer she offers a tale that is dark, complex, and deeply disturbing. "A" Is for Alibi "B" Is for Burglar "C" Is for Corpse "D" Is for Deadbeat "E" Is for Evidence "F" Is for Fugitive "G" Is for Gumshoe "H" Is for Homicide "I" Is for Innocent "J" Is for Judgment "K" Is for Killer "L" is for Lawless "M" Is for Malice "N" Is for Noose "O" Is for Outlaw "P" Is for Peril "Q" Is for Quarry "R" Is for Ricochet "S" Is for Silence "T" Is for Trespass "U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"
In the not-so-distant future, India has fallen, and the world is on the brink of an apocalyptic war. An attack by the terrorist group Invisible Hand has brutally eliminated the Indian Prime Minister and the union cabinet. As a national emergency is declared, chaos, destruction and terror reign supreme.
Nine-year-old Meena can’t wait to grow up and break free from her parents. But, as the daughter of the only Punjabi family in the mining village of Tollington, her struggle for independence is different from most.
